Tag Archives: Will Ramos

Project: Vengeance (Lorna Shore, FFAA, Left To Suffer, Traitors, Infant Annihilator, Spite) Drops their Debut Single “Cut. Bleed. Repeat.”

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Mere months after forming and announcing their existence to the world, Deathcore Supergroup Project: Vengeance, the project formerly known as The Big Six, has released its debut single, “Cut. Bleed. Repeat”. You can listen to the single now at the links below. The track was Written, Produced, and Mixed by Luke Fiadino and Mastered by Joel Wanasek. The current lineup for Project: Vengeance is Will Ramos of Lorna Shore, Taylor Barber of Left To Suffer, Dickie Allen of Infant Annihilator, Darius Tehrani of Spite, and Tyler Shelton of Traitors. Listen to the track now!

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Watch Will Ramos of Lorna Shore Perform a One-Take Vocal Playthrough for “Immortal”

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Catton Park, United kingdom, 13 Aug 2022, Lorna Shore performing on the Ronnie James Dio Stage at Bloodstock Open Air Festival Credit: Rich Price/Ghost Cult Magazine

 

Lorna Shore has a few months off between tours after a stellar 2022 saw the band gain much acclaim for their album Pain Remains (Century Media) You can read our review here. Watch vocalist Will Ramos do a one-take vocal playthrough video of “Immortal” now!

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Fronz Exits The Big Six (Lorna Shore, FFAA, Left To Suffer, Traitors, Infant Annihilator), and Will Be Replaced by Darius Tehrani of Spite

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In just a few short weeks since forming and announcing their existence to the world, The Big Six has had a lineup change. The Big Six – The Big Six – a deathcore supergroup and self-described “Metal Boy Band” featuring Lorna Shore’s Will Ramos, Attila’s Chris Fronzak, Fit for an Autopsy’s Joe Badolato, Left to Suffer’s Taylor Barber, Infant Annihilator’s Dickie Allen, and Traitors’ Tyler Shelton have now lost Fronz as a member. Fronz announced via his Instagram that he is leaving the Big Six and has no longer been involved in the project citing that due to his commitments in Attila, his businesses, and family. Darius Tehrani, frontman of Spite will take his spot. The band scrubbed their socials excepot for one new post, welcoming Darius into the fold. The group recently dropped their first official teaser of original music. The collective recorded their debut EP at Sweetwater Studios in Fort Wayne, Indiana. After their cover of Mariah Carey‘s Chirstmas hit and earworm staple “All I Want For Christmas Is You“, the new teaser is more on brand for the group and what the EP will sound like.

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The Big Six (Lorna Shore, Attila, FFAA, Left To Suffer, Traitors, Infant Annihilator) Shares a New Teaser of Their First Original Track

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The Big Six – The Big Six – a deathcore supergroup and self-described “Metal Boy Band” featuring Lorna Shore’s Will Ramos, Attila’s Chris Fronzak, Fit for an Autopsy’s Joe Badolato, Left to Suffer’s Taylor Barber, Infant Annihilator’s Dickie Allen, and Traitors’ Tyler Shelton have dropped their first official teaser of original music. The collective recorded their debut EP at Sweetwater Studios in Fort Wayne, Indiana. After their cover of Mariah Carey‘s Chirstmas hit and earworm staple “All I Want For Christmas Is You“, the new teaser is more on brand for the group and what the EP will sound like.t

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The Big Six (Lorna Shore, Attila, FFAA, Left To Suffer, Traitors, Infant Annihilator) Share Their Mariah Carey Cover – “All I Want For Christmas is You”

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The Big Six – the self-described Deathcore “Metal Boy Band” featuring Lorna Shore’s Will Ramos, Attila’s Chris Fronzak, Fit for an Autopsy’s Joe Badolato, Left to Suffer’s Taylor Barber, Infant Annihilator’s Dickie Allen, and Traitors’ Tyler Shelton previously announced their formation, name change, and an EP coming out in 2023. Now they have shared a Christmas cover of Mariah Carey’s ubiquitous hit song “All I Want for Christmas Is You!” One of the most played and covered songs ever, the track has also been famously covered by metalcore band August Burns Red. The band recently recorded their debut EP at Fort Wayne, Indiana’s Sweetwater Studios, and shared a lot of shenannignas on social media.

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CONCERT REVIEW: Lorna Shore – Aborted – Ingested – Angelmaker – Ov Sulfer Live at Saint Andrew’s Hall

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Saint Andrew’s Hall is one of Detroit’s hot spots for catching a good show. The Live Nation owned venue hosts all genres and caters particularly well to the heavier ones. Last week, Deathcore sweethearts, Lorna Shore brought their The Pain Remains Tour to town to support their new album. This month-long, stateside run is every ear gauged kid’s dream. With an impressive span of openers to add incentive, there is a reason why this show sold out.

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ALBUM REVIEW: Lorna Shore – Pain Remains

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It takes quite a lot in the subgenre of deathcore to really excite me nowadays. Lorna Shore is such an example that never excited me, but I also never gave them a real listen before. Plagued by lineup changes, it is difficult to decide where to begin in their discography. Fortunately, a new full-length is out now entitled Pain Remains (Century Media) and this may be a great spot for any new listener to start their journey. This record provides nine tracks (the last three telling one story on their own) at just over the hour mark.

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FESTIVAL REVIEW: Bloodstock Open Air 2022 Part 2

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Catton Park, United kingdom, 14 Aug 2022, Lamb of God performing on the Ronnie James Dio Stage at Bloodstock Open Air Festival Credit: Rich Price/Ghost Cult Magazine

 

SATURDAY

Considering most people are already feeling like overcooked baked potatoes wrapped in tin foil, the fact that today is meant to be the hottest day of the festival really isn’t the best news. Still, that certainly doesn’t deter a healthy crowd from shaking off the hangovers and getting on with the business at hand, Baest and Lost Society both grabbing the main stage by the scruff of the neck while Sister Shotgun and Mastiff do the same on the Sophie stage.Continue reading →


EP REVIEW: Lorna Shore – …And I Return to Nothingness

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Say what you will about Deathcore, it is nothing if not persistent. Not that the idea of mixing Death Metal and Hardcore is a new one (i.e., Suffocation) but when the term deathcore is applied today it recalls the halcyon years between 2007 and 2012 when a young man’s worth was determined by his throat tattoo, the size of his gauges and his MySpace networking skills. If you had a pig squeal, a breakdown and a dream it seemed like you too could be handed an Earache Records deal. But when did that dream end? Well, according to Lorna Shore’s …And I Return to Nothingness (Century Media) it didn’t.Continue reading →