Master Boot Record Books a European Tour for Next Fall


Italy-based electronic metal project Master Boot Record (MBR) will return to European stages in the fall for a full tour! Check the full routing below. Master Boot Record is helmed by technologist/producer/songwriter Victor Love (AKA Vittorio D’Amore). Founded in 2016, Love fuses heavy metal and synthesized electronic music to fabricate a sound that exists in a singular category of its own. The live shows see D’Amore taking the stage along with guitar virtuoso Edoardo Taddei on lead guitars and technical death metal drummer Giulio Galati and features stunning retro-visuals in a journey into demoscene, crack scene, and retrogaming.Continue reading


Victor Love – The Network EP


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For those of you unfamiliar with the delights of Victor Love: no, this isn’t some 1950s B-Movie hero. Love, in fact, heads up Italian Electro-Industrialists Dope Stars Inc, and The Network EP (Self-Released/Independent) is a rare solo outing.

It’s an edgy if often thin sound: opener ‘Doom Trap’ is punchy and sinister, but heavy on the synth work which occasionally comes across as a forlorn clavichord. It’s easy to level accusations of 80s Pop toward this but in truth there’s far more drama: ‘…Trap’s roared choruses possess the breezy airs of Babylon Zoo, but strangely succeed in thickening the atmosphere rather than lifting it. There’s a cheesiness to the ensuing ‘Machine Gun’ despite the subtle clashing and grinding which underpins the confrontational refrain; the almost onomatopoeic delivery and horrendous, Bontempi-style preamble grating somewhat. There is, however, cold steel in the near-antagonistic focal points, and an icy chill to the initially sparing keys of closer ‘Net Reality’: the standout track, displaying tragedy through the lush high points which falls somewhere between a balladic Marilyn Manson and an Electronica-laden Placebo. Here Love’s voice is spiked yet melodic, the frisson created by those icicle-drop keys evoking the seedy desolation of a dark backstreet in 30s Berlin.

It’s debatable how potent a full album of this occasionally brittle yet bitter Cyber-Punk style could be. The Network is eminently listenable nevertheless, and possesses enough sharp teeth to pique the emotions.

 

6.0/10

PAUL QUINN