ALBUM REVIEW: Pallbearer – Forgotten Days

When listening to Forgotten Days (Nuclear Blast), Pallbearer’s fourth full-length, it’s hard to remember a time when they were ever this riff-driven. The title track sets an immediate precedent with its beginning feedback transitioning into pummeling yet catchy verses, a surprisingly hooky chorus, and a softer bridge that manages to keep the momentum going. ‘The Quicksand Of Existing’ and ‘Vengeance Ruination’ serve up even more heaviness in the album’s second half with the former’s straightforward chugs standing out. Considering past jabs I’ve made about Pallbearer being one of the most riff-adverse groups in Doom Metal, it’s a very refreshing change of pace.

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ALBUM REVIEW: Witnesses – Doom II

As hinted by the title, Doom II  (Self-Released) isn’t Witnesses’ second overall album but rather their second to expand on the Doom Metal style that was established on 2019’s To Disappear And To Be Nothing. Its predecessor’s combination of glacial riffing, distraught vocals and bleak mood is well-preserved here and the overarching narrative of a ship lost at sea allows them to be conveyed even more powerfully than before. Convoluted naming conventions aside, it’s a bold leap forward by every metric.

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ALBUM REVIEW: Purification – Perfect Doctrine 

It’s been just a little over a year since Purification unleashed their first album, Destruction Of The Wicked, but their second already comes with some interesting developments. The style on Perfect Doctrine (ODLC PRODUCTIONS, INC.) may be rooted in the same post-Reverend Bizarre Doom Metal, but the Portlandians’ dynamic has dramatically shifted. The recruitment of drummer Count Darragh has led to them growing from a duo to a more conventional trio, allowing Lord Donangato Resurrected to focus on lead guitar alongside William Marshall Purify’s established rhythms and warbling vocals.

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