ALBUM REVIEW: Municipal Waste – Electrified Brain


The artwork that emblazons Municipal Waste’s Electrified Brain (Nuclear Blast) sets the scene as strongly as anything else could have: a Flying-V guitar violently piercing the left cheek of a skeletal head that’s also being shocked. That’s precisely what the nearly thirty-four-minute attack feels like. It’s a pummeling marathon of fun-loving ire, of bodacious violence. Continue reading


ALBUM REVIEW: Sadistic Ritual – The Enigma, Boundless


There is plenty of heat coming out of Atlanta, Georgia and we aren’t just talking about their humid weather. Sadistic Ritual includes many prominent members of noteworthy Atlanta-based bands (such as Paladin and Vimir). Their 2019 debut, Visions of Death, was described by Decibel as, ”a fearsome thrash ripper”. Back with more blackened thrash tunes and a psychedelic atmosphere along with some slick ass production, the band is poised to reach a broader audience with The Enigma, Boundless, their sophomore album and their first to be released on their new label, Prosthetic Records.

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CONCERT REVIEW: Overkill – Prong – Cultus Black: Live at The Chance


It’s really good to visit The Chance for a show after two years. It’s a long Metro-North Railroad train ride from the city but it’s always worth it once you’re there.

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EP REVIEW: Vio-lence – Let The World Burn


Bay Area thrashers Vio-Lence might have only been around for eight years but what a magnificent near-decade it was. From their classic hyper-aggressive debut Eternal Nightmare (MCA Records) to the controversial lyrics of ‘Torture Tactics’ and a deliciously questionable vegetable soup and vinegar “vomit bag” plastic record sleeve, the band also launched the career of a certain Robb Flynn who went on to form 1990s game-changers Machine Head, eventually to be followed by guitarist Phil Demmel. With three studio albums under their belts, the band went their separate ways in 1993, only becoming a full-time going concern again in 2019.

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ALBUM REVIEW: Evile – Hell Unleashed


With a gap of eight years since their last studio album and boasting a new, reshuffled line-up, UK thrashers Evile are back with an absolute vengeance on their fifth full-length release. And as its title suggests, listening to Hell Unleashed (Napalm Records) is much like letting an angry, unfed Rottweiler loose in a roomful of overweight and particularly slow-moving children.

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ALBUM REVIEW: Harlott – Detritus Of The Final Age


Not exactly renowned for being a hotbed of thrash metal, Australia has nevertheless served up some quality bands over the years. Sadistik Exekution, Addictive, and Deströyer 666 all enjoyed relative success along with bigger names such as Hobbs’ Angel of Death, and of course, Sydney’s Mortal Sin, but in more recent years it’s been left to Melbourne act Harlott to fly the Aussie flag of hate.

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ALBUM REVIEW: Evildead – United $Tate$ Of Anarchy


A latecomer to the ’80s thrash scene, Californian act Evildead still managed to turn out two fine examples of speed metal riffery before disbanding, another victim of the burgeoning grunge movement. Aside from a single released in 2011, a first reunion proved fruitless, but this time the band includes most of the personnel from their 1989 debut, Annihilation of Civilization (SPV/Steamhammer), with bassist Karlos Medina (who played on the follow-up) completing the new and improved line-up.

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ALBUM REVIEW: Plague Years – Circle Of Darkness


Relative newcomers to the scene, Detroit’s Plague Years follow up their independently released 2018 debut EP with their first full-length offering, Circle of Darkness (eOne Music). Continue reading


ALBUM REVIEWS: Heathen – Empire Of The Blind


All good things come to those who wait, and if there ‘s one thing Bay Area thrashers Heathen believe in, it’s making people wait. With a four year gap from their 1987 debut to the follow-up, followed by a nineteen year-long hiatus, a decade has now passed since The Evolution of Chaos (Mascot Records), so make the most of new album Empire of the Blind (Nuclear Blast Records) because who knows how long it will take for another one to appear.Continue reading


ALBUM REVIEW: Entropy – Force Convergence


Formed in 1989, but with less than a handful of full-length studio albums to their name, Canadian thrashers Entropy aren’t exactly the most prolific act in the universe. A seventeen-year absence from 1995 to 2012, and a gap of eight years since their previous album hasn’t helped, but whenever the two remaining original members, vocalist Ger Schreinert, and guitarist Dan Lauzon, do eventually get together, the results are always worth waiting for.Continue reading