The 2020’s has seen a process of metamorphosis for the Church of Ra and its members, and an evolution of its two leading artists. First Amenra abandoned the Mass honorific after six chapters for their excellent and bruising De doorn, their first full length for Relapse. Similarly, Belgian Black Metal visionaries Wiegedood have ripped themselves from the titling convention of the De Doden Hebben Het Goed series for their fourth full-length, the ominously titled There’s Always Blood At The End Of The Road (Century Media).