ALBUM REVIEW: INTHEWHALE – Vanishing Point


The pandemic and the many resultant lockdowns affected INTHEWHALE, with the depression, anger and uncertainty felt reflected on their new album Vanishing Point (Riot Records). An Alt Rock duo from Denver, with Nate Valdez on guitar and vocals and Eric Riley on drums and vocals, INTHEWHALE’s new album is a dark and angry serving of Grunge and Metal.

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ALBUM REVIEW: The Bronx – Bronx XI


Despite 19 years in the business, American punk rockers The Bronx’s new album Bronx VI (Cooking Vinyl) is just as energetic and full on as ever. This is the sixth record – funnily enough – from the L.A. based quintet and ‘White Shadow’ starts things off with a bang; a tone setting blast of snappy punk, bristling with pace and swagger.

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ALBUM REVIEW: Blacktop Mojo – Blacktop Mojo


From the opening salvo of big bruising rocker ‘Wicked Woman’, you know what Blacktop Mojo’s new self titled album (Cuhmon Records) has in store – a heady mixture of Southern Rock, Grunge and Hard Rock. Lynyrd Skynyrd, Soundgarden and Black Stone Cherry are the ingredients, with the outcome being muscular riffs, big choruses, plenty of volume, and an angsty, grunge-like atmosphere.

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ALBUM REVIEW: Blackberry Smoke – You Hear Georgia


Southern Rock maestros Blackberry Smoke are back with their seventh album You Hear Georgia (3 Legged Records/Thirty Tiger). The Georgian septet are deep in their groove by now and as the title suggests this new record pays homage to their home state, with Dave Cobb (Rival Sons, Europe) on production duties.

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ALBUM REVIEW: Dirty Honey – Dirty Honey


In 2019 things were on the up for the independent LA quartet Dirty Honey; their debut single ‘When I’m Gone’ topped the Billboard Mainstream Rock charts, they toured with Alter Bridge, Guns n Roses, and The Who and sold out their first headline tour in the first two months of 2020 but then covid reared its ugly head put life on hold. Finally things are opening up again and their debut album Dirty Honey is out, and its sound is firmly rooted in 1970s rock.

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ALBUM REVIEW: Royal Blood – Typhoons


From the moment of Royal Blood’s self-titled debut seven years ago, the Bristolian duo’s rise was meteoric. Their music is simple, brutal, and effective – taking inspiration from Queens of the Stone Age and The White Stripes and combining big hooks, tasty riffs, and volume to full effect. This beefed-up take on indie rock can only take you so far though, so on the new album Typhoons (Warner Records), they looked toward Dance and Disco to broaden their sound. Continue reading


ALBUM REVIEW: Damon Johnson and The Get Ready – Battle Lessons


Since leaving Black Star Riders, Damon Johnson (ex-Alice Cooper, Brother Cane) has focused on his solo career, with his new album Battle Lessons (Double Dragon Records, Straight 8 Entertainment) with The Get Ready his second solo album in three years. Produced by Nick Raskulinecz (Foo Fighters, Rush, Mastodon) and joined by drummer Jarred Pope (Tom Keifer) and bassist Robbie Harrington (Steve Vai), Battle Lessons is a hook-filled slab of melodic Hard Rock.

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ALBUM REVIEW: The Dead Daisies – Holy Ground


A new album and a new singer. The Dead Daisies’ latest album Holy Ground (SPV Steamhammer) is their first with the “voice of rock” Glenn Hughes, and his powerful pipes are a perfect match for the band’s well-honed classic rock. Having been in Deep Purple and more recently Black Country Communion Glenn is no stranger to famous bandmates and supergroups. The lead single ‘Unspoken’ shows that despite the ever-revolving door of bandmates, the music is as thunderous, hooky and rocking as ever.

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ALBUM REVIEW: Black Stone Cherry – The Human Condition


 

After the bluesy Southern Rock of 2018s rollicking Family Tree and the two blues covers EPs Back to Blues comes The Human Condition (Mascot Records) – out and out hard rock upon which they built their career. Like Clutch, Black Stone Cherry do not make bad albums and this new one – their seventh – is another example of this.

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ALBUM REVIEW: Massive Wagons – House of Noise


Massive Wagons‘ fifth album House of Noise (Earache Records) delivers unabashedly old fashioned Rock n Roll with lashings of riffs, hooks, and humour that will put a smile on anyone’s face. It builds on their fourth album, and Earache debut, Full Nelson by doing more of the same, but bigger and better. If it ain’t broke, don’t fix.

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