Negură Bunget – TĂU


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Romanian folk-infused black metallers Negură Bunget have more than upped their game with their latest release, TĂU (Code666/Prophecy), an album that marks the inaugural release of the bands ‘Transylvanian Trilogy’, a series of three albums that act as a sonic tribute to the band’s naturally visually striking home country. The first album in the trilogy deals with Romanian nature, and as a result feels earthy, but at the same time otherworldly and elemental.

Having won hearts and minds with 2006’s genre masterwork, Om (Code666), the very pinnacle of atmospheric indigenous black metal, Negură Bunget have remained relatively quiet with just one album in the nine intervening years that have been spent recovering from a damaging line-up change. Erstwhile band members Hupogrammos Disciple and Sol Faur moved on to pastures new and impressed with Dar de duh (Prophecy), the debut opus of new outfit Dordeduh, while Negru retained the band name and released Vîrstele Pămîntului (Code666) in 2010 to a mixed reception, raising as many questions over the longevity and remaining quality of the band as it answered.

The idea behind TĂU is ambitious and out of the band’s comfort zone and for those familiar with the Negură Bunget sound this is apparent from opener ‘Nametenie’. The chanting backing vocals provide ritualistic foundations, while the harsher black metal elements combine to give a very primeval feel. The intent of this album is a visual one, and TĂU’s cinematic ability to transport you visually to the Romanian landscape is unlike anything the band has done before. Each song on the album represents a different landscape, and album closer ‘Schimniceste’ is a black metal ambient master class. Its pensiveness and hypnotic rhythms aurally transport you to another world, one that you cannot see but can certainly feel.

Accompanying this release will be a 72-page art book edition, which in addition to featuring stunning photography will also include the history of the various featured landscapes. It is clear that immeasurable care and attention to detail has taken place throughout this project, and the band’s dedication to attentively bringing to life the natural world makes this a wholly unique record.

9.0/10

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SARAH WORSLEY


Zgard – Contemplation


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So, there you were, thinking that Eastern European Black Metal is just a load of one-man bedroom acts who own too many Burzum and Summoning albums, love to stand in the snow in animal furs and think that it’s their national prerogative to play a flute, regardless of skill. Well, you’d be right to an extent. For while Drudkh and Negura Bunget have made a name for themselves by actually branching out from their microscopic scenes and making good use of traditional instrumentation, you will always get acts like Zgard who are content to sticking to what they know. Thankfully, they happen to know a fair old bit, which is why Contemplation (Svarga) may well surprise you.

This sixty-two minute odyssey into Ukrainian forests may be one that listeners have taken before accompanied by the two big name artists mentioned above, but that doesn’t mean there aren’t plenty of pretty sights to be seen along the way as the aptly named ‘Through the Forest’ proves with its rushing tremolo guitars, soaring melodies, mystical keyboards and subtle choral vocals. There’s echoes of revered artists such as Kroda reverberating through the trees and you soon get the impression that mainman Yaromisl has plenty more to show you, which he does with the crowd pleasing jig-along that pops up during ‘Highlands’ and the quirky polka mischief that opens ‘Incarnation Memory.’

It wouldn’t be an Eastern European BM album without an instrumental piece however and we get just that with the haunting and thoughtful ‘Silence’, which knocks the socks off the latest effort from Herr Vikernes. Not forgetting of course the frequent wind and rain sound effects to remind you just how cold it is behind the old iron curtain and you have everything you need and nothing you wouldn’t expect. Clichéd? Perhaps, but it’s a cliché with plenty of mileage left in it and while the forest is still this beautiful, it’s one that’s worth taking a stroll into.

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7.5/10.0

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JAMES CONWAY

 


Lovecraft And Rituals – An Interview With Saille


Saille 2One of the more remarkable black metal releases of late is Ritu by Belgian symphonic black metal outift Saille. Dewie caught up with guitarist Reinier Schenk and asked him all about the band’s latest album, playing with Melechesh, the Belgian metal scene and Reinier’s personal musical taste.Continue reading