Desertfest Berlin Plots Final Running Order

Desertfest is taking over the next few weekends with the first Desertfest in New York coming up this weekend and the London and Berlin events happening the week after. Desertfest Berlin features Om, Fu Manchu, All Them Witches, Colour Haze, Greenleaf, Monkey3, Witch and more! Check out the day by day running order now! Desertfest Berlin takes place May 3rd – 5th at the Arena Berlin! Continue reading

Fu Manchu, All Them Witches, Earthless, Witch And More Booked For Desertfest London

Big news for the 2019 festival circuit as Fu Manchu has been named the Sunday headliner for Desertfest London. Fu Manchu will headline Roundhouse on the Sunday 5th of May. Joining them will be All Them Witches, Earthless, Witch, and Colour Haze. More bands to be announced after the new year. Continue reading

Eerie – Eerie

Eerie – Eerie – Tee Pee Records cover ghostcultmag

2016 hasn’t been a vintage year for rock and metal. But US quartet Eerie has delivered a very pleasant and unheralded surprise. Featuring members of Witch, Draugar, Futur Skullz, and Pins of Light, their self-titled début (Tee Pee Records) Eerie has created an addictively enjoyable record with almost no hype or fanfare.

Although described as a “Black’N’Roll” style band, Eerie is more like a mix of rough around the edges doom, 70s prog, and a streak of Led Zeppelin-style rock. Although only five tracks long, most are approaching the ten minute mark and each packed to the rafters with doomy riffs and free-wheeling solos.

Opener ‘Hideous Serpent’ pulls no punches, diving straight into seven minutes of classically evil heavy metal. Vocalist Shane Baker could pass for Trouble’s Eric Wagner at times, while guitarist Tim Lehi sounds like he studied with the likes of Jimmy Page and Wino. The terrifying and powerful rhythm of ‘Yeti segues into a bass heavy jam before devolving on a swarm of squealing solos. ‘Master of Creation’ a slower burner, building to a satisfying crescendo lead by Moses Saarni chaotic drumwork.

The retro but muddy production means the album does at times feel like one long jam, with songs often blending into one another. But their style is so satisfying that it’s no bad thing. With Eerie’s debut, there’s very little not to like. It’s got the charm of a 70s record, the heaviness of a doom record, and the song writing that means you can play it on repeat. Epic.