Underoath’s history has been a roller coaster of emotions and lineup changes. They were one of the most recognizable names in the Metalcore scene in the 2000s. Even without putting out new material, fans still showed up for the Florida natives who did reunion shows and tours in those eight barren years—indulging in the Christian Metalcore they are known for. Rumors have been roaming the web for a while about new material and in February the band teased a sample on their social media pages until unveiling the release of Erase Me (Fearless) Continue reading
Metalcore act Bring Me The Horizon, coming off a strong 2015 with their recent album That’s The Spirit (RCA/Columbia) are lining up headline tours and festival dates for 2016. The band has already booked a headline tour of the UK later in 2016, with all dates below. No word yet as to whom the opening bands will be. In addition to a winter tour of Asia, and a spring tour of Europe, the band has also scheduled appearances at summer festivals such as Welcome To Rockville, Fort Rock, Carolina Rebellion, Northern Invasion, Rock on The Range, Rock Am Ring, Rock Am Park, Hellfest, and Amnesia Rockfest among others.
Bring Me The Horizon Fall 2016 UK arena tour dates
Nov 02: Capital FM Arena -Nottingham, UK
Nov 04: Barclaycard Arena – Birmingham, UK
Nov 05: The O2 – London, UK
Nov 06: The Arena – Sheffield, UK
Nov 08: Manchester Arena, Manchester, UK
Nov 09: The SSE Hydro – Glasgow, UK
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As we dash towards the holidays and the end of the year Ghost Cult is feeling good about this season of giving. So we are giving our fans a chance to get to know our partners, peers, and friends from bands in the world of music. They will chime in with some guest blogs, end of year lists, and whatever else is on their minds as we pull the plug on 2015. Today we have Bidi van Drongelen, Dutch booker and manager who has worked with the likes of The Devil’s Blood, Saint Vitus, Ghost, In Solitude and many more. Every year a multitude of his bands get booked at the excellent Roadburn festival, and we have asked him what he feels were the best releases of 2015.
1. Klone – Here Comes The Sun
Great songwriting, amazing vocals, and a crystal clear though heavy production blending prog and post metal.
2. Ghost – Meliora
Ghost has it all to become one of the leading melodic heavy rock bands in the world
3. Bliksem – Gruesome Masterpiece
If you like Metallica’s Master of Puppets of Death Angel’s ACT III….with the a raw female voice like Doro.
4. Royal Thunder – Crooked Doors
Great atmospheric rock album with the amazing voice of Mlny Parsonsz
5. Tribulation – Children of the Night
Melodies of occult rock like The Devil’s Blood drenched with a satanic black voice which reminds of Satyricon.
6. Chelsea Wolfe – Abyss
Refreshing approach of doom & drone. ART with capital A!
7. Paradise Lost – The Plague Within
8. Steak Number Eight – Kosmokoma
9. Melechesh – Enki
10. Enslaved – In Times
11. Clutch – Psychic Warfare
12. Thy Catafalque – Sgurr
13. Amorphis– Under The Red Cloud
14. RAM – Svbversvm
15. BRING ME THE HORIZON– That’s The Spirit
16. Mgła – Excercises In Futility
17. Baroness – Purple
18. Leprous – The Congregation
19. Graveyard – Innocence & Decadence
20. Hangman’s Chair – This Is Not Supposed To Be Positive
If life is a journey, Bring Me The Horizon are living one helluva good one. From hated deathcore upstarts, bottled and attacked when playing support shows, to the slick, progressive metalcore of their breakthrough album Sempiternal (RCA/Epitaph), their career has been one of continuous upwards movement, both creatively but also commercially, a trend that is perpetuated by their excellent fifth album That’s The Spirit (RCA/Columbia).
While BMTH are no longer a “metal” band (while they haven’t been for a while, they’ve truly stepped outside those bounds now) their continued exploration of a poppier, slicker sound unreservedly suits them. Leaving behind the trappings of scenes metalcore and deathcore, That’s The Spirit takes the band into unchartered territories of song-writing and production to create an excellent modern rock album.
Starting the album with the subdued build of ‘Doomed’, the tone is set for something special as the reflective piece resets expectations, all subtle electronica and disseminated guitars. Partner in crime ‘Happy Song’ picks things up, utilizing a child vocal hook much like Faith No More’s ‘Be Aggressive’ before a lurching, thick riff courtesy of Lee Malia, who really shines as a diverse and clever player across the spectrum of the album, backs up the songs eponymous hook.
Smartly, …Horizon have continued their evolution, replacing the frenetic punkcore style of There Is A Hell… (Visible Noise), via Sempiternal, with a more controlled, dynamic and poppier approach; an approach that has led to a thousand-fold improvement in their song-writing. Whatever you do, don’t confuse replacing aggression with control as a sign of weakness – there is a powerful energy throughout.
They always had an x-factor, now they have refinement and intelligence and know how to channel that spark into top quality songs. Tracks like ‘Avalanche’ are enhanced by the full integration of keyboard player Jordan Fish adding strings, synth motifs and subtle electronica to back up a beast that swirls from down to upbeat, and another strong chorus, led by the excellent Oli Sykes.
Only the sedate ‘Follow You’ shows a slight dip in quality and there are highlights throughout; no less than ‘Throne’ with its poppy synth intro and Linkin Park trappings, a truly uplifting pop metal anthem. ‘True Friends’ and ‘Blasphemy’ BMTH show they’ve lost none of their cynicism, but more than that, they demonstrate the progression of Sykes from screamer to genuine lead singer, with powerful throaty moments leading to sweeping choruses, and he combines the two on the rockier catchy ‘What You Need’, a track fuelled by a juddering stadium-filling death rock bass line. ‘Drown’, initially released a year ago to prepare the way for the new BMTH sound, is an expertly crafted modern alternative rock song. Final track ‘Oh No’ closes the circle, a reflective yet upbeat poppy piece, reminiscent of the best moments of 30 Seconds To Mars, with Woah-ohs and dance synths closing things off with a smile.
Kudos must also go to Fish and Sykes for a stunning production job, with all the touches and trappings of the best pop productions balled up into huge rock sound. Influences may have switched from Norma Jean and At The Gates, but by moving beyond their contemporaries in quality, style and songwriting, BMTH now stand in class of one; truly at the top of the mountain.
If Suicide Season (Visible Noise/Epitaph) was their rebirth, There Is A Hell… the teenage ruttings of a band truly finding themselves and Sempiternal their coming of age album, That’s The Spirit is Horizon maturing into a fine young adult, confident, strong and secure in themselves and the knowledge that they are now master craftsmen.
Successfully combining every good aspect of alternative rock and metal of the last fifteen years, That’s The Spirit is Bring Me The Horizon’s “Black Album” moment.