Ask any Metal music lover that has attended any of the big music festivals in the past nine or so years, and they will most likely tell you they have seen a set or two of Motionless in White. It is safe to say that even most fans of modern Metal at least know the name Motionless in White. Since the band’s initial inception in 2005, the music world has witnessed the metamorphosis of MIW from a raw, unbridled, raging embryo to the cataclysmic musical force evident on the band’s latest album, Disguise (Roadrunner Records). Continue reading
Alternative Metal is considered by some in the Metal community to be the black sheep of the genre: bands like Breaking Benjamin, Disturbed, Sevendust and many others have seen mainstream success because of the accessible sound and simplistic yet catchy song structures which come with the genre. During the 00s, Alternative Metal exploded and has acted as the gateway for many listeners to discover the vast sonic ground which is under the banner of Metal. The question is: does Colt 48’s new release Negatives (independent release) have any merit now that those heydays are over? Continue reading
When The World Becomes Undone (Long Branch Records) is the type of album that at the initial scan I really wanted to love. I’ve discussed my fondness of all things early to mid-nineties Roadrunner Records ad nauseum on other reviews so I’ll spare you the love letter here, but with so much connection between A Pale Horse Named Death and Type O Negative you can likely understand where I’m coming from. Continue reading
Minimal waffle, maximum music – I’m very aware that there is too much music and not enough time! I’ve had close to 1,000 albums pass through my inbox this year alone (I’ve probably only been able to listen to about a third of them), and what I’m presenting are my favourite albums of 2018, the albums that I’ve connected most with, that matter most to me, one way or another.
Hope you find something new to get into… Continue reading
With another calendar year of stellar heavy, alternative and progressive music behind us, we continue our countdown of the best of the best albums, as voted for by the Ghost Cult global team. People Power Part I took us from 70 through to 26, Part II took us down the back straight, ticking off albums 25 to 11, and now we come round the final bend and as Part III presents the albums that charted 10 through 2 of the Ghost Cult Albums Of The Year, 2018.
By the time the final album for 2018 is released, from Watain’s Trident Wolf Eclipse (Century Media) to Sulpher Aeon’s The Scythe of Cosmic Chaos (Van) – both of which were reviewed by Gary Alcock, and neither of which made the final list, trivia fans, – over 1,000 albums will have passed through the Ghost Cult reviews inbox, we will have covered just shy of 550 releases (we do a fair bit of filtering to protect our writers ears from some of the less inspiring releases), and our entire crew will have nominated and voted for 244 of them to be considered as our #1 for the year. Continue reading
Hailing from the heavy music haven of Finland (seriously they must put something in the water over there) and with members previously in HIM and Amorphis, is Flat Earth. On their debut album, None For One (Drakkar Entertainment) the Finnish four-piece combine a Heavy Metal approach with melancholic and emotive sensibilities, the result being a supercharged take on Grunge and a textured record with equal amounts light and dark. Continue reading