Progressive Rock supergroup The Aristocrats, (guitarist Guthrie Govan, bassist Bryan Beller and drummer Marco Minnemann) will make their long-awaited return to the stages of North America this summer, for the DEFROST tour. The ten-week, 50-show run will mark their first live performances since the FREEZE! Live In Europe 2020 album was captured, more than two years ago. Audiences starved for some trademark Aristocratic musical mayhem will be treated to a debut of select new material not yet released on any album, as well as a carefully curated collection of fan favorites and deep cuts.
Tag Archives: The Aristocrats
Bassist Bryan Beller (Dethklok, The Aristocrats, Joe Satriani) Releases Play-Through Tribute Video of “Damage, Inc.” by Metallica
Huge Metallica fan and world-class muscian Bryan Beller (Dethklok, The Aristocrats, Joe Satriani) has shared a new prominently-mixed bass track from and a mastering reimagination from engineer Forrester Savell (Karnivool, Twelve Foot Ninja). Metallica is celebrating 40 years as a band this week. Watch the clip right now!
ALBUM REVIEW: The Aristocrats – Freeze! Live in Europe 2020
Everyone’s perspective of what they enjoy while watching a live performance is subjective. Some like to have that big splash of energy being thrown at them, others simply like to watch a well-played performance by their favorite musicians. In rare cases, you get to have both moods in the same set, particularly when we talk about instrumental music and that is precisely what The Aristocrats bring in their latest live album Freeze! Live in Europe 2020. The trio composed of Marco Minnemann on drums, Guthrie Govan on guitars, and Bryan Beller on bass released a live album that showcases perfectly what is “The Aristocrats live experience” is. The combination of comical glimpses in their jamming sessions, lots of musical influences, and the extreme dexterity of each of the musicians in their instruments is the order of the day in their live performances and you can listen to all of this in this album.
PODCAST: Episode 32 – Guthrie Govan Talks About The Aristocrats New Album
Ghost Cult had the honor of catching up with world-renowned guitarist and composer Guthrie Govan recently over Skype for a Ghost Cult Podcast interview. We chatted about the brand new album from Govan’s band The Aristocrats, You Know What…? The Aristocrats also features equally talented and legendary members Marco Minemann on drums and Bryan Beller on bass. You Know What…? features a new composing style from the band, which Guthrie explained, also commenting on how the band continues to push each other to greatness, The Aristocamp, his warm-up regimen, his solo tour, collaborating with other artists, and much more. Continue reading
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John 5 And The Creatures Team Up with The Aristocrats For a Show
John 5 And The Creatures have partnered with progressive kings The Aristocrats will team up to co-headline an amazing night of instrumental euphoria on Sunday, September 1 at 1720 in Los Angeles. The show will be the first John 5 performance following the July 31 release of the anxiously awaited new album, Invasion. Rock-fusion trio Travis Larson Band.Continue reading
The Aristocrats Announce New Album – “You Know What…?”
Progressive music supergroup The Aristocrats have announced their new album, their fourth, You Know What…?, due out on June 28th. The band features guitarist Guthrie Govan, bassist Bryan Beller and drummer Marco Minnemann and like their previous albums, we expect You Know What…? to be full of surprises. Each band member wrote three songs each and produced the album themselves at Brotheryn Studios, Ojai, California. Continue reading
Mission Critical – Marco Minnemann
Marco Minnemann is a talented man comfortable wearing many hats. renowned for his drumming in many high-profile projects such as The Aristocrats, Steven Wilson, Joe Satriani, Levin/Minneman/Rudess (LMR), and countless others, Marco is one of the most respected musician in the world. His solo career has been equally fulfilling and affords him opportunities to be in total control of the creative process, playing all the instruments as well as handling production duties. His new album Celebration (Lazy Bones Recordings) has just been released, and we conducted a Q & A interview over email, to learn more about his creative process, how he deals with challenges in the studio, and the sound of the next album from The Aristocrats.
Celebration is a great title that conjures a lot to mind. What does the title mean to you and what creative frame of mind were you in when you began to write the album?
It started off as a writing process for an album with a fairly dark vibe around it, which I wanted to name ‘Above the Roses’. After re-listening I just didn’t feel that the album was complete the way it sounded like. So I kept writing songs and then basically made a selection of songs I thought would make a statement. And all of a sudden, voila. I had one album that I called ‘Celebration’, leading through aggressive, sparkling and into film music like vibes and missions. And then there’s the more vocal laden, dark song focused ‘Above The Roses’ I just finished now, it will come out as a special vinyl and download edition, but more of that later. ‘Celebration’ just got released and needs the attention now.
Since the topic is partially about Roses, in songs symbolically and in artwork, I thought that Celebration might be a good title.
The album is definitely diverse, but has some of your heaviest songs of your solo albums. Is that a by- product of some of your other bands you are in, rubbing off on your solo work?
That clearly would be a no, as I think that some of the material on Celebration is actually heavier than what we do with the bands I currently play in.
I mean, if we’re playing the category game, maybe then Joe Satriani could be Rock, Aristocrats instrumental Rock/Jazz, And Steven Wilson more well, prog and ambient pop/rock.
On my albums I just really compose for what is needed for ‘the mission’.
You have definitely “arrived” on Celebration as a vocalist and lyricist. Do you think this was an important step for you artistically?
Thank you. But if you look into my solo back catalogue that so far holds 14 albums, I wrote, played and sang as well. But thanks again for appreciating.
As you have become more hands on (creating, playing/tracking, producing/mixing/mastering) with each new project is it more troublesome to wear so many hats, or a relief to be able to oversee it all with confidence?
It’s great I think, because when you know exactly what you want and are able to translate it, instrumentally and production wise, then it’s a fairly seamless and rewarding process. See, my studio is pretty much dialed in to my needs. So once I have a sound in mind I really just record, then add tracks, basically mixing while doing this, and soon the ‘house’ comes together :-).And honestly, it’s so cool that meanwhile you can carry amazing production softwares in your note book. Then along with a few good audio interfaces and outboard recording gear, you can do deliver a great production, that would’ve costed a fortune about 20 years ago.
Is there a style of music you have yet to incorporate into your solo work, that you haven’t yet, but would like to try?
Hmm, I don’t really think that way. I really just do and play what I feel fits the vibe of the composition.
On Celebration, is there a single performance you can name as most gratifying to you?
Hahaha, well, I was doubling my vocals to that guitar solo I recorded on ‘How Can I Help You?’ And I’m not really a trained singer, so fuck, I was punching in numerous times in order to nail that thing. And then later I listened back and couldn’t help laughing, because it came out quite cool, and I wasn’t sure if I could pull it off at first :-). Also, I’m quite happy on how the vibe in ‘4000’ succeeded. I used the chains at the port in Marseille, sampled them and then put them in to additional reverb, undermining the vibe of these fairly ‘evil’ and dark vibes and chords in that song. I wanted to create a haunted environment. And that one came out quite intense I think, as I wanted to achieve it..
You have an intense touring schedule this year with all of your many projects. How do you keep your sanity on the road?
Girls :-). hahaha. What can I say…. well, seriously, with a good and professional organization you learn to feel at home on the road. Good and comfortable travels and schedules are important.
What can you tell us about the upcoming new album from The Aristocrats?
It’s pretty much contains compositions more focused on song structures, rather than soloing, well, hat happens of course too in places, hahaha. But Tres Caballeros is a tad different once again from the last album. Actually, the difference is that this time we have a Spanish album title and wore hats in the desert :-)).
Necrophagist is like the Loch Ness Monster of metal! Do you ever have contact with Muhammed (Suiçmez)? Do you think we will ever hear from that band again, or any other project from Muhammed and yourself?
Well, can’t say too much there. Necrophagist is Muhammed’s project/band, he’s a fiend of mine. But the rest about any release can only be assumed. And I have a lot of things going on myself here, that occupy all of this and next year as well, which is a good problem to have I think 🙂
Marco Minnemann – Celebration
Celebration is a word that conjures a lot to your mind when you hear it or read it. On Marco Minnemann’s (The Aristocrats, Joe Satriani, Steven Wilson, LMR) new solo album Celebration (Lazy Bones Recordings), it is Marco clearly doing the celebrating. Not only are these 17 tracks (plus one bonus cut) a great example of Marco’s world-class drumming talents, he plays all of the instruments, provides vocals, co-produced the album, and even mixed and mastered some of it too. The music is also a great reason to get amped, as it displays the many shades of his taste in music, and has something for fans of his entire body of work from his career.
Thirty seconds into the lead track ‘Miami’, and immediately you can tell this album is going to be a next level effort. Crushing guitar riffs, spastic drums, soaring melodies, this is not too far from his work with Levin/Minnemann/Rudess. There is also some funky, odd free Jazz moments that sneak in here and there; be it an odd horn vamp or dramatic Rhodes piano flourish. The title-track is next and is a straight up heavy rock song, with tripped out lyrics and a vocals from Marco. He has sung lead before, but really finds his voice on this album. Continuing the heaviness, ‘It Always Seems’ at least has DNA essence in the monster riffs in common with a few early Helmet songs, before veering into a breezy alt-rock chorus. Marco has no issues going chameleon from one movement to the next, picking up whatever mood inspires him.
Tracks such as ‘How Can I Help You’ and ‘Print Club’ are more of the angular, frenetic prog rock one expects from Marco, but there are some astounding departures stylistically too. ‘The Greatest Gift in Life’ is a lovely pure pop song that would be a big radio hit if given the chance. ‘Everyone Loves A Rainbow’ is a somber piano piece that comes two versions, each with English or Spanish spoken word piece over it. Meanwhile ‘Amina’s Birthday’ is another Jazzy, epic track. ‘Better Place’ puts the exclamation point on the release with more heavy licks and smashing beats.
Turning in the heaviest, yet most diverse album of his career, it’s great to hear what one of the hardest working guys in music will come up with next.
Exclusive Song Stream: Marco Minnemann – Miami
Ghost Cult is proud to bring you a stream of the a new song from Marco Minnemann, ‘Miami’. The track comes off of the just released solo album Celebration (Lazy Bones Recordings). Hear the song below:
Celebration is the follow up to 2014’s EEPS album (also from Lazybones), the first 1000 fans to buy a copy get an autographed CD, and other signed items are available as well.
Get Celebration now:
Marco Minnemann on Facebook
Lazy Bones Recordings on Facebook
Marco Minnemann Releases New Solo Album – Celebration
World renowned drummer/multi-instrumentalist Marco Minnemann (Steven Wilson, The Aristocrats, Joe Satriani, Levin/Minnemann/Rudess, The Necrophagist) has released a new solo album entitled Celebration from Lazy Bones Recordings. The album includes 18 tracks seeing Marco play all the instruments and vocals. He also co-produced the album with Scott Schorr and mixed and mastered some of the album as well. The album is an eclectic group of songs ranging from progressive rock, metal, pop songs and more Jazz influenced tracks as well. The first 1000 people to buy the album will get a copy personally autographed from Marco as well. You can purchase the album here:
Celebration Album Trailer:
Marco has a busy remainder of 2015 planned. He has a world tour booked with Joe Satriani as well as a lengthy tour booked and new album due from The Aristocrats.