The Body have announced a new album, due out in January of 2021. I’ve Seen All I Need To See will release on January 29th, 2021 via Thrill Jockey, and the group has shared their sick new single, “A Lament”. The album is also live to pre-order now! Typically, their albums feature a bevy of guests, but this album is just the core due on every track. Sure to be one of the most talked-about albums of early next year, jam “A Lament” right now. Continue reading
Brutally Delicious, from metal chef, filmmaker, and podcaster Bruce Moore, is the long-running cooking show where bands cook their favorite dishes at home. The latest episode features industrial noise artist Antimozdebeast, cooking up a dish of “The Pasta of your Dreams” a.k.a. Chicken Pasta and plays a song for fans! Watch the video below and take some notes on the fill ingredients list. AntiMozdeBeast will release their new full-length album, The Red River this spring on Bandcamp and is for fans of Nine Inch Nails, Skinny Puppy, The Body, Author & Punisher, and more! Continue reading
If ever two bands were put together in order to aurally depict the turgid, depressing slog that is Life In Northern England Under An Elitist Bunch Of Fascists, it’s Liverpool’s Bodies on Everest and their Newcastle-based touring chums Lump Hammer. As joint release Whelmed (Inverted Grim-Mill Recordings) is a “split”, one would expect around half-an-hour of bile and Sludgy hostility: but as if to ram home the belief that There Is No Hope, this thing grinds along morbidly, relentlessly, for a full hour and forty minutes. Continue reading
US Sludge experimentalists The Body make such a habit of collaborative projects that one would think the duo aren’t overly happy in each other’s company. Everything That Dies Someday Comes Back (Sacred Bones Records) is the second such outing with US Industrial noiseniks Uniform and it contains every dystopian soundscape you’d expect. Continue reading
Throughout their recent collaborative works with Full of Hell and Thou, Portland noise conjurers The Body have released their seventh studio album I Have Fought Against It, But I Can’t Any Longer on Thrill Jockey, leaving listeners shaken with content dejection. The experimental duo, Lee Buford and Chip King, have been testing the definition of ‘heavy’ since the early 2000s but this body of work has finally shattered the preconception. Continue reading
The Body and Full Of Hell released their Ascending A Mountain Of Heavy Light EP last month, and as Ross said in his 7/10 review, these two bands “continue to push the boundaries of what qualifies as music.” In case you’re still unsure about picking it up or not, Thrill Jockey is streaming the entire EP online right now. Continue reading
The Body and Full Of Hell are no strangers to collaborations or to each other, as both acts have teamed up in the past together and individually with some of the undergrounds best bands (Thou, Code Orange, Krieg etc). One Day You Will Ache Like I Ache (Neurot) was an assault on the senses, and you’d expect nothing less from both bands, but with Ascending a Mountain of Heavy Light (Thrill Seeker) they look to push the boundaries of what qualifies as music even further. Continue reading
The Body and Full Of Hell have joined forces for a collaborative release coming this November, dubbed Ascending a Mountain of Heavy Light via Thrill Jockey Records. Hear the first track over ‘Earth Is A Cage’ below. Continue reading
Formed in Asheville, North Carolina in 2013, All Hell aren’t exactly the type of band you would expect to discover in such an unassuming and picturesque mountain town. Located in the shadow of the Blue Ridge Mountains, the main pastimes in Asheville appear to be walking, shopping, eating, drinking beer, and taking in the scenery. Certainly not listening to Black Metal/Deathrock/Punk/horror-influenced Thrash Metal. Continue reading
A collaborative effort between two or more bands is not an unheard of concept, especially within our world’s more avant garde entities, from the sublime – Scott Walker and Sunn O))) – to the not so good (Metallica and Lou Reed just to open a can of worms). Experimental extremists The Body are certainly no strangers to such work, with their previous collaborations with the likes of Thou and this release with black metallers Krieg (At A Loss).
The first thing to note is how dissonant and visceral this release is. As with their previous joint works, The Body choose to bolster the white rage intensity of Krieg, building on a distinctly metal record with their dark traits. Rather than the more distinctive black metal blast beats however, this is much more electronic based, programmed beats, high pitched frequencies and feedback and a bulldozing pace, albeit with Neill Jameson’s piercing growls and shrieks on top.
This clash of raw black metal and the mechanized and programmed beats match up so well in what is an equally horrifying, dizzying and hypnotic effort, while Jameson’s vocals add an even weightier punch of pure terror as this conveys the absolute epitome of dismay and filth.
This is extreme metal crawling to its warped and perverse limits, dragging it kicking and screaming to the future.
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