Clutch To Release New Album Psychic Warfare In October


clutch psychic warfare album cover

Clutch’s ‘Psychic Warfare’ album cover art, by Dan Winters

Clutch has announced today they are releasing their next album Psychic Warfare on October 2nd, via Weathermaker Music. Produced by frequent Clutch collaborator Machine (Lamb of God, Every Time I Die) will feature 12 tracks and will have cover are from renowned designer Dan Winters.

Clutch Singer Neil Fallon talks about the concept of the album:

The title ‘Psychic Warfare’ is taken from the track, ‘X-Ray Visions”… “It’s a tale about an unnamed protagonist who is forced to seek refuge in a flop house motel. He is hiding from several nefarious psychic forces, the worst of which is his own sleep deprived paranoia.”

Clutch, photo by Susanne A. Maathuis

Clutch, photo by Susanne A. Maathuis


Psychic Warfare track listing:

01 The Affidavit
02 X-Ray Visions
03 Firebirds
04 A Quick Death in Texas
05 Sucker For The Witch
06 Your Love is Incarceration
07 Doom Saloon
08 Our Lady of Electric Light
09 Noble Savage Clutch
10 Behold the Colossus
11 Decapitation Blues
12 Son Of Virginia

Clutch has the following tour dates planned to support the release including this summer’s GWAR BQ, The Rock Carnival, The Aftershock Festival, Knotfest, and the Voodoo Festival:

Aug 15: GwarBQ – Hadad’s Lake – Richmond, VA
Sept 04:The Joint – The Hard Rock Hotel – Las Vegas, NV special guest for Primus
Sept 19:The Shindig – Carrol Park- Baltimore, MD
Sept 20:The Rock Carnival – Oak Ridge Park – Clark, NJ
Oct 24: Aftershock Festival – Sacramento, CA
Oct 25: Knotfest – San Manuel Amphitheater- San Bernardino, CA
Oct 31: Voodoo Festival – New Orleans, LA


Mastodon – Clutch – Graveyard: Live at The House of Blues, Boston, MA


mastodon clutch tour

It’s Sunday and you have work in the morning, you’re moving to a different state, and you’re going on vacation in a few days. What do you do? Squeeze in one more show while you still can, obviously. You can always sleep on the plane.

First to take the stage were Graveyard with that classic 60’s/70’s classic rock touch that I adore. A friend had said that I would like them and he was absolutely right. They opened with ‘Hisingen Blues’ and I knew that I was going to get sucked right into their world. The music sounded very American but the band is actually based out of Sweden. The spirit of rock and roll lives on through men like this and they are worth checking out if you have the chance to see them.

Graveyard, by Evil Robb Photography

Graveyard, by Evil Robb Photography

Next up, Clutch. This band had always been in a weird, grey area for me. I liked the music well enough but there was always something just didn’t click with me and I could never quite put my finger on what it was. The one thing I was told over and over again was that I just needed to see them live and I couldn’t agree more. Studio recordings do not do this band justice and Neil Fallon’s vocals are out of this world. You can’t go wrong with harmonicas and cowbell solos either. I highly recommend seeing Clutch in person, it’s a completely different experience in the best possible way.

Clutch, by Evil Robb Photography

Clutch, by Evil Robb Photography

Clutch, by Evil Robb Photography

Clutch, by Evil Robb Photography

Mastodon were headlining this evening and I was reduced to a giddy schoolgirl like always. I had another friend with me who had never seen them before which only added to my own excitement. Almost half of the set consisted of songs off of Once More Round the Sun (Reprise) including my favorite track, ‘Ember City’. The rest of the set contained a decent mixture of Mastodon’s previous work, nothing off of Call of the Mastodon (Relapse Records) or Remission (Relapse Records) though. The one complaint that I have is that we weren’t treated to a rendition of ‘Blood and Thunder’ featuring Fallon like some other dates on the current and past tours have. I would have loved to see it person but I guess I really can’t complain because I still got to see them perform ‘The Czar’ and anything off of Crack the Skye (Reprise Records) makes me happy.

Mastodon, by Evil Robb Photography

Mastodon, by Evil Robb Photography

Mastodon, by Evil Robb Photography

Mastodon, by Evil Robb Photography

Mastodon, by Evil Robb Photography

Mastodon, by Evil Robb Photography

Every band was flawless and I walked away with two bands that I’m going to be looking into further and keeping an eye on. I can think of worse ways to spend a Sunday. I never did make it to the office the next day, but, that’s a different story.

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WORDS BY ALEIDA LA LLAVE

PHOTOS BY EVIL ROBB PHOTOGRAPHY


Teenage Time Killers Issue More Info On Greatest Hits Vol 1


Photo credit: Tairrie B Murphy

Photo credit: Tairrie B Murphy

Teenage Time Killers will be releasing their long awaited release Greatest Hits Vol 1 on July 31, 2015 via Rise Records. The brainchild of Corrosion of Conformity drummer Reed Mullin, guitarist Mick Murphy (My Ruin, The Birds of Satan) and producer John “Lou” Lousteau, the project has released a track listing along with a breakdown of guest credits. All instrumental tracks on Greatest Hits Vol. 1 were recorded at Dave Grohl‘s 606 Studios in Northridge, California. The album was produced by Lousteau, Mullin and Murphy, engineered and mixed by Lousteau at 606 Studios.

Stream “Barrio” (with Matt Skiba of Alkaline Trio) and “Hung Out To Dry” (with Randy Blythe of Lamb Of God) below.

01. “Exploder”
Vocals: Reed Mullin
Featuring Pat Hoed (Bass), London May (Drums)

02. “Crowned By The Light Of The Sun”
Vocals: Neil Fallon
Featuring Jim Rota (Guitar), Dave Grohl (Bass)

03. “Hung Out to Dry”
Vocals: Randy Blythe
Featuring Mike Schaefer (Guitar), Dave Grohl (Bass)

04. “Power Outage”
Vocals: Clifford Dinsmore
Featuring Dave Grohl (Bass)

05. “Ode to Hannity”
Vocals: Jello Biafra
Featuring Mike Dean (Bass)

06. “Barrio”
Vocals: Matt Skiba
Featuring Brian Baker (Guitar)

07. “The Dead Hand”
Vocals: Reed Mullin
Featuring Woody Weatherman (Guitar), Dave Grohl (Bass)

08. “Egobomb”
Vocals: Corey Taylor
Featuring Dave Grohl (Bass)

09. “Plank Walk”
Vocals: Pete Stahl
Featuring Greg Anderson (Guitar), Dave Grohl (Bass)

10. “Time To Die”
Vocals: Mike IX Williams
Featuring Greg Anderson (Guitar)

11. “Days Of Degradation”
Vocals: Tommy Victor
Featuring Dave Grohl (Bass)

12. “Clawhoof”
Vocals: Tairrie B. Murphy
Featuring Dave Grohl (Bass)

13. “Big Money”
Vocals: Lee Ving
Featuring Pat Smear (Guitar & Bass), London May (Drums)

14. “Devil In This House”
Vocals: Karl Agell
Featuring Dave Grohl (Bass)

15. “Say Goodnight To The Acolyte”
Vocals: Phil Rind
Featuring Jason Browning (Guitar), Dave Grohl (Bass)

16. “Ignorant People”
Vocals: Tony Foresta
Featuring Greg Anderson (Guitar), Nick Oliveri (Bass)

17. “Son Of An Immigrant”
Vocals: Johnny Weber
Featuring Brian Baker (Guitar)

18. “Your Empty Soul”
Vocals: Aaron Beam

19. “Bleeding To Death”
Vocals: Vic Bondi
Featuring Dave Grohl (Bass)

20. “Teenage Time Killer”
Vocals: Trenton Rogers
Featuring Greg Anderson (Guitar), Pat Hoed (Bass)


Video: Neil Fallon Of Clutch Explains “Abraham Lincoln”


Neil Fallon of Clutch. Photo Credit: Thanira Rates

Neil Fallon of Clutch. Photo Credit: Thanira Rates

Clutch has launched the first of a series of video clips with frontman Neil Fallon explaining his thinking behind the lyrics of various Clutch songs. He explains the meaning behind “Abraham Lincoln” below.

This is the first in a series of clips we will be making public over the next couple of weeks and months. In these clips I speak about Clutch songs, both older and younger, and explain my thinking behind the lyrics. The loose theme under which the tracks were picked is myth and mythology. Stay tuned to Clutch’s facebook page for more of these. As today marks the 150th anniversary of Abraham Lincoln’s death, it seems only appropriate to begin this series with our song, “Abraham Lincoln.”@npfallon

Posted by Clutch on Wednesday, April 15, 2015


Clutch Frontman Speaks About New Album


Neil Fallon of Clutch. Photo Credit: David Rippeto

Neil Fallon of Clutch. Photo Credit: David Rippeto

Clutch frontman Neil Fallon recently spoke about the impact of “Earth Rocker” on their forthcoming album, out this fall via Weathermaker Music:

“Well, I guess there are two answers to that because we already finished recording our next record. It is in the process of being mixed right now. And I do recall that when we first started writing I kind of had a bit of a head game going on trying to preoccupy myself with upping the bar, and that only kind of created problems because that’s just unneeded pressure. Then I realized we never really thought that way when we were making Earth Rocker, so then I just kind of let go — and once I stopped fretting about that, it became a much easier record to write.”

He later added of the new album:

“I think in a lot of ways it is similar to Earth Rocker because we started writing it very quickly after we started touring for Earth Rocker, whereas in the past Strange Cousins from the West was four years before Earth Rocker. So, I think there is a lot of similarities. It may even, as whole, be faster than Earth Rocker. The songs might be more succinct than Earth Rocker. But at this point I have heard it so many times that I can’t make heads or tails or it at this point.”

Read the whole interview here.


The Midnight Ghost Train – Cold Was The Ground


the-midnight-ghost-train-cold-was-the-ground

 

Whatever their time machine of choice, be it hot tub, DeLorian, magic red shoes (what… they are from Kansas…) or a stack of records, power-trio The Midnight Ghost Train have reset their clocks and gate-crashed the peak of the arid desert rock party that was the late 90’s and returned with all the big phat riffs, albeit with a darker and more nihilistic tone to their narratives in comparison to their Californian cousins, on their third album, Cold Was The Ground (Napalm).

New bassist Mike Boyne, often taking the role of prominent protagonist, fuzzes languid moves underneath Sabbathian grooves, as unhurried guitars roll out riffs that could be out-takes from the recording sessions of Fu Manchu’s The Action Is Go (Mammoth), and there really is a feel of enjoyment of their craft and making it seem effortless both in construction and delivery of the rockier moments, a confident nonchalance that makes ‘BC Trucker’ and the roil of ‘No 227’ simple, enjoyable bluster, while ‘Straight To The North’ shows a doomier side, with a tale to be told.

There is a sand-gritty heavy blues overtone to Cold Was The Ground , while the Ben Ward-esque gruffness of vocalist Steve Moss is suitably brusque, adding to the lo-fi bar-brawl charm, and his rhythms, patterns and storytelling lock with the riffs in a manner reminiscent of Neil Fallon and Clutch, particularly on ‘The Canfield’.

The Midnight Ghost Train don’t tend to do complicated, but on ‘The Little Sparrow’, all bass meander and spoken word account of (I assume) Moss’ relationship with music and the downsides of being in a band, they show there is more than one hoss in this town, before the Kyussed to the max downtuned blues ‘Twin Souls’ rambles in.

While neither the most original nor most challenging of listens, Cold Was The Ground is humble, modest, ramshackle and more than effective, with rockier tunes like ‘Gladstone’ and bluesier moments like instrumental ‘One Last Shelter’ showing that the desert is still an appealing place to get your rocks off.

7.0/10

The Midnight Ghost Train on Facebook

STEVE TOVEY


Clutch Recording New Album


Photo by Bill Collins

Photo by Bill Collins

Clutch have entered the Machine Shop in Austin, TX to begin tracking material for their next album, with producer Machine (Lamb of God, Every Time I Die) at the helm. A spring release via Weathermaker Music is expected. Photos from the sessions can be seen here.

Neil Fallon of Clutch In The Studio.

Neil Fallon of Clutch In The Studio.

Machine and Jean-Paul Gaster of Clutch In The Studio.

Machine and Jean-Paul Gaster of Clutch In The Studio.

Tim Sult of Clutch In The Studio.

Tim Sult of Clutch In The Studio.

Dan Maines of Clutch In The Studio.

Dan Maines of Clutch In The Studio.


Reed Mullin’s Teenage Time Killer Sign With Rise Records


Teenage Time Killer

Teenage Time Killer

Teenage Time Killer, an all star project headed by Corrosion of Conformity’s Mike Dean and Reed Mullin, has reportedly signed a record deal with Rise Records. The name was taken from a Rudimentary Peni song. The instrumental parts for the upcoming CD were recorded at Dave Grohl’s (FOO FIGHTERS, NIRVANA) Studio 606 in Northridge, California on the famous Sound City mixing board, which was the central focus of Grohl’s acclaimed “Sound City: Real To Reel” documentary. The effort was mastered by Bill Stevenson (THE DESCENDENTS, BLACK FLAG).

Reported artists who have contributed to the project include:

Randy Blythe (Lamb Of God)
Dave Grohl (Foo Fighters)
Corey Taylor (Slipknot/Stone Sour)
Neil Fallon (Clutch)
Jello Biafra (Dead Kennedys)
Lee Ving (Fear)
Tommy Victor (Prong)
Nick Oliveri (Mondo Generator, ex-Queens Of The Stone Age/Kyuss)
Aaron Beam (Red Fang)
Pete Stahl (Scream, Goatsnake)
Greg Anderson (SUNN O))), Goatsnake)
Karl Agell (ex-Corrosion Of Conformity)
Tairrie B Murphy (My Ruin)
Mick Murphy (My Ruin)
Vic Bondi (Articles Of Faith)
Clifford Dinsmore (BL’AST!)
Pat Hoed (Brujeria)
Max Cavalera (Soulfly)
Tony Foresta (Municipal Waste/Iron Reagan)
Doyle Wolfgang von Frankenstein (The Misfits)
Keith Morris (Black Flag, etc.)
Phil Rind (Sacred Reich)

Asked if there are any plans for TEENAGE TIME KILLER to go on the road in support of the upcoming CD, Mullin told INDY Week: “Touring, I don’t know. Dave Grohl’s folks — his management and marketing people — are going to help us do all that with the thing. We recorded about 98 percent of it at his studio. They were talking about — since there’s so many people from so many different bands — maybe do something like ‘[Jimmy] Kimmel [Live!]’ and have three or four different singers come out at one time, like Jello and Lee Ving, maybe Randy from LAMB OF GOD, something like that. All the songs are real short, so we could do, easily, four songs and not go over. But you know, we’d have Brian Baker come out and play guitar, Pat Smear play bass or guitar or whatever. It’s pretty star-studded.”

He added: “It sounds really organic. It sounds like we — the people that we associated with for the different songs — wrote the songs together.”


Into The Future– Nate Bergman of Lionize


lionize album cover

 

To Lionize means to celebrate. And Maryland’s funky, reggae-infused hard rockers Lionize are celebrating their tenth year with their first jaunt into Europe, a new album, and a new label. Vocalist/Guitarist Nate Bergman sounds like a very happy man because life is pretty good at the moment.

 

For one, despite rarely being off the road in the US, this is the band’s first UK tour. “It’s been amazing, the first few shows were just awesome. I think we’re starting to like it a little bit better than the States; the audiences are incredible, people are very receptive and the press has been very good. Right off the bat people understand our band a little bit better here.” So what can people expect from a Lionize show? “I think our live show is exciting; it’s fast, it’s upbeat and you can expect to hear a different set every night. You’re gonna get a lot of classic rock flavours and get a little bit of Jazz and Dub-reggae and funk thrown in there as well.”

 

It’s a potent mix that garnered the band a dedicated following. Their new album, Jetpack Soundtrack, is their fifth effort and sounds like a band heading for the big time. “I would say by leaps and bounds this is our best record. I think the previous efforts were really good, but I think this is our most concise and focused point. Jetpack Soundtrack describes our approach, trying to take it somewhere new, somewhere fresh, into the future. It’s fast, and it sounds cool.” Anyone who’s followed the band over the years will note the reggae & funk influences aren’t as apparent on the new record as in the early days, continuing the band’s transition into a purer hard rock outfit. “I think through the evolution of the music we have figured out how to internalize the reggae sound more. It wasn’t a conscious effort, it just happened. The reggae is less overt; it’s still very much there in a lot of the rhythm and texture stuff that we’re doing, but it’s so ingrained in who we are now that I don’t feel that ‘this has to be the rock part, and this has to be the reggae part,’ it’s just all there.”

Produced by Clutch’s drummer John-Paul Gaster and Machine (who worked on Clutch’s Blast Tyrant & Earth Rocker), the band decided to mix up how they approached an album. It was very focused on preproduction, very focused on arrangements beforehand and trimming all the fat, and making the parts individually as big and as exciting as they can be On previous records we’ve rehearsed the songs really well, arranged them to a certain point and then gone in and recorded it live, and this one was a very layered, very calculated effort. After working with producer J.Robbins for their previous album (Superszar and the Vulture), the strength of Machine’s CV made them take a new direction. “We wanted to do something different, we wanted to do something fresh for us. I think a big part of that was how Earth Rocker sounded, I think that was a big influence on how we wanted to make the next record. I’ve been listening to Clutch for about 15/16 years, and it’s certainly one of the best. There’s not one track on it that’s bad or that’s close to boring. It’s a classic rock album.”

lionize_band_med_res

 

 

The effort seems to have paid off. Finally breaking out of the US, Lionize’s profile is bigger than it’s ever been. “I think this is the most exposure we’ve ever gotten, I don’t think we ever thought it was gonna be this great, especially here in the UK, people seem to be really taking to it. And I think a great deal of this is down to the way Weathermaker releases records. I think we’re touring a little bit harder, we’re playing a little bit better, and the album is great.“ Fortune hasn’t quite followed their increased fame yet, however. “We still live a very humble existence and we’ve very happy to do so to be able to play music.”

The band’s new label, Weathermaker, was set up by Clutch, and features a roster of bands with close ties to the Maryland rockers. “Weathermaker is hands down one of the best labels going and definitely by far the best label we’ve ever worked with. It’s run with the musician’s interest always in mind, there’s never an instance where it’s Us vs. Them, everyone on the label wants to be associated with each other and it’s all of us together. It’s a label with more of a Mowtown vibe.”

 

It’s clear that Lionize have a very close relationship with Rock legends Clutch; as well as touring together many times, Clutch’s guitarist Tim Sult has played on several of their records, their new album was produced by drummer JP and was released through the band’s own Weathermaker label. What’s the secret to such a close relationship? “I think it comes from a common interest in just wanting to make good music. We definitely have our own identity and have our own thing, but we look up to these guys immensely. I mean they’re hands down in my opinion the best rock band on the planet.”

 

Everybody in the band is an immense talent. When you’re a younger band and you’ve got access to that kind of musical knowledge and talent you should do everything you can to absorb it. And I feel like we’ve ingratiated ourselves in that way, it’s a teacher/student sort of relationship.” But the Clutch ties go beyond being label mates and studio buddies. “My dad used to own a fish market and I think that was Neil’s [Fallon, Clutch vocalist] first job. Along with being a fish monger, he was also a doing a fair bit of baby sitting in the store and also still probably kind of feels like he’s babysitting. There is an element of being socially close and the way that Weathermaker and their tours are run means it is a family business.”

 

clutch tour poster

 

 

Obviously such close association means that Fallon & Co. often come up in conversations with Lionize, but Nate doesn’t see this as a bad thing. “I don’t think we really get tired of it, because we’re being associated with something that’s pretty great. People that know Lionize know that we’re our own entity, people that are Clutch fans know that Clutch is its own thing separately. Did Bad Company get tired of the Led Zeppelin associations?”

 

The Lionize celebration looks set to continue. The band just released a split with Clutch for Record Store Day, more international touring and then back into the studio for the next record. Come join the party.

 

Lionize on Facebook

 

DAN SWINHOE