Consistency and identity – albeit a distorted, perturbed sense of being – are the cornerstones of the second album of The Lurking Fear – the “ugly step-child” (according to Tomas Lindberg Redant) of Swedish melodeath rejuvenants At The Gates. There has been a conscious effort to double down and to make clear what was originally “just” a side-project is, why it exists, and just what it’s purpose is. Indeed, as the parent group have taken further strides to redefine and push themselves since their return, particularly this year, so too the offspring has engaged in a campaign of scent-marking; defining their own identity on Death, Madness, Horror, Decay’(Century Media).

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