The Black Crowes’ summer 2020 tour celebrating the 30th anniversary of their 1990 debut album, “Shake Your Money Maker” has been officially postponed due to the coronavirus pandemic which is sweeping the globe. The trek was scheduled to start on June 17 at Austin’s Austin360 Amphitheater in Austin wrap on September 19 at the Forum in Los Angeles. On Wednesday (May 20), the band released the following statement via social media: “While Chris, Rich and the band were so excited to play for you all this summer, the North American Shake Your Money Maker 30th Anniversary tour dates are being rescheduled to 2021 in the interest of everyone’s health and safety. Hold on to your tickets as they will be honored at the new show dates. Keep an eye on this space and www.theblackcrowes.com for more information, to be announced soon. The whole band and crew can’t wait to get back on the road as soon as its safe. Much love #TBC’. The new lineup of The Black Crowes played two concerts in November — in West Hollywood, California and in New York City, as well as a media tour, such as playing live on The Howard Stern show. Joining Chris and Rich Robinson in The Black Crowes current incarnation are Earthless guitarist Isaiah Mitchell, former Tedeschi Trucks Band bassist Tim Lefebvre along with Once And Future Band members Joel Robinow on keyboards and Raj Ojha on drums.
Mark Morton (Lamb of God) has shared a new single from us upcoming mostly acoustic Ether EP, due next week on January 17th via Rise Records. ‘All I Had To Lose’ ft. Mark Morales is a soulful unplugged jam. In addition to his work in Lamb of God and his soundtrack work, Ether looks to be a much more personal and intimate bunch of songs compared with 2019’s Anesthetic record. Watch the visualizer for the track now! Continue reading
The Black Crowes popped up in Los Angeles last night (11/14/2019) and played their second reunion tour since announcing it earlier this week. at the Troubadour in West Hollywood, California. The concert took place three days after brothers Chris and Rich Robinson announced a 46-date 2020 tour to celebrate the 30th anniversary of The Black Crowes ‘ classic debut album, 1990’s Shake Your Money Maker. Watch fan-filmed footage here! Continue reading
1990s Blues-Rock revivalists, The Black Crowes have confirmed previous rumours for with an official announcement of their reunion and 2020 tour dates celebrating the 30th anniversary of their 1990 debut album, “Shake Your Money Maker”. The trek will see the band performing the LP in its entirety “plus all the hits.” This morning (Monday, November 11) radio legend Howard Stern, one of The Black Crowes’ earliest supporters, announced the reunion of Chris and Rich Robinson, who will tour as The Black Crowes once again, playing the iconic record start to finish. The tour starts on June 17 in Austin, Texas and ends on September 19 in Los Angeles, California. Chris and Rich will be joined by guitarist Isiah Mitchell (Earthless), bassist Tim LeFebvre (David Bowie’s “Blackstar”) and keyboardist Joel Robinow and drummer Ojha of Once And Future Band. Continue reading
While bands such as Pallbearer and Khemmis have been roundly lauded as the prime exponents of modern Progressive Doom, Boston’s Magic Circle has received less attention but is no less of a creative talent. The third album Departed Souls takes up where predecessor Blind Journey (both 20 Buck Spin) left off but sees positively lumimous advances from a whole host of instruments. Continue reading
The world of Psychedelic Rock has enjoyed a population resurgence over the past couple of years, with all manner of newcomers coating their grooves in a warm, oscillating fuzz. In such a world it helps to gain patronage from a respected name and French sunshine crew Komodor have done just that: debut mini-album Komodor (Soulseller Records) carrying contributions and production work from Swedish Psych rulers Blues Pills. Continue reading
Rich Robinson, co-founder of the Black Crowes, will release his next solo album, Flux, on June 24th, due out on Eagle Rock Entertainment. You can hear his new single, ‘Which Way Your Wind Blows’ streaming at this link or below:
Rich Robinson – Flux track listing:
1. The Upstairs Land
3. Music That Will Lift Me
4. Everything’s Alright
5. Eclipse The Night
7. Ides Of Nowhere
8. Time To Leave
10. For To Give
11. Which Way Your Wind Blows
Robinson has also been appearing live with the reunited Bad Company as their lead guitarist, but plans a heavy tour schedule to support Flux.
[amazon asin=B01EVAN43E&template=iframe image1]
Jackson Firebird are an Australian hard-rocking duo who crashed onto the scene in 2012 with their debut album Cock Rockin’. Now they are ready to misplace our socks again with their second album Shake the Breakdown (both Napalm Records).
Although the album opener ‘Mohawk Bang!’ seems to lodge this album in the Stoner genre, with its heavy, dirty riffs and slightly distorted vocals over a small range, by the fourth song, ‘High Love’, Jackson Firebird shows their true colours combining the best of both worlds with the cheer and riffs of Rock n’ Roll and the hard crunchiness of Hard Rock in a combination that you can either dance or bang your head to. While it may not have quite the raw swing of, say, Cold Chisel’s ‘Yakuza Girls’, Jackson Firebird throw a whole lot of modern sound into the mix.
Vocally the styles range from stoner, through a lot of Rage against the Machine in songs like ‘Sick n Tired’, to a style I normally associate with bands like The Black Crowes in the verse of ‘Shake the Breakdown’.
The album also contains two splendid covers, the first being a somewhat Stoner version Queen’s ‘Fat Bottomed Girls’, the second a really fast paced and swinging cover of ‘The Clapping Song’, originally by Shirley Ellis in 1965. In both cases the songs are arranged and performed in a way that makes it sounds exactly right for this band; adaptations rather than covers.
This is a very strong album where the sound is excellent, the songs are great fun, danceable, and well composed. Australia has a vibrant music scene and bands like Jackson Firebird, and Airbourne before them, prove that the Aussie combination of Rock n’ Roll with something harder is definitely alive and worth spreading.
Predictability is underrated. There is something that hits the spot about songs doing what you want them to, when you want them to, when you know you can trust a band not to throw you a curve ball, but in the process spit out a bourbon flavoured selection that will tick all the boxes it needs to, and guarantee nothing but a good motherfucking time. It’s album seven, and you know what you’re getting from Josh Todd and the Buckcherry boys. The title, Rock n’ Roll (F-Bomb/Caroline) even confirms it.
Making their (makers) mark swigging from the bottles marked Guns n’ Roses, Love/Hate and Aerosmith this album really does what it says on the tin, as opener ‘Bring It On Back’ teases ‘Welcome To The Jungle’ before swaggering into aural view, Todd’s effortless trademark vocals planting the seed of a chorus that’ll take root and grow.
‘Tight Pants’ is this years tongue-in-bum, dick-tapping, ass-slapping, stuck-in-your-head as brassy as the parps that enhance the chorus rump-shaker; it’s bum-chum ‘Wish To Carry On’ brings an overwhelming desire to whap your arm-round your mate and sing along to the optimistic boogie-rock while ‘The Madness’ brings the 4/4 power-stomp, banging its head to Velvet Revolver. ‘Wood’ is as wood does; as simple and recognisable Aerosmith worship as it’s oh-so-obvious double-entendre lyrics (I’m not even sure they’re double meaning, pretty upfront, so to speak…), and when they slow things down, effortless flecking ‘The Feeling Never Dies’ and its jangly blues rock, the Black Crowes shuffle of ‘Rain Falling’ and ‘Crazy,’ with swathes Americana and sitting-on-the-porch hooks, the depths and changes of pace are welcome.
While ‘Crazy Bitch’ from 2005’s 15 (Universal/Eleven Seven) is the anthem that the band will forever be known for due to being the most infectious earworm of all time ever and their self-titled début (Dreamworks) will never be surpassed as Buckcherry’s go-to moments, Rock n’ Roll joins a growing repertoire of credible, worthwhile and fun rock albums that continues the legacy of yesteryear. There’s usually a reason the big boys are the big boys, and since reforming a decade ago the ‘cherry have managed to keep their pecker up, and the Rock n’ Roll a-rollin’.
The Black Crowes has disbanded, founding member and guitarist Rich Robinson announced. He and his brother Chris founded the band in 1989 in their hometown of Marrieta, GA.
Said Rich in his statement:
“It is with great disappointment and regret that after having the privilege of writing and performing the music of THE BLACK CROWES over the last 24 years, I find myself in the position of saying that the band has broken up.”
He continued: “I hold my time with THE BLACK CROWES with the utmost respect and sincerest appreciation. It is a huge swath of my life’s body of work. I couldn’t be more proud of what we accomplished and deeply moved by the relationships people created and maintained with my music. That alone is the greatest honor of being a musician.
“I love my brother and respect his talent, but his present demand that I must give up my equal share of the band, and that our drummer for 28 years and original partner, Steve Gorman, relinquish 100% of his share, reducing him to a salaried employee, is not something I could agree to.”
“There are so many people who have helped and supported us along the way.
“I want to give a heartfelt thank you to all of our fans, our friends behind the scenes, and to everyone who was a part of THE BLACK CROWES.”