Since the late seventies, Annie Bandez (known as Little Annie) has carved out a singular path as a singer, painter, and performance artist. Over the years she has collaborated with many luminaries of the Alternative music scene. With (Cold Spring) is a compilation that brings together many of Annie’s key collaborations on one record for the first time.Continue reading
For those with the good fortune (and talent) to make an indelible mark on the music world, there are those who achieve mainstream fame, and then like a concurrent shadow are those so vital that their creative essence is absorbed into the very fabric of the music world. Continue reading
Slash’s much-anticipated blues cover album is studded with fine performances – Chris Stapleton singing on “Oh Well”, Iggy Pop on “Awful Dream”, Brian Johnson loving it on “Killing Floor”.Continue reading
When Swedish Europop-metalcore (they’re a difficult band to put a tag on considering how distinct their sound is!) sextet Amaranthe announced their arrival with 2011’s self-titled semi-classic album, it was hard to imagine them, as great as their first shot was, still being around thirteen years later. Continue reading
Helmet are a legacy band, who at over 30 years into their career– albeit with an early 2000’s hiatus– are still very much thought of as a specific, early mid-nineties era band when alternative rock was king. And for good reason, as they are a band who certainly had a huge influence with early Interscope Records such as Meantime (1992) and Betty (1994), providing a sludgy down-tuned version of the more commercial alternative styles of the time.
When your first two albums are such bonafide classics as to not only launch you to rock fame but also firmly establish your sound and style in everyone’s conscience, it can be difficult to find the space to grow amongst the weeds and weight of expectation, particularly when your third album saw some of the earnestness and depth not quite sacrificed at the altar of “the commercial gamble” (one that paid off, whether or not you choose to blame it on the Boom Boom), but tempered in exchange for slick, rock arena fillers.
With 25 studio albums under his belt after forming Uriah Heep back in 1969, Mick Box is not your average 75-year-old. While it is a travesty that Uriah Heep are left in the shadows of their contemporaries, such as Led Zeppelin and Deep Purple, the consistent high-quality of Uriah Heep’s albums puts them up with the aforementioned bands.
Valley Of The Sun transport us to a desert vista with their hard-hitting, classic blues rock fourth album, The Chariot (Ripple Music) The topographical downside is a straight-ahead tendency to skim the surface of the sand without revealing psychological depth or any hints at complicated thinking below.Continue reading
Lucifer – Lucifer IV
With Lucifer releasing albums of a consistent style at a workman’s pace, it’s easy to overlook the underlying trajectory that’s been gradually in motion. There’s not much of those Occult Doom roots left on Lucifer IV (Century Media Records) as the band has seemingly completed their transformation from female-fronted Uncle Acid to what sounds like Karen Carpenter singing over KISS riffs. Fortunately, it’s hardly a drastic change as Johanna Sadonis’ sultry croon and the freerolling grooves remain as common denominators.Continue reading
In 2019 things were on the up for the independent LA quartet Dirty Honey; their debut single ‘When I’m Gone’ topped the Billboard Mainstream Rock charts, they toured with Alter Bridge, Guns n Roses, and The Who and sold out their first headline tour in the first two months of 2020 but then covid reared its ugly head put life on hold. Finally things are opening up again and their debut album Dirty Honey is out, and its sound is firmly rooted in 1970s rock.