Killswitch Engage, Taking Back Sunday, Andrew W.K., Underøath, and More Booked for Furnace Fest This Fall


Bringing together the best bands in Metalcore, Punk, Rock, and Metal, Furnace Fest has been announced for this fall at Sloss Furnaces September. 24-26 this year and features a plethora of huge bands such as Killswitch Engage, Taking Back Sunday, Andrew W.K., Underøath, Astronoid, Cave In, Converge, Defeater, Eighteen Visions, Emery, End, ERRA, Every Time I Die, All Get Out, Anberlin, The Appleseed Cast, The Beautiful Mistake, Beloved, Better Off, The Bled, As Friends Rust, August Burns Red, Bad Cop Bad Cop, Be Well, Boy Sets Fire, The Casket Lottery, Comeback Kid, Counterparts, Darkest Hour, Face to Face, Fit for a King, The Get Up Kids, Hatebreed, Zao and more! The full day-by-day lineups and tickets can be found below!

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ALBUM REVIEW: Portrayal of Guilt – Suffering is a Gift


Yes, this is a review for Portrayal of Guilt’s Suffering is a Gift (Closed Casket Activities) and believe me we’ll get to it in a bit, but who the fuck tried to sell this to me as Screamo? Honestly, screamo? These Austinite’s aren’t looking to settle for some re-warmed Metalcore riffs and lofty choruses so we can leave that outdated subgenre in the circular file. The riffs and blast beats on Suffering is a Gift are eager for dust and blood. Continue reading


Cloudburst – Cloudburst


One of the most appealing aspects of getting to listen to Cloudburst’s self-titled sophomore (Samstrong Records) effort is learning that they hail from Yogyakarta, Indonesia. Through years of tape trading, international touring and eventually communicating online we’ve always known that the extreme music market is indeed a global one, but it’s always exciting to receive these imports.Continue reading


September 28th 2018 New Music Releases


Check out all of today’s new releases in the music world! Continue reading


September 21st 2018 New Music Releases


Check out all of today’s new releases in the music world! Continue reading


Calligram – Askesis


I’m not one for subgenres. I mean, I understand why they exist and how they appear to explain why Exodus sounds differently from Sleep all while still operating under the Heavy Metal umbrella, but I think we’re too preoccupied with the minutiae of the subgenres; we’re too busy defending the merits of our style against the perceived weaknesses of the others. That’s why it very refreshing to attempt to make sense of the sounds on Calligram’s Askesis (Basick). Continue reading