Those who’ve known me for some time will have had their ears blunted by my constant praise for Birmingham, UK Industrial Doom duo Khost. Equal parts sampled violence, malevolent strings and vocal apocalypse, beautiful Eastern lamentations often deflect from that harsh path and create a nuance flavoured by the likes of VAST and Moby. Their fourth album Buried Steel (Cold Spring Records) sees a band now truly at ease with its style, happy to have edgy two-minute psalms populating a set in the knowledge that they serve a purpose for the whole.
You Won’t Get What You Want (Ipecac) sees the welcome return of Rhode Island creatives Daughters: this being their first album since their 2013 reformation, and fourth in all. The band’s affinity for complex noise is undiminished yet has refined with age and experience. Continue reading
For those unaware of the sinister, weird magnificence of David Lynch, his films and series are usually accompanied by equally strange yet wonderful music: edgy, dark, seductive, indulging the seedy side of Americana. Young Widows frontman Evan Patterson’s solo project Jaye Jayle fits this bill perfectly, its Dark Country-style jangle carrying a profound melancholy, and with sophomore album No Trail And Other Unholy Paths (Sargent House) being produced by Lynch’s musical adviser Dean Hurley, there’s an added resonance here.Continue reading