Clutch, the irrepressible quartet from Maryland, America have just graced our ears with a new record Sunrise On Slaughter Beach (Weathermarker) – their thirteenth record, coming four years after Book Of Bad Decisions. It is unmistakably a Clutch album, full of hearty riffs and deft turns of phrase, but it is a shorter and more varied one than its predecessor.
The American quartet Tyler Bryant & The Shakedown have a new album Shake The Roots, and it is the first on their own record label Rattle Shake Records. Their first independent album, and their fifth one overall, comes two years after Pressure and was recorded at frontman Tyler Bryant’s home studio in Nashville. It is a refreshing exploration of blues and rootsy rock, with plenty of dirty grooves, classic rock riffs and southern twang.
Maryland rockers The Dangerous Summer‘s new record Coming Home (Rude Records) starts with the evocative title track – with its hypnotic piano riff and prominent Pixies influence. This is TDS’ sixth album, and it is a rockier affair than its three-year-old predecessor, Mother Nature.
Hot on the heels of last year’s four-track EP Nocturnal Youth, comes Pistols At Dawn’s latest album Ascension (JFL Entertainment). The Atlanta-based quintet’s sound is alternative-influenced hard rock, and their newest one Ascension is a promising if patchy, display of heavy grooves and soaring choruses with a brooding atmosphere. Continue reading
As subtle as a brick and as silly as a juggling monkey riding a unicycle, Swedish Hard Rockers H.E.A.T are back with new album Force Majeure (earMUSIC). It is the Swedes seventh record and despite its over the top, everything and the kitchen sink nature it is a damn good time. It is a rich mixture of AOR, glam metal and hard rock with big riffs, flashy solos and huge choruses coming at you thick and fast. Continue reading
Founded in 2019 in their hometown Milton Keynes the duo Torus, Sail (MNRK) is their debut EP and sees Alfie Glass play guitars, drums, and singing and Harry Quin on the bass and behind the mixing desk. Only four songs long, it is a promising debut offering up big and punchy rock with an alternative flavour to it.Continue reading
A Hard Rock quartet from Sweden, Battering Ram’s sound is straight to the point, uncomplicatedly big rock and roll – with their aptly titled second album Second To None (Uprising Records) full of sizable riffs and choruses, with a Volbeat, Judas Priest, and nineties era Metallica flavour to it.
From the gang vocals, jangly guitars and infectious sense of hope of ‘Iconoclast’, Watford-based punks Nervus’ new album The Evil One (Get Better Records) gets under your skin. It is their fourth album and the pop, alternative and americana influences help to create an absorbing record.
Seven years after their previous, eponymously titled, album Def Leppard are back with Diamond Star Halos (UMG). It is a long gap between records and right from the off their trademark arena-ready hard rock is in full swing in ‘Take What You Want’ – with it’s crunching chords and touches of On Through The Night. The first three tracks conform to their trademark sound, with the seventies-inspired, glam stomper ‘Kick’ one of the highlights – they have compensated for the familiarity by stuffing it full of hooks. ‘Fire It Up’ is a hard rocker with a slinky little riff and daft and hackneyed lyrics designed purely for a singalong.
Bizarrely named Long Island quartet Moon Tooth’s new record Phototroph (Pure Noise Records) is a wonderfully eclectic one that mixes many disparate influences into one cohesive, and thoroughly absorbing, whole. From prog, rock, NWOBHM, and grunge to name but a few, Phototroph is a sprawling, unique and engaging offeringContinue reading