The bombastic operatic Metal of Avantasia continues apace with their eighth album Moonglow (Nuclear Blast), and just in case you were in any doubt it opens with a nigh on ten minute slice of pomp that would not sound out of place on Meatloaf’s Bat Out Of Hell 2 (MCA/Virgin). The conceptual nature and fantastical sound of previous album Ghostlights is expanded upon here, helped by the ample time Tobias Sammet was given when making it. Continue reading
With the resurgence of Classic Rock, bands like The Temperance Movement, Monster Truck and recently Greta Van Fleet, and the imminent release of the Bohemian Rhapsody film it is the perfect time for something new from The Struts. Formed in 2012, they are a four piece Rock band with an undimmed love for Queen, The Darkness and The Rolling Stones. Continue reading
Rocking horse shit. That’s about the only thing as rare as a band nailing aesthetic, mystique, live shows, credibility, a groundswell of genuine interest, a devoted fanbase and SONGS on their debut album. Rocking horse shit. And Creeper’s Eternity, In Your Arms (Roadrunner). Continue reading
With the EP Fire & Ashes (Napalm), German Symphonic Metal band Xandria releases their second work to feature vocalist Dianne van Giersbergen.
Only the first three songs on the EP are new and original works. Opening number ‘Voyage of the Fallen’ is impressive with its use of orchestra and choir, but it lacks features that set it apart from other symphonic bands. In fact, it sounds like After Forever, Epica, and Nightwish rolled into one. ‘Unembraced’, however, has a much more unique feel with some guitar riffs and synths that feel more like NDH (Neue Deutsche Härte). This is new and interesting, and is something they should pursue if they want to really stand out from the crowd as the prospect of more high operatic vocals over NDH is very exciting. The final original song, ‘In Remembrance’, is very pure and small, and coupled with the theme and classical style this brings to mind ‘When I am Laid in Earth’ from the opera Dido and Aeneas.
The EP also features two re-releases of old songs, namely Ravenheart, previously on Ravenheart and ‘Now & Forever’, previously on India (both Drakkar). They are both good songs, but neither have enough individuality to really set them apart from other Symphonic Metal bands.
Then there are the two covers. One is Meatloaf’s ‘I Would Do Anything For Love (But I Won’t Do That)’, and that actually works really well once they really immerse it in their own style. The other shows a serious lack of judgement, because it is Sonata Arctica’s ‘Don’t Say A Word’. Since this is the same genre of music, everything but the vocals is identical to the original. And the operatic vocals miss the sting that Tony Kakko gives to a line like “Open your blue eyes, tell me that you love me, whore!” Only the bridge is done in a very original manner. This would have been great as a live performance, because Xandria fans are bound to know Sonata Arctica, but it doesn’t have enough that’s recognisably Xandria – or at least, that’s not Sonata – in it to earn its place on an album.
With only three new songs, two old songs, and two covers, it is not clear to me why the band actually made this EP. The new material is good, and has a little more individuality than the older material, but it would be much better suited to an album of its own.