Comprising members of Unsane, Swans and Cop Shoot Cop, New York quartet Human Impact embrace all of those bands’ qualities and add a rebellious Noise element which belies the middle age quickly enveloping the protagonists. Debut album Human Impact (Ipecac Recordings) sees that collective maturity provides a focused, prowling edge. Continue reading
Odd, noisy, relaxing, introspective, and uneven are some of the words that can be used to describe BC35 Volume Two and that’s just with regards to the first four songs. For those out of the loop BC35 Volume Two is the second and final piece of the BC Studio anniversary puzzle. In short, producer and cultural antagonist Martin Bisi – known for his recording work with the likes of Helmet, Unsane, Dresden Dolls and more – has assembled a group of musicians and let them kick out the jams. Continue reading
Take note, kids, Wrong has the 411 on how to properly record an album in 2018. Wrong’s latest, Feel Great (Relapse), is the result of entering the studio with a set vision and ample preparation. You know your shit is tight when you can deliver 11 aggressive and tuneful tracks in about the span of time it takes for Domino’s to deliver its pizza-adjacent product. Continue reading
Southern Lord, forever home to some of the best and gnarliest bands in the underground is hosting a showcase later this month in Amsterdam, home to their European Office. The show takes place October 29th at the Melkweg. Details below. Continue reading
For a band and musical landmark that is rapidly approaching its 30th anniversary, New York City’s Unsane remain steadfast to their noise/metal vision. Outside of improved yet not overwhelming production and mix, Sterilize (Southern Lord) is vintage Unsane with its jagged guitars to the blood-spattered album art. It may all seem foreign to younger heavy metal converts, but to those in the know it’s a lovely revisit to the musical wild west that were the 1990s. Continue reading
Check out all of today’s new releases in the heavy metal world! Continue reading
New York noise-rock band Fashion Week has announced their next album So Last Season, due out this March on their own label InDebth Recordings. Details below Continue reading
As the build-up continues ahead of the release of False Flags‘ debut mini-album Hexmachine, Ghost Cult are pleased to continue our association with the technical-hardcore miscreants from northern England by bringing you the stream of a new track, ‘Pet Wolf’ from the soon to be released mini-album.
Ghost Cult recently caught up with vocalist Chris Jenkinson (in a feature you can read here), who had this to say about the subject matter of their new outpouring:
The lyrics are kind of weird, really. Each song has a theme but they’re not really about anything in particular. Most of the time we come up with the title first, then I try to write around that. Charlie came in one day and said “Can we call a song ‘Pet Wolf’?” So that ended up being about one of my Chihuahuas being a little shit!
I’m a big fan of lyricists like Cedric Bixler (The Mars Volta) and John Congleton (The Paperchase) so I try to do that “interpret it how you like” kind of thing.
False Flags – ‘Pet Wolf’
Hexmachine, which the band will be releasing themselves, spurts abrasive, disjointed rock and takes inspiration from the likes of Unsane, Breather Resist, Botch and Coalesce. It will be released on 20th November.
The album launch show takes place at Bad Apples in Leeds, also on 20th November.
Who do they think they are with that bio? Nirvana? They’ll never own enough plaid! The Ramones with that promo shot in front of the former CBGB’s with is now ironically a high-end fashion shop? Like they’d never look that cool in leather. I would have to agree with Rolling Stone’s senior editor David Fricke though, when he stated “The Ramones were the normal guys everybody loved to love,” in which I could see some parallels and ok, maybe the guitar and bass have some similarities.
This cheeky trio, Fashion Week, featuring guitarist/vocalist Josh Lozano (Jarboe, Cobalt, Family), drummer Carl Eklof (Victory at Sea, Lidia Stone, Inswarm) and bassist Oscar Albis Rodriguez (A Great Big World, No Way, Nakatomi Plaza) set forth their noisy full-length debut Prêt-à-Porter (Solar Flare Records), following up their self-released Applicator and Coextinction Release 11 with Coextiction Recordings. Though the line-up has gone through some slight changes, it’s safe to say the mood and original style has remained intact, with the recording and mixing of Andrew Schneider (Unsane, Keelhaul) and mastering of Carl Saff (Pigs, Sofy Major) ellipsing every into an even greater epic cacophony.
The album starts off with ‘Fendi Bender’ who’s lead in brings me back to 90s noise rock bands like Unsane but with a lighter tone, reflective of an externally cleaner, safer New York, who’s underbelly remains just as thorny and problematic. Sly bursts of Lozano’s raging hardcore vocals, supercharge post-hardcore melody as the guitar trails resonates with every note. Their video for it is now streaming on Metal Injection, featuring Jesse Madre of Tiger Flowers if you want to check it out.
The third track on the album, ‘Meek is Meeznable’ pummels out catchy sludge riffs, the likes of Red Fang, scattered with raunchy distortion and melodic melodies. It’s as if Jawbox and Quicksand combined to form an amazingly chaotic yet progressive supergroup. After listening to the makings of this album about a year ago, my favourites continue to change, only proving Prêt-à-Porter continues to deliver with every listen.
‘Summer Line’ has a spacey, Failure inspired intro that makes it one of my favourites on the album, along with ‘Haute Topic’ who’s mysterious bass line I just can’t get enough of. For anyone who was a fan of 90s hardcore and noise rock, Fashion Week’s Prêt-à-Porter is a staple that should be added to your collection.