ALBUM REVIEW: Horrendous – Ontological Mysterium


 

2023 continues to prove itself as a year of strong death metal as Horrendous drops their fifth album Ontological Mysterium (Season of Mist) and the Philly headbangers might have the year’s best death metal album on their hands, perhaps a bold statement given the fine releases the year has seen from the likes of Obituary, Frozen Soul, Creeping Death, Cattle Decapitation and Outer Heaven.

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Alkaloid Shares a New Single and Video for “The Cambrian Explosion” – New Album Out Soon


Germany’s Alkaloid have just released the second single and video for “The Cambrian Explosion”, from their new album, Numen. The full-length is due to be released this September 15th on the Season Of Mist record label. Watch the video below, and find streaming links, pre-orders, and more.

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ALBUM REVIEW: Thy Catafalque – Alföld


 

Since their formation in 1998 Hungary’s Thy Catafalque have been releasing category-defying experimental metal records to an ever-growing fanbase. In 2011 the band effectively became the solo project of songwriter Tamás Kátai, who provides guitar, bass, keyboards, programming, and vocals and now makes use of various guest musicians on each release.

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ALBUM REVIEW: Cloak – Black Flame Eternal


 

Two things are apparent when delving into Cloak’s third full-length: the Atlanta-based four-piece is not your run-of-the-mill black metal outfit, and they have no interest in churning out a vanilla, run-of-the-mill black metal record.

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ALBUM REVIEW: Defiled – The Highest Level


 

With album artwork that looks like Job For A Cowboy meets a color run, the latest chapter in the death-metal saga of Defiled’s career is no less domineering or pounding than anything else the Tokyo-based band has delivered during their multi-decade existence.

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CONCERT REVIEW: Enslaved – Insomnium – Black Anvil Live at Saint Andrew’s Hall


 

It was a typical, quiet Monday evening last week in downtown Detroit. Except at the city’s treasured music venue, Saint Andrew’s Hall. There was a bit of a hullabaloo happening at the preferred concert spot because metal titans, Enslaved and Insomnium brought their North American co-headlining tour to town. Both of these acts are experts in their respective genres and both of them are on the road to promote their newest full-length albums that have come out earlier this year. The place was buzzing with anticipation as metal fans of all sorts filed in to hear the new tunes.

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ALBUM REVIEW: Black Orchid Empire – Tempus Veritas


 

Prog metal trio Black Orchid Empire crank up the technical complexity and again display their playing chops on Tempus Veritas (Season Of Mist). While there is a certain schizophrenia at play here, a clash of styles, if not intent, it has to be said that when these London-based boys (Paul Visser – vocals/guitars, Dave Ferguson – bass/vocals, and Billy Freedom – drums) are good, they are very good.

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CONCERT REVIEW: Rotting Christ – Carach Angren – Uada – Gaerea at Gramercy Theater


Not to keep fans waiting long after their “Devastation on the Nation” tour last summer (in which they rocked Saint Vitus Bar with a doubleheader), Rotting Christ made their NYC return.

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ALBUM REVIEW: Oak – Disintegrate


Gaerea had a 2022 about as good as any Extreme Metal band, with the release of their third full-length album Mirage driving forward their sound and eloquently merging ferocious Black Metal with elements of heavy “post-” music to create a unique style, on a record that was one of the finest of the year. And during this period of creativity vocalist and guitarist Guilherme Henriques would continue to develop his Oak side project with former drummer Pedro Soares, which had begun when the two were writing and recording Gaerea’s debut album Unsettling Whispers in 2018.

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