Tag Archives: metal album reviews

ALBUM REVIEW: Knocked Loose – You Won’t Go Before You’re Supposed To

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Kentucky Hardcore stalwarts Knocked Loose continue to march forward in their vision of beatdown in the form of their third full-length, You Won’t Go Before You’re Supposed To (Pure Noise). Twenty-seven minutes of cathartic aggression laced with panic riffs of nu-metal fame and climaxing at soul-crushing breakdowns is all the band needs to prove their rightful spot in the upper echelon of modern Hardcore. With three absolute banger singles put out before release of the album, the rest of the tracks need to stand out on their own as well, which they do.Continue reading →


ALBUM REVIEW: Sunnata – Chasing Shadows

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Poland‘s Sunnata emerges from the cloud of smoke that shrouded the band on their last album to jam out their brand of grunge-out psychedelia. Continue reading →


ALBUM REVIEW: Thot – Delta

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With a previous formidable track record consisting of three full-length concept albums, four experimental EPs, and a myriad of remixes and rearrangements to note, Belgian Industrial/Post-Rock unit Thot are resurfacing into the ever-dynamic civilization with their fourth studio album, Delta (Pelagic Records), which is a powerful amalgamation of everything all at once: people, places, spaces, and times that have shaped the band’s identity and helped form the integral parts of the band’s trajectory of life throughout the years. It envisages many forms of hope and perseverance against all odds – with all its atmospheric complexities and all-around-resonant distortions. Continue reading →


ALBUM REVIEW: Bossk – .4

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When you think of British Post-Metal, Bossk are almost certainly one the first bands that spring to mind. A truly remarkable outfit that undoubtedly take influence from the likes of Isis, while they also often groove musically in the style of many of the great Stoner bands of the nineties. Named after an alien from Star Wars – The Empire Strikes Back, the Kent-based collective have been plugging away since 2005, when early EPs and a strong reputation as a live band saw them tour with the likes of Cult Of Luna, The Ocean, Baroness and Devil Sold His Soul. While their studio output really came into its own with the release of their fine debut LP Audio Noir in 2016, before following this up with the equally as classy Migration in 2021.Continue reading →


ALBUM REVIEW: Rated Eye – Rated Eye

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Almost 60 years on from the kaleidoscopic cultural explosion, tied to the back of free-loving, flower-powering, mind-warping hippies and the kicked-open-door of artistically experimenting possibilities, Hard Rock-New-Wave-Jazz-Punk ensemble Rated Eye demonstrate on debut Rated Eye (Wax Donut Records) that people are definitely still strange. Continue reading →


ALBUM REVIEW: Unleash The Archers – Phantoma

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Unleash the Archers is a band that reliably produces songs that are unconventional and wildly exciting. This Canadian Power Metal act has broken barriers in the genre by their dauntless divergences, hearty songwriting, and overall efficacious passion. The quintet is preparing to release their sixth full-length album, Phantoma (Napalm Records), which elevates their innovative skills and strengths to new heights.

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ALBUM REVIEW: Ghost On Mars – Out Of Time And Space

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If you like your music heavy, proggy and with an emotive atmosphere, then may I introduce you to Ghost on Mars.Continue reading →


ALBUM REVIEW: Einstürzende Neubauten – Rampen

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Throughout their 44-year career, Einstürzende Neubauten has upheld a commitment to making musical art, with little interest in vapid radio hits. They continue this tradition with Rampen (Mute Records). As one of the first industrial bands, it could be easily argued that the genre owes more to these guys than Throbbing Gristle. Continue reading →


ALBUM REVIEW: Daath – The Deceivers

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After 13 years, Dååth has returned with their new album, The Deceivers (Metal Blade records).

The band, helmed by sole founding member Eyal Levi, returns to a different musical landscape. Metal has perhaps the most loyal fan base of any genre of music, yet the climate is much different than when the band released their self-titled album in 2010. Death Metal is now more regularly integrated with Black Metal and Metalcore. Record companies often market Pop acts as Metal, depending on the thought police of the internet to defend them with cries of gatekeeping, when voices rise against this.Continue reading →


ALBUM REVIEW: The Watchers – Nyctophilia

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California. Beaches, blue skies, and blazing sunshine. Unless you’re The Watchers, of course. In which case it’s all about darkness, shadows, and a predilection towards all things of a nocturnal nature. Continue reading →