Bloodstock Festival: Day Three – Catton Hall, UK

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As the final day of Bloodstock 2015 begins, it is once again with the shock of no sign of rain once again. Someone, somewhere must have made some kind of sacrifice to some form of deity to ward off the rain and giving perfect sunshine for the entire weekend. No doubt the usual washout day will rear its head again next year, but for today, there is plenty of heavy metal to enjoy.

Kicking off proceedings for the day is one very annoying clash between atmospheric black metaller’s Agalloch on the main stage and British heavy metal masters Triaxis, who reward the rammed Sophie Tent by assuredly knocking the cobwebs of people’s hangovers away with a spectacular showcase of straightforward but massively enjoyable metal. New cuts like ‘Liberty’ and ‘Death Machine’ prove just as immediate and strong as fan-favourites like ‘Black Trinity’ as they show just why they one of the brightest lights on the British metal scene today, as today’s set feels hugely triumphant. The same can’t quite be said for the following The Izuna Drop who’s electronica bass drop tinged sounds are interesting in principle but doesn’t translate well today as a thin, curious crowd quickly empties even further.

For all the critics of the modern day incarnation of Sepultura (WAH! THERES NO MAX CAVALERA ITS NOT SEPULTURA!) they’re overlooking three important factors: Firstly Derrick Green has been a part of the band by now longer than Max ever was. Secondly the band that they are today is a very different beast to the Max incarnation; yes they play the hits like ‘Roots Bloody Root’ and ‘Refuse/Resist’ but with a somewhat different tone to those days. And thirdly, they still pack a hell of a punch, giving a strong, somewhat safe set with very few surprises (other than a brand new song aired) but one that is never less exciting than before, as the main stage crowd gives a huge response, especially to those aforementioned hits.

The likes of Agalloch and Belphegor may have suffered some of their atmospherics due to the sunshine on the main stage, so its fortunate for Saille that they perform to a darker, more intense Sophie tent, where their brooding, melodic brand of black metal is allowed its full impact. Mostly static but full of intensity, their vivid tales inspired but the likes of H.P. Lovecraft proof menacing but so captivating, and they have surely made a tonne of new friends in this instance.

You always know what you’re going to get with Cannibal Corpse, from the bludgeoning barrage of their music to the recognisable stage introductions (“This song is about shooting blood from your cock”) but it never withers in intensity, and today they are as strong and reliant as ever. The staggering amount of crowd surfers during this set tells you how well they have gone down today, and why they are such a firm live favourite.

It may be hot outside, it may be the evening of the last day, but people still want to have a bloody good time, and apparently a bit of a boogie. Good job French swing/death metal oddballs Trepalium are at hand with perhaps the surprise set of the entire weekend. Not a huge name by any means on these shores but they pack out the Sophie tent, and after a confusing sound-check, absolutely explode. Volatile death metal meets catchy, jazz like passages with stunning effect as the what could possibly be the biggest moshpit the tent has seen all weekend is surrounded by people dancing like loons to four sharply dressed musicians and a shirt-less, voodoo mask like painted nutter of a vocalist. An unexpected highlight as they prove one of the bands of the weekend.

Zakk  Wylde

Zakk Wylde

All three headliners this year were subject to vitriolic responses on the internet forums at their announcement, but today’s headliner Rob Zombie probably received the most flak. Coupled with the memory of recent, stripped back festival appearances not gaining plaudits and there is a swell of anticipation amongst excited fans and those who seem to be there simply wishing for a car crash performance. Not to mention the catastrophic stage problems that plagued Trivium and Within Temptation, there is a feeling that anything could happen; fortunately for the excited throng, all goes well this time around.

 

 

 

Rob Zombie, photo credit  Fiaz Farrelly

Rob Zombie, photo credit Fiaz Farrelly

 Rob Zombie, photo credit  Fiaz Farrelly

Rob Zombie, photo credit Fiaz Farrelly

Opening with a storming ‘Teenage Nosferatu Pussy’, Rob Zombie’s part b-movie horror flick, part cartoon brand of industrial metal proves an excellent festival closer which oozes fun. Zombie himself proves very charismatic (if at times forced) whilst the excellent pair of John 5 and Piggy D jostle and challenge for attention on stage, both giving show stealing, virtuoso performances and their own unique visuals. Coupled with such a strong arsenal of songs and it seems silly to think how it could have failed; although there seems to be reliance on a couple of famous covers to gather some momentum: an awkward rendition of James Brown’s ‘Get Up…’ and note perfect, nothing special renditions of ‘Blitzkrieg Bop’ and ‘Schools Ou’” which surely take time away from songs people may have wanted to hear. That being said the likes of ‘Superbeast’, ‘More Human Than Human’ and a rarely aired ‘Pussy Liquor’ hit the spot, bringing the festivities to a euphoric close on the main stage (for those who still have energy and urging for a more claustrophobic disposition, Godflesh pack out the tent later on in the night).

 Rob Zombie, photo credit Fiaz Farrelly

Rob Zombie, photo credit Fiaz Farrelly

Over the weekend some issues reared their heads again, from the stage show suffering of black metal bands in broad daylight to the near comical amount of main stage difficulties which nearly derail many a set, but none of this can detract from a tremendous weekend that gave fantastic weather and even better bands.

See you in a year Catton Hall.

 

CHRIS TIPPELL and SARAH WORSLEY

Bloodstock Festival Adds More Bands, Tickets On Sale Now

Bloodstock 2014 as of march 10

Bloodstock Festival (aka Bloodstock Open Air or BOA) has added five more bands to its already stacked line-up for 2015. New to the bill are reformed sludge metallers Raging Speedhorn, prog-metal exports Xerath, Trepalium, Villainy and Godsized. Taking place August 6th – 9th at Walton on Trent, Derbyshire UK. Tickets are on sale now by phone (24hr ticketline at 0871 230 5584 )or online and include an array of camping and VIP ticket options. Camper van pitches are now all sold out.

Already announced to the bill over four massive stages are major acts such as Friday’s headliner Trivium and special guests Sabaton, Saturday’s headliner Within Temptation and special guests Opeth, Sunday’s headliner Rob Zombie and special guests Black Label Society, also Cannibal Corpse, Ihsahn, Sepultura, Orange Goblin, Death T.A, Nuclear Assault, 1349, Napalm Death, Dark Angel, Armored Saint, Belphegor, Overkill, Ensiferum, Agalloch, Korpiklaani, Pro-Pain, Enslaved, Wolf, Delain, Fleshgod Apocalypse, Godflesh, Lawnmower Deth, Mordred, Ethereal, Onslaught, Oaf, Pritchard Vs Dainton, Conan, Planet Of Zeus, Bast, Saille, Batallion, Destrage with more bands to be announced in the coming weeks.

 

Trepalium – Dambala’s Voodoo Doll (EP)

trepalium-ep

To some, jazz and metal may seem like odd bedfellows, but over time the paths of jazz and a variety of heavy music styles have crossed on numerous occasions in varying ways. Plenty of bands have cited the likes of Mahavishnu Orchestra and Miles Davis as an influence whilst acts from the likes of King Crimson to contemporary artists as diverse as Between The Buried & Me, Meshuggah, Trioscapes and The Contortionist have shown signs of its inspiration and aesthetic. Very few extreme metal acts however have shown as bold and overt a marriage as France’s Trepalium have over the years.

Over a number of albums Trepalium have taken Jazz’s most stereotypical musical traits and instrumentation and intertwined with a gnarly but accessible breed of death metal, creating a mind-jarring but infectious hybrid; and their latest EP, the recently re-titled Damballa’s Voodoo Doll (Klonosphere), is their strongest and most fully-realized effort to date. The jazz elements come across as very cartoonish rather than as avant-garde unpredictability but this is clearly the desired effect. EP opener ‘Moonshine Limbo’ encapsulates this with the introduction of what appears to be a bar fight in a classic Western style bar, with broken glass and piano before a chorus of trumpets signals its eruption to the current day.

Both sides of the coin take center stage at different points rather than messily fighting for attention. The title track for example shows the band’s jazz side taking time out on the bench, whilst on the likes of ‘Possessed By The Nightlife’ it is given room to really flourish. Taking these two musical styles as standalone parts, neither are revolutionary takes in themselves, while the vocals are a tad one dimensional in tone. Altogether, though, this delivers a unique and, most importantly, fun combination.

Of course for some this may seem like a gimmick, and yes it is very tongue in cheek at times, but here Trepalium have fine-tuned their vision and given their strongest, most immediate and enjoyable release to date. A strong reminder of both extreme metal’s (and jazz’s) knack for experimentation and of both genre’s ever crossing roads.

 

8.0/10

Trepalium on Facebook

 

CHRIS TIPPELL

A Lesson In Stability – An Interview With Gojira

Gojira-2013A gradual career build-up and relentless touring are at the core of Gojira’s current success. Marcus J. West caught up with Joe Duplantier (guitars/vocals)  to discuss the band’s touring rigours, the importance of gradual career building, his fondness of nature and opening for Ghost. Continue reading