Tag Archives: psychedelia

ALBUM REVIEW: Blackwater Holylight – Veils Of Winter

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Blackwater Holylight (RidingEasy Records), the début album from the Portland, Oregon-based doomstresses of the same name, delivered not merely an enlivening quality but also realised founder member Alison ‘Sunny’ Faris‘ intent of giving heavier rock a new lease of life by incorporating more tuneful, lighter music into that sound. With second album Veils Of Winter (RidingEasy Records) the band, now a quintet with the addition of guitarist Mikayla Mayhew, aim to expand on that formula and the buzz created by that first release.

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Sacri Monti – Waiting Room For The Magic Hour

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Another outfit from the lysergic dreamlands of San Diego, Sacri Monti left a sizeable impression with their self-titled 2015 debut album (Tee Pee Records) which was a psychedelic trip through heavy vibes. The quintet’s sophomore effort, Waiting Room For The Magic Hour (Tee Pee Records), is another faithful journey through drifting sands and heady atmospheres but shows a pleasing maturity and willingness to experiment.Continue reading →


Slomatics – Canyons

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Highly-respected Ulster Sludge/Doom outfit Slomatics is as well known for its countless splits, most prominently with fellow Doom yellers Conan, as it is for its own produce. So it’s something of a surprise to discover that Canyons (Black Bow Records) is the band’s sixth album in its fifteen-year existence, but as expected it shows a soupçon of originality in the unrelenting, slothlike heaviness.Continue reading →


Cave In – Final Transmission

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If you’re a fan of any music that Caleb Scofield created or played, bring the tissues for this one. Cave In‘s aptly-titled Final Submission (Hydra Head) is a collection of recordings made with the band’s late bassist before his tragic death last year and contains much input from the man himself. It’s a slightly different album than fans might expect, but in many ways, it’s more meaningful for it.Continue reading →


Druids – Monument

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When Iowan trio Druids‘ EP Spirit Compass (Self-release) hit my ears sixteen months ago, I was staggered by the apparent ease with which the bandmelded the darkness of Sabbath and the violence of Mastodon with the joyous, Summery Grunge of Blind Melon. It made for a heady mix and new offering Monument (The Company) promises the same excitement amid a paradoxically heavy flexibility.Continue reading →


Pharlee – Pharlee

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There’s somethin’ incestuous a-brewin’ in San Diego: a fluid drift from band to band and back again, like the returning wisps of smoke from that latest joint exhalation. This is Zach Oakley’s second journey through my cans in as many months, while more of his friends in Psych outfits JOY and Harsh Toke make yet another union in the form of the drenched riffage of Pharlee.Continue reading →


Deafkids – Metaprogramação

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There’s often an unholy alliance of unbridled passion and near insanity in Latin American Metal: the eccentric, electric performance from California-based Punks At The Drive-In on Later… in 2000 being a prime example. This is a quality evident in the chaotic maelstrom of Brazilian trio Deafkids, whose third album Metaprogramação (Neurot Recordings) is a typically warped episode of barely controlled, electronic ferocity.Continue reading →


11PARANOIAS – Asterismal

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Drone, much like Djent, is a wonderfully onomatopoeic genre. Say “droooone” out loud and you get somewhere close to the guitar tone that makes up this subset of noise music. It’s also a rather impenetrable genre, taking vast amounts of time to learn the ins and outs of a band’s oeuvre. Drone isn’t music for casual listeners, it requires dedication. When combined with swirling psychedelia and a deluge of Doom you get Asterismal, the latest album from experimental merchants, 11PARANOIAS.Continue reading →


Black Lung – Ancients

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Those familiar with Baltimore acid-Blues combo The Flying Eyes may be blissfully unaware that two of that happy breed make up the larger share of an outfit bearing the name Black Lung. This darker-sounding trio, however, is no maelstrom of evil hostility, and has more in common with the parent band than the moniker might suggest.Continue reading →


The Riven – The Riven

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It would seem that this is Scandinavian ‘Drenched Riffs’ Week, but to pigeonhole Swedish quartet The Riven as mere seventies Rock does them no justice whatsoever. Their bass-heavy groove machine is positively electric and eponymous debut album The Riven (The Sign Records) drips The Blues while shooting fire from both hips.Continue reading →