Seemingly taking a page from their fellow royals in King Gizzard, Archeron (Stickman Records) is the second album that King Buffalo has released in 2021. This degree of output can make the band’s already prolific discography seem even more muddled, especially since they are so committed to their loose, jammed out take on Heavy Psych. But as pretentious as it sounds, recording Archeron in a cave (WITH A BOX OF SCRAPS!) seems to give the band’s usual sonic landscapes a slightly different makeover.
Ask a proud American to identify the EoB and they’ll gaze, either wistfully or with revolution in mind, toward a grand old building not far from Pennsylvania Avenue. 2018, however, has given birth to another EoB – the Evolution of Boom, a kind of cultural reworking of the Low-End chords which brought all manner of sounds into the realm of enjoyment for the average music listener.Continue reading →
Like the noble slice of pizza, a cover song, if done well, can be amazing. And if it’s not, it’s still pretty good. It’s tough to cover well-known songs and albums by famous bands because music becomes our lexicon and fans know every little nook and cranny of a track. This is the case with Pink Floyd and their iconic double album The Wall. Luckily Magnetic Eye Records and their incredible “Redux” series is here, and they always do a bang-up job of assembling the talent. Covering the entirety of The Wall seems both ambitious and a little crazy too. While The Wall is lower on my personal list of Floyd favorites, it’s as important as it is beloved by the masses. Continue reading →
If you want prolific, look no further than Polish psych fiends Spaceslug. This is their third album in four years, all graced by the greatest sleeve covers since Coheed & Cambria found the Milky Way and a monstrous roar that never gets tired.Continue reading →