Antigama – The Insolent


antigama the insolent

In an instant, I knew The Insolent (Selfmadegod) from Warsaw, Poland’s Antigama was a stellar pursuit—the seventh full-length installment from the avant-garde Grind act cracks open new dimensionality in their already complex and angular brutality.

The ten tracks comprising The Insolent play as the culmination of Antigama’s aural evolution, where their Napalm Death-style intoning is augmented by ambient qualities, which synthesize into an aura of hauntingly ominous hues.

Opening track ‘Reward or Punishment’ splays with righteous indignation, as vocalist Lukasz Myszkowski’s high throat barks and sneers grate atop guitarist Sebastian Rokicki’s asymmetrical chord progressions, materializing into a din of riffs and unpredictability.

Antigama cozies up to instrumental interludes on tracks like ‘Out and Beyond,’ which resonate with meditative impulses, while maintaining momentum and push via Paweł “Paul” Jaroszewicz’s consistent, atomic-tight percussive timing.

Focused and capable, The Insolent also proves Antigama has mastered the art of maintaining decipherability, which speaks to a maturity heard rarely in Grind: tracks like ‘The Land of Monotony’ impress breathing room between the impulses of Antigama’s cacophony, rendering the requisite sound all the more impactful, impressive, and harrowing.

Recorded in February 2015 at JNS Studio in Warsaw, The Insolent was engineered by Pawel Grabowski, mixed by Pawel Grabowski and Antigama. Mastered by the venerable Scott Hull (Pig Destroyer, Agoraphobic Nosebleed) at Visceral Sound in Bethesda, Maryland, the album also features a guest appearance from Władysław “Gudonis” Komendarek, and cover art from Bartek Rogalewicz.

8.0/10

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LINDSAY O’CONNOR


Antigama – The Insolent


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Hailing from Poland, Antigama are an absolute wrecking ball. Their breed of Grindcore is relentless, and has been since their inception way back in 2000. Now with the release of The Insolent (Selfmadegod) they’re looking to launch another assault within the scene.

The make-up of the band has certainly been very tumultuous since 2000, with only two of the four in the band still original members, but it doesn’t seem to have affected the tightness and fury in the music as formula wise this is very similar to their previous output. They’ve got a system and they pretty much stick to it – a series of short, punchy and breathless tracks.

What makes Antigama a bit more interesting than some of the others in the Grindcore scene is the fact that they’ve clearly got other avenues of influence which they’re keen to explore. Some of the tracks display an erratic series of time signatures and an all around neurotic level of chaos, with influence possibly coming from the Math-y side of heavy music.

This is most clear in the tracks ‘Used To’ and ‘Foul Play’ which both smash by in less than three minutes. Frankly though as the album progresses it all becomes a bit tiresome. Each track feels like they’ve been melded in to one, so unless you’re actually looking at whatever device you’re listening from, you’ll struggle to pick up on track changes. That is until we reach ‘The Land Of Monotony’, the final track on the album. Ironically you’ll feel that your experience getting through the album has become rather monotonous when this track hits, but this seven minute song showcases what exactly the band are capable of if they move away from their standard formula. The track is atmospheric, heavy and chaotic all at the same time and only leaves you wondering why there isn’t more of the same across the album. As good as they are at thrashing their instruments into oblivion; this song alone shows that there could be so much more to this band.

Overall then, a lot of this album is largely forgettable. If you obsess over a good blast beat and chaotic two minute tracks, then you’ll absolutely love this but with this being a seventh studio album the fact that there are only glimpses of different and exciting things being explored is a bit of a shame.

 

6.5/10

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TOM DONNO