The ingenuity, inventiveness, and inclination of Finnish artist Tuomas Saukkonen appears to have no limits. He is a composer, multi-instrumentalist, and producer who has been making music magic for a considerable amount of years. One of his many successful ventures is a solo project called Dawn of Solace. Tuomas released his first record, Darkness (Dead Air Records) in 2006 and the betwiching gloom he captured on that release was different from all his other works. Now it’s time to get another taste of this project’s gothic goodness on the new album, Waves (Noble Demon). Continue reading
If Ballistic, Sadistic (Silver Lining Music), the new album by Canadian speedsters Annihilator, is anything to go by, then relocating to the UK is probably the best move the band’s mastermind Jeff Waters has made for years. Consistency has been an issue with Annihilator for some time, but since the recruitment of English bassist Rich Hinks, the band have not only rediscovered their classic sound but a new lease of life in the process. Continue reading
Blackwater Holylight (RidingEasy Records), the début album from the Portland, Oregon-based doomstresses of the same name, delivered not merely an enlivening quality but also realised founder member Alison ‘Sunny’ Faris‘ intent of giving heavier rock a new lease of life by incorporating more tuneful, lighter music into that sound. With second album Veils Of Winter (RidingEasy Records) the band, now a quintet with the addition of guitarist Mikayla Mayhew, aim to expand on that formula and the buzz created by that first release.
Starting out in 2008 as a neoclassical power metal act, Finnish band Amberian Dawn have continued to evolve and refine their sound over the years. Now, with their ninth full-length release, Looking For You (Napalm Records), the band have decided to fully embrace their already less than hidden inner Abba, even recording in Benny Andersson’s own studio and using some of the legendary Swedish pop band’s original equipment. Continue reading
Sometimes you really do only need to look at an album cover to know what you’ll be getting, and just one glance at Space Ninjas From Hell (Napalm Records), the latest album from German power metal act Victorius will be more than sufficient. Reveling unashamedly in its distinctly mid-late 1980s vibe, the frankly ridiculous cover art features robot ninjas, laser katanas, electric shuriken, dragons, purple skies, plenty of fire, and flying sharks shooting lasers from their eyes. If none of that piques your interest even slightly then it’s probably best to move swiftly along. Continue reading
It’s no secret that Charlie Fell has issues. Anyone reading the few interviews he gave to promote Death Mask (Profound Lore Records), his last outing with Chicago’s Lord Mantis prior to his acrimonious departure from the band, won’t fail to be staggered by some of the personal revelations feeding his lyrical contribution to that album. Coupled with the tragic loss of revered drummer Bill Bumgardner in 2016, it was hard to see a way for the soul of this truly disturbing entity to continue forward: yet here we are with Universal Death Church (Profound Lore Records), Fell back behind both bass and microphone and re-absorbed by the nucleus of Andrew Markuszewski, fellow returnee Ken Sorceron and honorary fifth member, vocalist Dylan O’Toole. Continue reading
US Sludge experimentalists The Body make such a habit of collaborative projects that one would think the duo aren’t overly happy in each other’s company. Everything That Dies Someday Comes Back (Sacred Bones Records) is the second such outing with US Industrial noiseniks Uniform and it contains every dystopian soundscape you’d expect. Continue reading