There’s a slow, mournful funeral march coming through the mists, on a still silent plain, on The Buried Storm (Prophecy Productions), the latest release by Darkher. Led by multi-instrumentalist Jayn Maiven, the album at times bears a resemblance to Neurosis or Triptykon at their most quiet and reflective. With each song centred around the vocal layering of Maiven, the instrumentation often stripped to cello and violin backing, it’s an evocative and understated musical landscape. Often bringing to mind Bat For Lashes, one that sings her siren song with a doom folk backing, this is soothing music for people who like it dark.
While The Path to the Deathless (Desert Records) continues down the psychedelic stoner journey that Red Mesa put forth with 2018’s The Devil and the Desert, its execution is grittier. The atmosphere carries hints of desolation within its imagery of open desert plains and the grainy guitar tone has a certain nastiness even when it isn’t overtly aggressive. There’s also not much emphasis on acoustic playing this time around, and even the tracks that do feature it come with a more noticeably somber air.
It has been a decade now since I first saw A Forest Of Stars at their debut gig in Leeds, and they’ve always occupied a special place for me in music since then. They mash-up progressive Black Metal with a folky presence and wrap it up within a steampunk inspired Victorian based package. What results from this can sometimes be a little hit and miss, but generally contains many objects of wonder. Grave Mounds and Grave Mistakes, marks their third full length released on Prophecy Productions.Continue reading
Wardruna recently went on tour to promote their latest album, Ragnarok (By Norse), the last in the Runaljod trilogy. After selling out the seated hall for Tuesday night, an extra show was planned for Saturday night in one of the standing venues of the building. Having sold out this evening as well, the band was greeted warmly by over a thousand enthusiasts. Continue reading