Warner Music Group Intends to Buy French Digital Music Company Believe SA, Owner of Nuclear Blast Records and Tunecore


One of the largest record labels in the world, Warner Music Group (WMG) has announced it intends to purchase Believe SA, a French digital music company. Among the many companies Believe owns includes a controlling stake in Nuclear Blast Records (acquired in 2018) and its offshoot Blood Blast Distribution, as well as Tunecore a Brooklyn, New York–based digital music distribution, publishing and licensing service founded in 2006. Tunecore distributes music through online retailers such as iTunes, Deezer, Spotify, Amazon Music, Apple Music, Google Play, Tidal, Beatport. According to the press release you can read below, Warner “would provide Believe with strategic support and financial stability to help the development and growth of the Company, including by accelerating its expansion into new geographies.” Nuclear Blast founded in 1987 in Germany, is home to some of the greatest bands in Metal such as, Slayer, Anthrax, Testament, C.O.C., Nightwish, Sepultura, Sabaton, In Flames, Lamb of God (Europe), and countless others. In addition to their legendary main brand known for Rock, Pop, Country, and Dance music, WMG owns a ton of sub labels boasting some of the biggest names in Hard Rock, Metal and Punk like 10K Projects, 300 Entertainment (Highly Suspect, Waterparks), Asylum, Atlantic (Shinedown, Halestorm) Big Beat, Elektra Entertainment (formerly: Metallica, Slipknot & Paramore – current: twenty one pilots, Brandi Carlile, Sturgill Simpson) Erato, First Night, Fueled By Ramen (Fall Out Boy, Jimmy Eat World, A Day To Remember), Nonesuch, Parlophone (Iron Maiden), Reprise (Lamb of God in the USA, Deftones, Disturbed, Crosses), Rhino (boxed sets, vinyl and CD reissues, and countless legacy releases), Roadrunner (Gojira, Turnstile, Motionless In White, Trivium, newly signed Deafheaven, Coheed and Cambria, Stone Sour), Sire, Spinnin’, Warner Records, Warner Classics, and Warner Music Nashville. WMG’s music publishing arm, Warner Chappell Music, as well as artist management and services divisions. If the sale goes through, it remains to be seen what shape the deal would have and what impact is might have for Nuclear Blast and Tunecore. Stay tuned for more news on this story.Continue reading


ALBUM REVIEW: Overkill – The Atlantic Years 1986-1994


Whenever the question of “who else deserved to be included in The Big Four?” raises its ugly head, New Jersey’s Overkill never find themselves too far from the conversation. Formed before the term thrash metal was even coined and named after the seminal second album by English noisy bastards Motörhead, Overkill began life as a covers band formed from the remnants of punk act, The Lubricunts. Having quickly gained a name for themselves with their self titled 1985 EP and full length debut Feel the Fire (Megaforce Records), it didn’t take Atlantic Records long to come calling, making Overkill one of the first thrash acts to sign to a major label.

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ALBUM REVIEW: Sepultura – Sepulnation – The Studio Albums 1998-2009


When Brazilian thrash legends Sepultura parted ways with frontman Max Cavalera in 1996, many thought that would be the end of the road. An acrimonious divorce that seemed to favour neither party, the remaining members auditioned several well known musicians before eventually choosing Ohio born Derrick Green as the man to replace the outgoing Cavalera brother.

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ALBUM REVIEW: Geezer Butler – Manipulations Of The Mind Box Set/The Very Best Of Geezer Butler – BMG


Having stayed with Black Sabbath until 1983’s unfairly criticised Born Again (Vertigo) album, founding member Geezer Butler returned to the band in the early nineties but with a growing desire to prove himself as a solo artist. After leaving again in ’94, the iconic bass player and moustache enthusiast teamed up with former frontman Ozzy Osbourne for a while before eventually going it alone to form G/Z/R.

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