With 2010s For Mircalla seemingly destined to be a one-off album for Briton Rites, it’s quite a surprise to see the band unleash a second full-length ten years later. Occulte Fantastique (Echoes Of Crom Records) wastes no time confirming that the group has remained faithful to their Traditional Doom Metal style. Guitarist Howie Bentley’s riffs are as beefy as ever while the prolific Phil Swanson’s vocal performance consists of the tried-and-true Satanic themes delivered in a sneer somewhere between Ozzy and Pagan Altar’s Terry Jones.Continue reading
When listening to Forgotten Days (Nuclear Blast), Pallbearer’s fourth full-length, it’s hard to remember a time when they were ever this riff-driven. The title track sets an immediate precedent with its beginning feedback transitioning into pummeling yet catchy verses, a surprisingly hooky chorus, and a softer bridge that manages to keep the momentum going. ‘The Quicksand Of Existing’ and ‘Vengeance Ruination’ serve up even more heaviness in the album’s second half with the former’s straightforward chugs standing out. Considering past jabs I’ve made about Pallbearer being one of the most riff-adverse groups in Doom Metal, it’s a very refreshing change of pace.
As hinted by the title, Doom II (Self-Released) isn’t Witnesses’ second overall album but rather their second to expand on the Doom Metal style that was established on2019’s To Disappear And To Be Nothing. Its predecessor’s combination of glacial riffing, distraught vocals and bleak mood is well-preserved here and the overarching narrative of a ship lost at sea allows them to be conveyed even more powerfully than before. Convoluted naming conventions aside, it’s a bold leap forward by every metric.
It’s been just a little over a year since Purification unleashed their first album, Destruction Of The Wicked, but their second already comes with some interesting developments. The style on Perfect Doctrine(ODLC PRODUCTIONS, INC.) may be rooted in the same post-Reverend Bizarre Doom Metal, but the Portlandians’ dynamic has dramatically shifted. The recruitment of drummer Count Darragh has led to them growing from a duo to a more conventional trio, allowing Lord Donangato Resurrected to focus on lead guitar alongside William Marshall Purify’s established rhythms and warbling vocals.
Ask a proud American to identify the EoB and they’ll gaze, either wistfully or with revolution in mind, toward a grand old building not far from Pennsylvania Avenue. 2018, however, has given birth to another EoB – the Evolution of Boom, a kind of cultural reworking of the Low-End chords which brought all manner of sounds into the realm of enjoyment for the average music listener.Continue reading