Ah, the long-vaunted return to Deathcore form for Suicide Silence. Or is it? I’m sure the cynics and naysayers have already written off Become the Hunter (Nuclear Blast) as a simple effort to save face after the experimental and pseudo-Nu-metal stylings of 2017’s Suicide Silence. But let’s really get down to brass tacks here: Suicide Silence isn’t the first or last band to hit the soft reboot button on their careers. Continue reading
Since the release of ‘Doris’, the first single taken from their brand new self-titled album (Nuclear Blast), things have, to say the least, been turbulent in the world of Suicide Silence. Shifting sounds can often ruffle fan’s feathers, whether such a change proves successful or not; take recent Opeth releases as just one example.