ALBUM REVIEW: Lamb Of God – Lamb Of God

Every now and again, a record captures the mood of an era with such frightening accuracy that even though it might not be the greatest thing you’ve ever heard, it resonates so profoundly that you have no alternative but to sit up and take notice. Not since the ’80s, when the burgeoning thrash scene was fuelled by a world living in fear of murky politics and the threat of nuclear war, has the timing been so perfect for such a scathing indictment of present times. Continue reading

PODCAST: Episode 99: Adam Dubin Talks “Murder In The Front Row” Documentary

Filmmaker Adam Dubin chatted with Ghost Cult recently about the wide release of his acclaimed documentary, Murder In The Front Row, documenting the birth of Bay Area Thrash Metal scene, which birthed several genres. We chatted about the impetus to making the film, all the thrash metal stars he interviewed such as Metallica, Megadeth, Slayer, Anthrax, Exodus, Testament, and Death Angel (53 all told)  his history in the business, making films and music videos in 1980’s such as Beastie Boys “Fight For Your Right To Party” and  “No Sleep ‘Til Brooklyn”, his long history of interactions with Kerry King, the lasting impact the genre has had on all heavy music, and what he learned most during the project. You can purchase the deluxe version of  Murder In The Front Row at this link, stream it on VOD, and check out our chat with Adam here: Continue reading

ALBUM REVIEW: King Gizzard and the Lizard Wizard – Chunky Shrapnel

If you clicked the link to read this review is because somehow you have heard about King Gizzard and the Lizard Wizard, or because the name was too odd for you to pass on discovering what the hell Is a band called liked that being covered in a Metal magazine, well let me first tell you that this band with the weird name released the critically acclaimed Thrash Metal album Infest the Rats’ Nest (Flightless Records) in 2019 which added a new genre in their vast catalog of albums that include a wide range of genres that go from psychedelic to garage, to progressive rock, among others. On the other hand, if you have heard King Gizz, you know exactly what I’m talking about and you probably agree with me that this band is one of the most creative musical acts in the world at this moment. Continue reading

ALBUM REVIEW: Bleed From Within – Fracture

Glasgow may not be considered a heavy metal hub, but the band Bleed From Within proves that Scotland can produce some pretty extreme musicians. Formed fifteen years ago, this young, charged-up group of guys sought to make a spectacle of aggression and severity. Their early works took on a very vengeful edge that was mainly categorized under the Deathcore genre. Now, these fresh-faced Scots present a more sophisticated take on the ‘Core’ genres while merging it with Modern Metal on their new fifth full-length album, Fracture (Century Media Records). Continue reading

ALBUM REVIEW: Grave Digger – Fields of Blood

Marking the 40th anniversary of the band, the latest Grave Digger album is a serious return to form and arguably their best release since the glory days of the eighties. Delivering a fresh injection of power metal straight from the highlands of Scotland (where some of the album was even recorded), Fields of Blood (Napalm Records) is a strong statement from a band who have appear to have been taking some of their cues from military-obsessed Swedes Sabaton. Continue reading

ALBUM REVIEW: Voodoo Gods – The Divinity of Blood

Just over a decade ago, the supergroup Voodoo Gods was created. Though the birthplace is in Florida, the lineup consists of international musicians from around the globe. The diversely skilled and experienced members came together under one banner to generate some very heavy and very hostile music. In 2014, the band exchanged one epic vocalist for another. Seasoned frontman George “Corpsegrinder” Fisher from Cannibal Corpse replaced Adam “Nergal” Darski from Behemoth as the co-vocalist and soon the group released their first full-length, Anticipation For Blood Leveled in Darkness (Saturnal Records). Though it’s been six years since their last record, the band’s heat and hatred has not cooled down. Their recently released second album, The Divinity of Blood (Reaper Entertainment) wreaks havoc in a forceful, yet slightly monotonous way. Continue reading

Gama Bomb Signs to Prosthetic Records, Drops a New Video for “Living For the Lockdown”

Prosthetic Records has signed Irish modern thrashers, Gama Bomb, who are currently preparing to record an album for release in the fall. They dropped a new standalone single,’Living For The Lockdown’, that will benefit homelessness charity, Dublin Simon Community. Produced by guitarist Domo Dixon with additional drum production by the band’s long-term producer Scott Atkins (Cradle Of Filth, Sylosis), and featuring the band’s former drummer Paul Caffrey, ‘Living For The Lockdown’ is available to stream everywhere from today. Watch the video below! Continue reading

ALBUM REVIEW: LOVEBITES – Electric Pentagram

Released in Japan and the UK earlier in the year, other territories have had to wait until now to hear the latest album by Japanese power metallers, Lovebites. Every bit as impressive as their previous records, Electric Pentagram (Victor Records) even draws inspiration from the likes of Slayer for their latest release, the appropriately titled opening track, ‘Thunder Vengeance’ having been conceived after watching the legendary thrashers at Download Festival Japan in 2019. Not that you’d be able to tell from the chorus, which carries a hook so beefy you could eat it for Sunday lunch. Continue reading

ALBUM REVIEW: Havok – V

Judging by its title, the latest release by US thrashers Havok is either a bold, singular statement about this being their fifth full-length studio release, or, rather less plausibly, that it’s actually a concept album based on the 1980s sci-fi series about alien lizard people who wear big red jumpsuits. Sadly, it is, in fact, the rather more mundane first option, but that doesn’t stop V (Century Media) from being bigger and almost as frightening than the hairstyles on that show. Continue reading

ALBUM REVIEW: Trivium – What The Dead Men Say

There was a time when it looked like Trivium were going to be huge. Seriously huge. Arriving on the scene with two critically acclaimed albums, they rose fast, eventually exploding onto the international platform with a career-defining performance at Download Festival in 2005. Continue reading