Every decade has its own set of trends that define it. It normally takes hindsight to see what will make a particular decade stand out but 2020 has already made a horrifyingly immediate distinction for itself. A pandemic-induced alteration of the scene itself has resulted in delayed releases, canceled tours, musicians at near equal ratios of inspiration and burnout, Zoom as a primary means of communication, and livestreams taking the place of proper concerts. All things considered, I am glad that a top albums list could still be made with a multitude of strong candidates. It’s been a shitty year with the light at the end of the tunnel still out of sight, but we still got tunes.
While Toronto’s Possessed Steel approached Epic Metal with a rough attitude on the EPs they released in 2014 and 2017, their first proper full-length is much classier in comparison. The style is as grandiose as ever, but a greater emphasis on intricate guitar harmonies and polished production gives Aedris (Temple Of Mystery Records) more in common with a band like Wytch Hazel than Atlantean Kodex. Further comparisons could also be made to The Lord Weird Slough Feg and Hammers Of Misfortune with the free-flowing structures and pastoral air throughout.
Consisting entirely of musicians from the eccentric Demon Bitch with equally esoteric pseudonyms, Detroit’s White Magician settles firmly into the world of heavy Occult Rock on their first full-length album. “The Agents Of Fortune”-esque cover art is enough to indicate that any comparisons to Blue Öyster Cult are likely intentional; the band exercises a similarly freerolling attitude with an ominous undercurrent. But while Dealers Of Divinity (Cruz Del Sur Music) gambles on a well-trod formula, the group seems to have a couple of aces up their sleeves.
With Wytch Hazel having established their style right from their 2011 formation, each of their releases has mostly been a matter of fine-tuning and making tweaks to their Hard Rock vision. The band’s third full-length album is no exception as it delivers its signature blend of Celtic melodies and spiritual lyrics with brazen positivity. Past efforts have been enjoyable in their own right but III: Pentecost (Bad Omen Records) may be the strongest execution of the formula so far. Continue reading
In those glorious/hideous (delete as applicable) years before the inexorable rise of the internet, compilation albums used to be the staple of many record buyers collections. Those of a certain age might remember such collections as Masters of Metal (K-Tel), the superb (and newly reinvigorated) Speed Kills (Music For Nations) series, the Metal Killers Kollection (Castle Communications) series, Axe Attack (K-Tel), Time To Rock (WEA), and the magnificently titled Metal Treasures and Vinyl Heavies (Action Replay).Continue reading