When I was young and brash and had two working knees, I used to visit the high street in Camden, London. Me and my mates would dance ourselves into oblivion at the Electric Ballroom, take the night bus home, hit a Tescos for sausage rolls, and eat them right out the package – cold, before returning to Surrey Quays just before the sun rose.
At this stage in their career, Lamb of God can pretty much do what they want, when they want. And the Virginianatives have found a winning formula with their sound, which has been honed over nearly thirty years since they began life as Burn The Priest. Since the name change at the beginning of the millennium, Lamb of Godhave proven themselves as one of the premier contemporary metal bands, progressing from their earlier more death metal style, into the kings of modern groove metal, which has seen multiple Grammy nominations and some almighty tours including this year’s monster outing with Megadeth, Trivium and In Flames, which they are about to follow up with the likes of Killswitch Engage, Baroness, Spiritboxand Suicide Silence in support. (Read our reviews here and here).
From the opening shred and bombastic drumming, the listener knows 8 Kalacas’ Fronteras (Atomic Fire Records) is going to be epic. If you aren’t familiar with the 8 Kalacas, be prepared. It’s not straight up punk or metal. The songs veer stunningly off the tracks with the insertion of a ska sound that immediately puts one in the mind of the old Batman and Robin television series with Adam West and Burt Ward. The album is frenetic, wild, and just plain fun! Fronteras is part ska, part punk, part metal, part schlock, and all amazing. If you are a fan of Russkaja, then 8 Kalacas is your band. It’s like that, but in Spanish.
It’s hard to believe that industrial legends Ministry have been around (in one incarnation or another) for forty years but here they are in 2021, returning with their fifteenth full length studio album. Another title including amusing wordplay, Moral Hygiene(Nuclear Blast Records) is yet another solid release by Al Jourgensen and co. and features a few surprises along the way.
Deftones’ fan video archive channel Deftones Live on YouTub has shared a long-lost concert performance of the band from their 1996 opening slot on the now legendary Pantera/White Zombie Tour. Deftones were promoting their debut album Adrenaline (Maverick Records) and the concert was shot for a promo that was never released. Watch the video now!
Machine Head performed another of their lockdown-era “Electric Happy Hour” sessions where Robb Flynn is often joined by bassist Jared MacEachern. They perform a set every Friday and this week they deep cuts like ” fan favorite “My Misery” from the Tales From The Crypt:Demon Knight Soundtrack, hits, and covers of Pearl Jam, White Zombie, and Slayer. You can watch every Friday live on that bands’ YouTube or Robb Flynn’s Twitch channel.
Exploding with lurid technicolour noise and flooding your brain with nightmarish, acid-fuelled cartoon imagery, musician/director/writer/artist/sideshow freak Rob Zombie is back with his latest exercise in restraint and understatement, The Lunar Injection Kool Aid Eclipse Conspiracy(Nuclear Blast).
In his latest ‘At Home With’ conversation on Apple Music, Zane Lowe is joined by Rob Zombie who discusses riding out quarantine from a farm in Connecticut, becoming friends with his heroes, being “the world’s biggest cult artist”, Alice Cooper as a mentor, why he stopped collecting posters, and discovering music from filmmaking. He also recalls the first time he met Ozzy Osbourne, how White Zombie was widely hated by most bigger bands and their fans when they started and much more!
Just in time for Halloween, Joey Diabolic is releasing a twelve-part singles series over covers inspired by the 1980s horror movie classic “A Nightmare on Elm Street”. A mix of clever originals and choice covers, Joey is showing his affinity for horror, metal, and his ingenuity as an artist when others waylaid by the pandemic are resting on their laurels. Next in the series:“A Nightmare On Elm Street” (featuring haunting vocals by D. Lolli of MaMa Doom), the track was originally composed by Charles Bernstein as the “Prologue” to the first film, it has easily become one of the most iconic and chilling pieces of film music ever composed. Check out Joey’s cover now!
Black Sabbath in 1970, photo by Warner Brothers Records
There’s a reason some of the world’s greatest metal bands are still coveted as reputable musicians even decades after their split. They’ve not only shaped the landscape of rock music with beautifully haunting sounds but also gave loyal followers a chance to escape reality with their iconically dark gothic fashion. Back when everyone else was wearing mustard yellow bell-bottoms, they were donning tight leather pants in the blackest of shades. From smudged guyliner to studded harnesses, these metal rock bands were masters at transferring their sounds into their styles. Concerts became their stage to show off avant-garde gothic outfits with a hint of demonic attitude. Here’s a look back at some of the greatest rock bands that shaped men’s gothic clothing styles as we know it today.