ALBUM REVIEW: Wino – Forever Gone

As much as Wino deserves his doom godfather status for fronting groups like The Obsessed and Saint Vitus, there’s something to be said for his more recent singer/songwriter excursions. Whether going it alone or with such collaborators as Conny Ochs, the acoustic style suits him surprisingly well and the volume contrast brings a fuller perspective to his haggard lifer persona. This is especially true for his third album, Forever Gone (Ripple Music), which may be his most low-key effort to date. Continue reading

Wino (The Obsessed, Saint Vitus) Signs with Ripple Music, New Acoustic Series Unveiled

House of Blues, Mandalay Bay Hotel and Casino, Las Vegas, NV 8/17/19

Ripple Music, purveyors of some of the best Heavy Music on the planet have announced the signing of Doom and Stoner Metal icon Scott “Wino” Weinrich. Wino’s new solo album, Forever Gone, will launch Ripple’s new “Blood and Strings” series, in which some of the most admired names in riff-rock and metal unplug to record albums of acoustic heaviness. Wino is, of course, the iconic singer and guitarist associated with some of the biggest names in the genre, such as The Obsessed, Saint Vitus, Spirit Caravan, The Hidden Hand and Shrinebuilder. Wino’s new solo album was produced by Frank Marchand, and more details about the album and “Blood and Strings” are coming soon. Continue reading

The Obsessed – Sacred

Scott “Wino” Weinrich and The Obsessed were one of the few bands waving the doomy, Black Sabbath-loving flag when, frankly, doom and Sabbath were not cool. They kept the faith during the dark days when it wasn’t cool to like big, slow, heavy riffs. Continue reading

The Skull To Perform At South By Southwest

the skull pic

The Skull, featuring former Trouble vocalist Eric Wagner and bassist Ron Holzner, guitarists Lothar Keller and Matt Goldsborough (ex-Pentagram), and new drummer Sean Saley, will be taking part of the 2015 SXSW Music Festival, set for March 17-22, 2015 in Austin, TX. They will supporting Those Which Are Asleep, which can be streamed here.

the skull tour 2015

THE SKULL tour dates:

Mar 17: The Demo – St. Louis, MO
Mar 18: Downtown Lounge – Tulsa, OK
Mar 19: The Rail – Fort Worth, TX
Mar 20: Dirty Dog – Austin, TX (SXSW w/ Weedeater)
Mar 21: The Lost Well – Austin, TX (SXSW “Heavy Metal Parking Lot II w/ King Parrot, FOGG + more)
Mar 21: Gypsy Lounge – Austin, TX (SXSW Thrasher “Death Match” w/ OM, Goatsnake, The Shrine + more)
Mar 22: The Music Room – Oklahoma City, OK
Mar 23: Riot Room – Kansas City, MO
Apr 17: Rickshaw Theater – Vancouver, BC (As part of Nothing is Heavy Fest (w/ Sacrifice and Ancients)
Jun 26: Cafe 611 – Frederick, MD (As part of Maryland Doom Fest (w/ Spirit Caravan, Apostle of Solitude)

THE SKULL on Facebook:

Weed Is Weed – Blunt Force Trauma

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When you ask some Stoner Rock and Metal bands about their scene, you’ll find a lot of them will not always directly address themselves as being particularly part of it. Ask Weed Is Weed that question? Well you can’t expect that kind of response. They’ve taken the idea of Stoner music and absolutely run with it, sounding like High On Fire on a jam session after smoking a couple. Leading the way are two big names from the Maryland scene in Dave Sherman and Gary Isom who between them have had a hand in the likes of Pentagram, Spirit Caravan and Earthride. So even just from that then, you know that this is going to be an album absolutely stacked with riffs, and that it is.

In fact it is the musicianship on the album which stops it being completely terrible. The band connect brilliantly, bringing a level of groove and heaviness up there with some of the very best bands in the scene at the moment. And it is in the music you should focus, because when we start paying too much attention to the lyrics it all starts falling apart. Obviously they’re not to be taken THAT seriously, but by the sixth track ‘Eat Pussy’ you are beyond the “what are they going on about?” phase. As you’d expect the majority of the album is about getting high, tracks ‘Weed Is Weed’, ‘Big Green Patch’ andCottonmouth’ are testament to that. Vocally the delivery is strong, but lyrically not so much.

Overall, though, this is a decent album. It won’t be one you stick on all the time, but if you fancy a bit of groove and some heavy riffs with a bit of fun, then Weed Is Weed’s Blunt Force Trauma (Ripple) is on point. This could very well become a stoners’ manifesto.

 

6.5/10

Weed Is Weed on Facebook

 

TOM DONNO