Philip H. Anselmo On His Upcoming Projects, The Housecore Records Family And More


After over thirty years in the scene, Philip H. Anselmo remains one of the biggest names in the business. From his time fronting Pantera, to his numerous other projects, Phil’s love of music has taken him in several directions over the years, and he doesn’t plan on stopping anytime soon. One of his newest projects, Scour, absolutely destroyed Saint Vitus Bar in Brooklyn last week, and before their set I got to speak with the legendary vocalist about everything going on in the world of Phil. The front man reveals that new music from Scour and The Illegals is coming, hints at two other projects, talks about his special performance with Warbeast next month, shares his opinion on the Floyd Mayweather and Conor McGregor fight, and much, much more. Continue reading


Warbeast’s Final Show Will Feature Guest Appearances By Philip H. Anselmo, And More


Bruce Corbitt may have performed his final show with Warbeast last month, but the Texas thrashers still have one last gig coming up in July. The band’s CD release party will be taking place on Friday, July 14th at The Rail Club in Ft. Worth, Texas, and since Bruce will not be able to perform, the vocals will be handled by none other than Philip H. Anselmo, Edwin (Hitchhiker) Neal, and Wayne Abney of Hammer Witch.Continue reading


Bruce Corbitt Performs His Final Show With Warbeast


Former Rigor Mortis and current Warbeast vocalist Bruce Corbitt announced earlier this week that he will be retiring from performing after being diagnosed with esophageal cancer. He explained in detail on Facebook, “I was just told an ago I more than likely have stage 3 Esophagus cancer. Still a chance for stage 2. I get into more details on what that means and our plan of attack soon. But after much discussion with the doctors and specialist. ..they’ve told me there’s no chance within in any reasonable time that I’ll ever be able to perform again. So it breaks my heart at this time that I’m forced to announce my retirement from singing.

A lot of people would stop fighting, but that’s not Bruce. After going through several treatments this week, he announced on Friday that the doctors agreed to allow him one final moment on stage, and it happened last night in Fort Worth, Texas. Continue reading


Video: Superjoint Kills It At The Caught Up In The Gears of Application Release Show


superjoint-release-show

Superjoint unleashed Caught Up In The Gears of Application last week via Housecore Records, and as Keith said in his review, the record “is a nice return to form for this supergroup of metal veterans.” In my recent interview with Jimmy Bower, he mentioned how good the new stuff would sound live, and he was not lying. Superjoint killed it at their record release show at Gas Monkey Live in Dallas over the weekend, and we have fan footage of their set for you today. Continue reading


Superjoint Announces Caught Up In the Gears of Application Record Release Show


superjoint-2016

Superjoint will be releasing their new album, Caught Up In the Gears of Application, on November 11th via Housecore Records, and they’ve just announced a massive record release show in Dallas, Texas. Continue reading


Housecore Horror Festival III: Part 1- San Antonio, Texas


Housecore Horror Fest

After no longer being on a bus full of shitty cramped people for several days, I finally got to my hotel room. That joy was shortly lived when I had to actually get up and drag myself down the block to check in for press near The Aztec Theater. Which wasn’t that bad, since it was beautiful out! On the first day of Phil Anselmo’s Housecore Horror Festival III, some people were bright-eyed and ready for a good weekend or even just the night of metal, others were jet-lagged, cranky and wanting to just get started. Everything about the fest was localized to less than a 2 block radius of busses, tourists and locals. Aside from how awesome the venue looked on the inside, a Whataburger was right down the street. More on that later.

ChildBite, by Emma Parsons Photography

Child Bite, by Emma Parsons Photography

Doors opened 5 pm and fans filtered in and begin posting up and getting beers for the evening that they cannot wait to unfold. Promptly at 5:30 Child Bite come to the stage and after a quick sound check they are primed and ready to strike the opening chord on this weekends festivities! A mix of early hardcore and surf rock, vocalist Shawn Knight let loose with a furious howl. War Beast followed, then Exodus and soon after the EYEHATEGOD pure wall of volume and feedback, and there amidst the whirl wind of it all stood an un-phased Mike IX Williams. Williams seemed very irritated that the sound guy didn’t know how to handle mixing him and the band. Jimmy Bower had a mid-set cigarette.

Exodus, by Emma Parsons Photography

Exodus, by Emma Parsons Photography

Eyehategod, by Emma Parsons Photography

Eyehategod, by Emma Parsons Photography

Superjoint, by Emma Parsons Photography

Superjoint, by Emma Parsons Photography

Superjoint, by Emma Parsons Photography

Superjoint, by Emma Parsons Photography

Now we begin the headlining section of the evening, the home stretch, everything leading up top the one on the bill, the one and only King Diamond. Sadly, I am going to take a second to divert the readers attention from what seems to be a super mega-fun awesome festival to talk to you about what happened outside of our little bubble around the same time as our show; just over the pond. At another rock show in Paris, France people were attacked and killed while trying to enjoy The Eagles Of Death Metal concert. Reports slowly came in via social media and to be quite honest I’m sure it left a lot of us wondering what’s next? More so, who was next; afraid it even could be us gathered en mass like we were. When Superjoint hit the stage in San Antonio our great leader Philip Anselmo came to us not only as the singer of a band, but as our friend and equal to say “They will not take this from us, they can not stop us from having our fun. That is what they want. We are family we are here to rock and have fun. This next song is called ‘Fuck Your Enemy’!

King Diamond, by Emma Parsons Photography

King Diamond, by Emma Parsons Photography

King Diamond, by Emma Parsons Photography

King Diamond, by Emma Parsons Photography

King Diamond kicked off his headline set with ‘Welcome Home’ and the sing-a-longs had begun. A slew of strobe lights, falsetto singing, and screaming fans filled the air at the start of this two-hour set. Classic songs and Merciful Fate covers led up to the 40 minutes we had all been waiting for, Abigail! From ‘Arrival’ to ‘The Black Horsemen’, every song sounded as crisp a the first time they were played live back in the day. It was a great end to the first night of the festival.

King Diamond, by Emma Parsons Photography

King Diamond, by Emma Parsons Photography

King Diamond, by Emma Parsons Photography

King Diamond, by Emma Parsons Photography

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WORDS BY ANDREW FRANCIS

PHOTOS BY EMMA PARSONS PHOTOGRAPHY

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Hellbastard – Feral


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It’s rare to find a band that are still a) interesting and b) experimenting after three or four decades. But UK crossover legends Hellbastard have managed to do just that. After their original run from 1985-1991, the Geordie four piece reformed in 2008. Feral (Patac) is just the fourth album from the band – “Scruff” Lewty (Vocals, Guitars), Pete Salvage (Guitars), Laine Pearce-Rees (Bass) and Nathan Ellis (Drums) – and second since they regrouped.

Hellbastard are seen by many as the pioneers of crust punk, and reinforce the heritage with guest appearances from fellow UK crusties; Amebix’s Rob “The Baron” Miller and Andy “A. Droid” Wiggins, as well as Sabbat’s Andy Sneap. The PR guff describes Feral as “primal, back-to-nature shit,” which translates as “pretty simplistic, but still heavy”. Which is strange, because for the most part, it’s not particularly crusty.

For much of the record, it’s pretty route-one thrash album chock-full with political observations and snide phrasing from Scruff’s spat lyrics. Or at least it seems that way on first listen.Outside of the Year’ or ‘And the Point of Your Being Is…’ are prime examples of classic crossover the likes of Municipal Waste have taken to a wider audience. ‘Social Hand Grenade’ features some classic squealing guitar work while ‘Engineering Human Consciousness II’ is the kind perfect mosh pit fodder WarBeast would be proud of.

After a few listens however, you start to realise there are some surprises. The switches between raw aggression and a melodic chorus on opener ‘In Praise Of Bast…/Feral’ catch the listener off guard, while the impressive 8-minute three-part epic ‘We Are Coven’ strays into progressive territory. The left turn of4-Paws’ could pass for a gothic power ballad with it strings section and spoken word passages. The extra twists that are thrown into the traditional thrash/punk mix ensure that what could have easily been a tired rehash remains fresh.

Feral isn’t perfect and it’s not all quality or inventive. ‘Shame on Us’ is a passable mid-paced stomper, and though ‘Wychcraft’ has plenty of menace it meanders without going anywhere. But two duds isn’t bad for such a surprisingly varied album. For a band celebrating their 30th year, HellBastard still sound as angry as their name suggests. More impressively though, Feral shows a band willing to experiment and expand their palette into new grounds. There’s enough nodding back for legacy fans, but more than interesting enough material to make them worthwhile for anyone looking for a new spin on thrash.

 

7.5/10

DAN SWINHOE


Suffocation, YOB, Eyehategod, etc Confirmed For Housecore Horror Festival III


housecore horror festival iii

Philip H. Anselmo is bringing his Housecore Horror Film Festival back for a third year in San Antonio, TX at the Aztec Theater on November 13th -15th, 2015.

The decision to return was driven by the desire to honor his friend and festival co-founder, Corey Mitchell, who tragically passed away last October. Mitchell was the driving creative force behind the festival’s success, and Anselmo believes there is no better way to pay tribute to his friend than to carry on for a third year.

“I’ve got a great team in place to help make this what Corey and I wanted it to be,” he says. “There are a lot of mixed emotions here because no one can replace him. But, we know he would want this to continue and so that’s what we’re going to do. We miss him and think about him every day.”

Bands confirmed to perform include:

Suffocation
Autopsy
Cripple Bastards
Nails
SYk & Dalila Kayros
YOB
Eyehategod
Child Bite
Warbeast

Housecore Horror Film Festival on Facebook
Housecore Horror Film Festival on Twitter


Warbeast Announce New Live Dates, Lineup Changes


warbeast

Texas thrashers Warbeast have a string of upcoming live dates. The band have updated their lineup with second guitarist Drew Shoup and bassist Lyric Ferchaud (stepson of vocalist Bruce Corbitt) joining the current lineup of Corbitt, guitarist Scott Shelby and drummer Joey Gonzalez.

May 22: The Rail Club (Ft. Worth Metal Fest)- Ft. Worth, TX (w/ Eyehategod, Goatwhore)
Jun 05: Hangar 21 – Shreveport, LA
Jun 12: Gas Monkey Bar & Grill – Dallas, TX
Jun 26: Dirty Dog Bar – Austin, TX
Aug 01: Three Links (One Fest 2015) – Dallas, TX (w/ Mobile Deathcamp, Devourment)
Aug 15: The Conservatory – Oklahoma City, OK
Sep 11: Full Terror Assault Open Air Fest – Cave-In-Rock, IL (w/ Fear Factory, Terrorizer, Eyehategod, M.O.D.)

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Phil Anselmo And The Illegals -Warbeast – Author & Punisher: Live At The Palladium Worcester, MA


_DSC0664Most people in the current generation never got to see or hear Pantera live. Even if you did, it’s sadly been over a decade since that band played it’s final notes. Even though their surviving members have continued to make music, some of it excellent, nothing will ever quite duplicate that fury and fun for a lot of people who remember them. Phil Anselmo has continued to make music with the likes of Down and other projects, but outside of some his recent work in the metal masters, fans haven’t had the chance to him cut loose and get back to his brutal musical past. With his recent album Walk Through Exits Only (Housecore) and his new backing band, The Illegals, Phil is back to doing arguably what his does best: crushing stages and having fun on the ‘The Technicians of Distortion Tour’.

 

Upstairs there was some good support from local bands such as Black Mass and Vivsepulture. Downstairs in the main room, Author & Punisher was up first and you could just feel the “wtf?” in the room with groans and sighs. I love it when an artist challenges a crowd just by_DSC0336 being there. A one man sonic and multimedia experience, the room that was waiting for some thrash and groove, guitars and screaming, and they just couldn’t handle it. Tristan Shone is the man behind A&P and you have to give him his props, based on impassioned performance and dgaf attitude. This was an inspired choice to open the show even if barely anybody in the building “got it”. Warbeast was up next and fell more in line with the expectations of the swelling crowd. Playing some Texas sized thrash metal songs, hot off of their recent Anselmo produced Destroy (Housecore) album, the band woke the droopy crowd up with a bang. Playing songs such as ‘Nightmares In the Sky’, ‘Birth of A Psycho’, and ‘Scorched Earth Policy’ really activated the pit. Front man Bruce Corbitt stalked the stage and sang his balls off as usual. Guitarists Scott Shelby and Bobby Tilotson provided the firepower shred-wise. Of course, Phil watched their entire set from the side of the stage and even came out to sing for a few songs, including some old Rigor Mortis jams which was terrific.

 

 

_DSC0686Finally, Phil and troupe left the stage, only long enough for them to clear the gear and show a very sparse stage of gear. A massive, simple banner hung as a backdrop: Phil’s visage in a silhouette of his face and head with his band name only. They could tell tonight was going to be a special show. After jamming a bit of ‘Black Houses’ by Portal, the band launched into ‘Battalion of Zero’. It was great to hear Phil just growl it out as he hasn’t really done in years on stage much. He just let it fly and he sounded flawless. ‘Betrayed’ was next and the crowd was just whipped in a frenzy with a chaotic pit happening. It was also cool to hear people had the new album, and were singing along too. His band was as killer as advertised, especially Marzi Montazeri on guitar. The band ended up playing the entire record over the course of the night and Phil gave little explanations of what the thought was behind each song. Phil chatted it up, but thankfully kept his banter short, or short for him. There were also some epic surprises all night long, the first being the late-era Pantera classic ‘Death Rattle’. It was just sick to hear this song live, which has closely followed by Superjoint Ritual‘s ‘Fuck Your Enemy’. Later in the set the band messed around with the opening of Led Zeppelin‘s ‘Dazed and Confused’, which sounded so doomy and sludged out. I appreciated the notion, even if I giggled at the delivery. Even though people cried out for his more popular songs, it was cool to hear most of Phil’s stops in his musical journey represented, such as the Arson Anthem killer ‘Wrecked Like Clockwork’. After playing a nice mash-up of Pantera treasures like ‘Domination/Hollow’ with a little ‘By Demons Be Driven’, and for a second I caught myself thinking it was 1998 again. Closing with Agnostic Front’s ‘United and Strong’, Phil and his band definitely delivered a fun show of new music, old hits and some influences.

 

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Phil Anselmo And The Illegals on Facebook

Warbeast on Facebook

Author & Punisher on Facebook

 

Words: Keith Chachkes

Photos: Echoes In The Well