Photo Credit: Emma Ruth Rundle
Avant-garde doom co-conspirators Bell Witch and Aerial Ruin continue their fifteen-year collaboration on Stygian Bough Vol. II, releasing on November 14th via Profound Lore. this fall. They shared a new single, “Waves Became The Sky,” which you can stream below. Pre-orders are also live at the link below. Continue reading
Photo credit: Tas Limur
Spotlights release Rarities, a remastered nine-song compilation of early and rare tracks spanning the band’s full discography on Nov. 21 via Ipecac Recordings. A preview arrives with “050809” which you can see below! This was the first song the now-married Mario and Sarah Quintero ever wrote together. “Sarah and I had been talking about making music together before we were even dating,” Mario shares. “05/08/09 is the day we became an item.” Watch it now and pre-order it at the links below. Continue reading
When thinking about Italian metal, the chances are the first things that come to mind are silk shirts and symphonic keyboards, or the honest down-to-earth raging of thrash and death metal. Warcoe, however, are the purveyors of that rarest of Italian delicacies – classic Doom Metal.Continue reading
Best known for combining belligerent heaviness with emotionally charged atmospheres and in-depth progressions, Chicago Death-Doom unit Novembers Doom have always been one to produce sounds that are difficult to categorize into certain binaries– to define is to limit, after all!Continue reading
Photo Credit: Emma Ruth Rundle
Avant-garde doom co-conspirators Bell Witch and Aerial Ruin continue their fifteen-year collaboration on Stygian Bough Vol. II this fall. Today, they tease this long-awaited follow-up of their critically lauded first partnership, 2020’s Stygian Bough Vol. I. Helmed by Dylan Desmond, Jesse Shreibman and Erik Moggridge, the alliance has teased the impending release of Stygian Bough Vol. II, with the first taste of new music in the video filmed and edited by Bobby Cochran here:Continue reading
Misery. Sorrow. Doom. Welcome to Halifax. Since 1988, UK gloomsters Paradise Lost have been dishing out the most downcast and despondent riffs known to man, and on their seventeenth studio album Ascension (Nuclear Blast Records), they prove once again there’s still plenty of despair to be mined.Continue reading
After a six-year wait, German Melodic Death/Doomers Nailed To Obscurity throw off any remaining shackles and on their fifth full-length studio album, Generation Of The Void (Nuclear Blast Records), fulfil the potential they’ve been threatening to for years. This might come at a cost for some listeners, as while clean singing has always been integral to their sound, it also tended to remain largely as a supporting character in a much larger play. On this latest offering, vocalist Raimund Ennenga really lets loose, delivering easily the best and most versatile performance of his career.
Kenny Hickey (Type O Negative, Silvertomb) is back with Sun Dont Shine! Formerly known as EYE AM, he joins forces with Kirk Windstein (Crowbar, Down), Johnny Kelly (Type O Negative, Silvertomb, Quiet Riot), and Todd Strange (ex-Crowbar, ex-Down). Kenny discusses with Ojayy the origins of Sun Dont Shine, how their sound bridges heaviness with haunting melody, and the chemistry that makes this band unique.
The sophomore album from Portland’s Tar Pit, Scrying the Angel Gate (Transylvanian Recordings), sets Lovecraftian themes against a style of doom that relishes the blues-based jams. An organ haunting the opening track from the back of the mix. The backbone of the song is a lumbering wall of fuzzed-out riffage. This song eventually builds the dynamic into a more metallic attack. Vocalist Don Gozalo brings an emotive howl to the songs. Unlike most doom frontmen, he is not as blatant an Ozzy disciple. This helps set their overall sound apart from their peers. Continue reading
On Submerus (Sentient Ruin Laboratories/Lower Your Head for digital), his fifth full-length from Hell, the sludge project leans into a nasty wall of downtuned rumbling. This wall of rumble is set behind the tortured screams of someone who’s more intent on losing their mind than adhering to the bounds of songwriting. It feels more like someone who create art from a dense heavy sound, that is impressive due to it’s sheer heaviness, but in consuming an album the goal would be for the music to hook you in rather than a test of endurance as to what you ears can stand at high volumes, though not to kink shame anyone who is into sonic masochism.Continue reading