Terror – Wisdom In Chains – Twitching Tongues: Live At The Underworld, London

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On a Saturday night in London, all hell can break loose at a hardcore show. And of course, you want it to. The pure joyful chaos of the pit, bands running around stage, the pit punchers, and the inevitable pile-nos with sweaty hands clasping the microphone to bark those lines than mean so much to so many. Coming off The Persistence Tour in January, Terror also had a brief run of headline shows as well, and why we were in London tonight. Terror remains one of the longest running, most consistent punk bands and still touring to packed clubs on the reg. On this night front man Scott Vogel (also of World Be Free) owned the stage, as usual. Their recent album, 2015s The 25th Hour (Victory/Century Media) was an instant classic for the band. Proving they still have a lot in the tank, they are already working on the follow-up release. Direct support band Wisdom In Chains are one of the unsung heroes of East Coast Hardcore. Their brutal riffs and stage presence don’t tell the full story of their great story telling, intellectual writing. Of course like Terror, they are fierce in a live setting. Twitching Tongues arrived to make noise the last few years and set everyone on notice about the aggression and smarts this band has. Unafraid to be deeply ensconced in HxC ways, but flying their metal flag with pride; if there was a band rightfully earning the tag “the next Nails”, it is them. Front man Colin Young is one of the best right now, commanding a crowd like few else.  Weymouth UK upstarts Ironed Out, with their twin vocal attack opened the how. Thanks to Jessica Lotti Photography for capturing this insanity on stage and in the crowd for Ghost Cult.

 

TERROR, by Jessica Lotti Photography

TERROR, by Jessica Lotti Photography

 

TERROR, by Jessica Lotti Photography

TERROR, by Jessica Lotti Photography

 

TERROR, by Jessica Lotti Photography

TERROR, by Jessica Lotti Photography

 

 

Wisdom In Chains, by Jessica Lotti Photography

Wisdom In Chains, by Jessica Lotti Photography

Twitching Tongues, by Jessica Lotti Photography

 

supporting Terror

Twitching Tongues, by Jessica Lotti Photography

 

Twitching Tongues, by Jessica Lotti Photography

Twitching Tongues, by Jessica Lotti Photography

 

Ironed Out, by Jessica Lotti Photography

Ironed Out, by Jessica Lotti Photography

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World Be Free – The Anti-Circle

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World Be Free occupies a very particular space in the in today’s musical landscape. A sort of hardcore supergroup featuring members of Terror (vocalist Scott Vogel), Judge (drummer Sammy Siegler), Strife (guitarist Andrew Kline) and Gorilla Biscuits (bassist Arthur Smilios), World Be Free is not the sum of its parts or a reflection of hardcore in 2016. Full length début, The Ant-Circle (Revelation), is more of a simulacrum of the New York and DC hardcore sounds of yesteryear with the occasional dash of pop-punk hooks.

And as an homage to those reverential 1980s bands, The Anti-Circle seems to check all the boxes. There’s an economical approach as 14 tracks come and go in less than half an hour and with only one clocking in at over three minutes. ‘Shake the Ghost’ and ‘Never Slip’ are fantastic examples of making the most with just the necessary musical ingredients.

However, while World Be Free’s riffs and lyrics were designed with the intention of channeling the vitality of their musical heroes, The Anti-Circle feels likes its spinning wheels. When Vogel bellows “You’ll never be a part of my world,” or “The times have changed” it doesn’t come across as empowering or intriguing as it isn’t saying anything Black Flag didn’t already say in 1981 (albeit in a much more satirical tone). And since its treading such familiar creative waters it, songs like ‘World Be Free,’ ‘All These Colors’ and ‘Breakout or Busted’ fail to distinguish themselves from one another.

That’s not to say that there aren’t successful moments of musical reverence to be found on The Anti-Circle. While probably the most tuneful song of the bunch, ‘Empty Things’ impresses with Kline’s melodic guitar lines. Also when World Be Free decides to shift gears and speed up they can generate some worthy slam dancing like in ‘I’m Done.’

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World Be Free has a great album within them. It’s all a matter of them addressing the line between impression and homage.

6.0/10

HANSEL LOPEZ

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