Hatebreed Is Planning A “Satisfaction Is The Death Of Desire”/ ”Perseverance” Anniversary Tour

Get ready Hatebreed fans! Continue reading

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Vans Warped Tour 2017: Phoenix, Arizona

Hawthone Heights, by Originate Designs Photography

The Vans Warped Tour. Twenty-Three years of a traveling road show that showcases a plethora of bands. Some people thumb their nose up as it being full of emo wannabes or full of bands no one has heard before. But those people ignore the fact that this is an institution. Twenty-three successive years of promoting hundreds of bands on a full summer tour. It’s pretty much the longest most successful American festival; it rivals the festivals in Europe. Continue reading

2017 Vans Warped Tour Lineup Announced, Tickets On Sale

The 2017 Vans Warped Tour was announced at their annual event at Full Sail University in Florida. CKY, Hatebreed, Hawthorne Heights, I Prevail, Beartooth, Sick Of It All, Candiria, Anti Flag, GWAR, Memphis May Fire and more will perform. Tickets are on sale now for all dates with the full confirmed line-up and other info below.
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Clutch, Valient Thorr, Lionize: Academy, Manchester 

Clutch, by Rich Price Photography

I’ve not heard much about hard rockers Lionize before tonight, I know they’re signed to Clutch’s Label Weathermaker Music on which they’ve released ‘The Voyage EP’ this year. They’ve been on tour with Clutch a couple of times and include Clutch’s Tim Sult as an occasional guitarist in their line-up. After that basic research I figured it was safe to assume from that they would have a similar sound to Clutch and decided to leave some air of mystery for the actual gig. Continue reading

Video: Valient Thorr – No Count Blues Lyric Video Released

valient thorr salt ghostcultmag

 

Valient Thorr has released a lyric video for their new single, ‘No Count Blues’, from their forthcoming album Old Salt, due out on July 29th from Napalm Records. You can watch the lyric video at this link or below:

 

Front man Valient commented on the new album:

“Alahoyus Thorriors! If you pre-order the album today you get an instagrab of one of the tracks today! It’s called “No Count Blues”. It’s a fast paced jam meant to help you shake off that feeling you get sometimes when the worlds beating you down. Shake it up & shake it out! Grab your copy HERE.”

 

Pre-order your copy of Old Salt in exclusive bundle packages.

Old Salt track listing:

1. Mirakuru

2. Lil Knife

3. Cut And Run

4. No Count Blues

5. The Trudge

6. Worm Up

7. Spellbroke

8. Linen Maker

9. The Shroud

10. Looking Glass

11. Jealous Gods

Desertfest Belgium- Part 2: Live at Trix Antwerp

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Saturday we kick things off with Beelzebong, who give us the swamp soaked heavy slur of stoner doom riffs we’ve been so craving. These guys know how to his the sweet spot of heavy and oppressive, yet hypnotic. They turn the crowd in front of the Desert stage into a sea of bobbing heads, a sight that makes for great start to the day.

Monomyth, by Susanne A. Maathuis Photogaphy

Monomyth, by Susanne A. Maathuis Photogaphy

Since we get some rare sunshine in the beginning of October, we decide to recover from last night’s first day in the brittle warmth of the autumn sun in the outside seating area, and catch up with some friends.

Monomyth, these masters of the hypnotic cadence are not new for me but a lot of people were happily surprised by their prowess. Their gigs tend to sound like one long jam, and amazingly don’t get boring while they weave on and on in an almost circular way, pulling you deeper into the trance-like state their music conveys. While these guys make some really spacey psychrock, the usually omnipresent guitar noodling is quite minimal and has a more rhythmic notion with this band, repeating and embroidering on the same pattern, building layers and layers of spacey goodness.

After the enjoyable Monomyth set we catch a quick glimpse upstairs in the Canyon stage of Vandal X, these Belgian noise rockers pick up the tempo and shake us awake. Distinctly punky, yet a little heavier and stranger than punk, these guys kick you straight in the teeth. Having apparently inspired such bands as Raketkanon according to the booklet these forefathers of the no-nonsense, bash your head into the wall kind of noise rock are living up to their title. Noise Noise Noise, indeed.

Greenleaf, by Susanne A. Maathuis Photogaphy

Greenleaf, by Susanne A. Maathuis Photogaphy

After the rude awakening with Vandal X we go downstairs to see Greenleaf. The moment the band starts the grove is amazing, the thick heaviness is there, and everything sounds incredible, if a bit stripped down to make room for what we assume is going to be vocal driven Stoner. Pinching just a little too much I get the distinct feeling the vocalist is trying to sing a way that doesn’t fit him naturally, and the rest of the music just isn’t intricate enough to be able to ignore a less than impeccable vocal performance.

Thankfully the guys from Mars Red Sky are there to cheer me right up again, with their 70s infused doom. Their groove is one of the best and most catchy of the festival. In a genre often drowned in fuzz and distortion the use of oftentimes clean bass lines is refreshing and really hitting that spot. Soaring guitar lines coupled with remarkably light vocals with just enough echo to make their music sounds quite otherworldly. The contrast of heavy and light, floating and sinking make this band a fascinating experience well worth listening to.

Orange Goblin by Susanne A. Maathuis Photogaphy

Orange Goblin by Susanne A. Maathuis Photogaphy

Now I have the hard task of writing a review of Orange GoblinOrange Goblin is one of the heavyweights in the genre, and seeing them live is nothing short of spectacular. They clearly have that oh so British touch in their approach to metal that takes a lot of influence from punk and just a general slow burning anger at the world no other nationality has quite mastered, maybe it’s the weather. The riled up crowd starts milling in front of the stage in an enormous moshpit that doesn’t let up until the set is over.

To kill the time before Earth start and not just hang around chatting to the many wonderful people this fest attracts, we go catch a few songs by Causa sui. The trippy background projections are pretty cool, but sadly the band evoke a distinct feeling of trying too hard to fit into the psychrock box. The whole thing feels a bit formulaic, and instead of expressing the joy of letting a trip come over you as good psych does, they just leave me with a vague sense of emptiness.

Earth, by Susanne A. Maathuis Photogaphy

Earth, by Susanne A. Maathuis Photogaphy

Earth have the honor of headlining today, and I’m quite interested to see how they do. The band is known for it’s super slow and heavy laid back instrumental drone, and while this is in itself wonderful music, it’s something that is really hard to get into when you’ve been on your feet all day and have just seen Orange Goblin destroy the Desert stage with a vengeance. This is a band you definitely need a chair and a good dose of substances for to really get into, but for me, at that time of the day, they just were a bit too slow in their heavy. About midway through, the after party starts, at which we get a second dose of Orange Goblin madness, but this time behind the dj set.

Tangled Horns, by Susanne A. Maathuis Photogaphy

Tangled Horns, by Susanne A. Maathuis Photogaphy

Sunday, lazy Sunday. We start things of with a local Belgian band who’ve clearly not lost any steam over the weekend. Tangled Horns pretty much tangle us in their horns. Fast paced with a franctic frontman who will climb anything makes for a great show. There is a definite raunchy twist in the stoner these guys make, that does definitely remind of 90’s grunge and even a punky atmosphere. Definitely a band worth catching live.

Next we keep the pace up just as high, with the party band extraordinaire Valient Thor. They are one of the few bands on the bill to really get people moving and have banter between songs. As it is a time-honored tradition in the stoner and doom scene to stare at your shoes and mumble thank you, it is refreshing to hear a man remind us we’re all really descendant from space dust in a hilarious way before linking it to the next song and setting off another bout of frantic, happy party punk. These guys would do well at any festival.

Ufomamut, by Susanne A. Maathuis Photogaphy

Ufomamut, by Susanne A. Maathuis Photogaphy

After grabbing dinner at one of the many food carts, we go watch Ufomammut. Over the last few years this group has made a reputation for being transcendent and while I see why people love them and where this reputation comes from somehow it just doesn’t hit that special place that makes the experience more than just music for me personally. They still were good but I didn’t see the magic others clearly see in them.

Sometimes there are bands that do everything right and still miss something, and just don’t work. Usually this is personal taste thing and hard to put your finger on, but with Bongzilla I feel I know exactly what was missing for me. These guys make standard sludge, and they do it well, but it’s all a little too clean. Sludge for me needs to be dirty and redneck and Louisiana swamp infested. It needs to feel wild and a little dangerous, heavy and sticky like the sweat is running down your back into your asscrack and the mosquitoes are eating you alive. Sadly this little bit of swamp of dirt and grit is exactly what was missing with Bongzilla.

Child, by Susanne A. Maathuis Photogaphy

Child, by Susanne A. Maathuis Photogaphy

My disappointed mood was quickly turned when friends I’d made urged me to stay downstairs and skip Fatso Jetson in favor of the Australian band Child. We got treated to a three-piece making some of the heaviest blues I’ve heard in ages, with a groove that was utterly unparalleled by any band on the bill, and most of all a voice that will melt the polar icecaps. The remarkably heavy main riffs get broken up by beautifully soulful blues guitar lines creating a refreshing contrast.

To conclude our stay in Antwerp I use the last of our coins to buy a few of the excellent cocktails at the little cocktail stand outside, and head upstairs for the final after party, not getting home until five in the morning, exhausted, charmed and satisfied. Until next time, Desertfest Belgium. 

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DESERTFEST PART I REVIEW:

WORDS AND PHOTOS BY SUSANNE A. MAATHUIS

 

Festival Preview: Desertfest Belgium, Antwerp October 9th – 11th

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Aficionados of all things heavy rock and doom are descending on Antwerp Belgium this weekend for the coming second edition of Desertfest at the Muziekcentrum Trix venue for. Kicking off at 3 PM on Friday the 9th, Desetfest Belgium will continue the run of brilliant Desertfest shows, killer bands and just an overall cool vibe. Over 40 bands on three stages will turn it up to 11 and wail until the early morning light. In addition to the bands, the Trix venue has an art gallery and the “Hippie Market” for merch and other wares, and food options too.

Friday’s lineup features massively heavy Monolord as the headliner. Joining them will be likely impressive turns by Moon Duo, Dozer, Stoned Jesus, Wucan and a A DJ aftershow party.

 

Saturday is led by festival second headliner and Brit doom gods Orange Goblin. They are a can’t miss act live. Also appearing on the bill on this day are a plethora bands Greenleaf, Monomyth, and Belzebong on the main Desert Stage. Other bands to check out on Saturday USA Out of Vietnam, Mars Red Sky, Bathsheba, Sunder and Pendejo.

Sunday is positively stacked on the Desert stage with fest headline act Goatsnake, followed by Bongzilla, Ufomammut, Valient Thorr and Glowsun. Fatso Jetson, Child, 3rd Ear Experience, Sienna Root, and Maudlin are other bands you don’t want to miss.

Ghost Cult is proud to serve as a media partner for Desertfest Belgium. You can still get tickets at this link