ALBUM REVIEWS: Black Sabbath Reissues – Heaven and Hell and Mob Rules


Photo credit: Mark Weiss with permission

Photo credit: Mark Weiss with permission

When Ronnie James Dio joined metal legends Black Sabbath in 1980 the former Rainbow frontman’s appointment couldn’t have come at a better time. Sabbath were a sinking ship. A drowning vessel from which enigmatic frontman Ozzy Osbourne had been trying to escape for some time. However, even though it was painfully clear that new blood had to be added to halt the band’s alarming deterioration the hostility that greeted Dio from some corners was quite shocking.

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ALBUM REVIEW: Rhapsody Of Fire – Glory For Salvation


Ready to wage bloody battle against the drudgery of everyday life once more, Italian power metallers and emerald sword aficionados Rhapsody of Fire return with all dragons blazing on their latest album Glory For Salvation (AFM Records). Driven by escapism and pure fantasy, there’s simply no room or requirement for conventional subjects like relationships, politics or social commentary in this hour or so of questing and wizard worship.

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EXCLUSIVE LYRIC VIDEO: King Gorm – “Song From Brighter Days”


Ghost Cult is stoked to present the brand new single and lyric video for “Song From Brighter Days”, from San Diego Fantasy rockers King Gorm! The entire world of their songs set in self-made world of bards, wizards, dragons, swords, and mythic legends: all laid down against an epic backdrop of folk, progressive rock, and other influences. If you are digging the throwback sounds of neo-folk, prog, and trad metal bands you will absolutely love King Gorm, and find yourself compelled to undertake a great quest to boot! The bands’ self-titled new album releases on July 31st! Check out the amazing lyric video for “Song From Brighter Days” now!Continue reading


CLASSIC ALBUMS REVISITED: Black Sabbath’s Genre Defining Debut Turns 50


Black Sabbath in 1970, photo by Warner Brothers Records

On the sleeve: a grainy picture of a woman dressed in black. A stagnant pond. A creepy looking mill house.

And two words. Black Sabbath.

On the record: Rain. Thunder. A tolling bell. Those three notes. That voice.

And just like that, in February of 1970 – appropriately enough on the 13th – the face of music was changed forever.

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Prophets of Saturn – Retronauts


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There’s something about summertime that makes stoner/doom even better than normal, isn’t it? The hazy vibes, feeling of sluggish inertia and of course; flowery shirts just don’t work as well when there’s a raging blizzard outside and you can’t feel your toes. Hence Leicester based burnouts Prophets of Saturn’s timely decision to drop sophomore album Retronauts (Independent) when the sun, and most likely your tiny mind, is high in the sky.

Thankfully steering clear of the current retro rock trend where bands are falling over themselves to declare how much they love Black Widow and Dennis Wheatley novels (just ignore the racism), Prophets of Saturn are all about the power of the almighty riff, and it’s not unfair to say they have borrowed one or two from glaringly obvious influences Sleep and Acrimony. The lyrical references to wizards, occultism and weed are to be expected, which may explain why George Sanderson’s vocals are low in the mix; his presence clearly isn’t crucial.

The quartet play a loose, free-flowing form of stoner doom that washes over you like a haze of bong smoke on a sunny afternoon, albeit with a nicely pulsing bass presence that ensures things remain suitably heavy. The pace varies, with ‘Ultra Wizards’ calling to mind Cathedral at their most playful whilst seventeen minute closer ‘Damavand’ is a lysergic hail to the slow and the punishing.

While so many bands of this ilk are content to rip off Electric Wizard, Prophets of Saturn has their own, admittedly blurry identity. Their vibe is more mushroom tea and garish sci-fi paperbacks than Hammer Horror and witchcraft, and although this may mark them as a less threatening prospect, listeners should not be deceived, for Retronauts is a suitably smoky and weighty piece of work that improves with every spin.

 

7.0/10

JAMES CONWAY