ALBUM REVIEW: Portrayal of Guilt – We Are Always Alone


Who decided to file Portrayal of Guilt under Screamo? Where should we file them? I don’t know, that’s for folks who spend their time and energy in the endless heavy music genre debates and on websites like Encyclopaedia Metallum to decide. You know, the type of people that will insist that Annihilator isn’t a Thrash band as they really fall under Speed Metal. They are truly doing the Lord’s work. But to slap the screamo tag on Portrayal of Guilt, particularly on We Are Always Alone (Closed Casket Activities) seems a bit simplistic.

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ALBUM REVIEW: Frozen Soul – Crypt of Ice


No better way than to start the year than with some new Death Metal is what I say. I’ve quit coffee and don’t touch Red Bull, so I need something to kick start the day. It’s a particularly cold winter here in New England and every time I check Twitter there is a freshly developed shitshow going on so the more extreme music the merrier. Long story short, thank you Frozen Soul for kicking in the 2021 door with Crypt of Ice (Century Media).

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ALBUM REVIEW: Eternal Champion – Ravening Iron


It”s been four years since Eternal Champion unleashed The Armor Of Ire in 2016, but the hype has only intensified with their sophomore full-length. Ravening Iron (No Remorse Records) continues the Austin group”s Epic Metal aspirations as the coarse but melodic guitar work casts a dungeon friendly atmosphere and the vocals forever echo Manilla Road”s Mark Shelton (RIP) with their nasally yet bombastic character. Thankfully, there are enough alternate approaches explored that keep this album from feeling like a retread. Continue reading


ALBUM REVIEW: Kublai Khan – Absolute


On Absolute (Rise Records), Kublai Khan ticks off a lot of the boxes I’m looking for in modern Metallic Hardcore or extreme music, but something isn’t quite passing state inspection. They’re blending equal parts Hardcore and Metal fury, have meaty breakdowns, occasional Thrash tempos and happen to be from Texas. I should like this. Or I should like this a bit more. Continue reading


Oceans of Slumber – The Banished Heart


Much darker in tone than its ethereal predecessor (both Century Media), The Banished Heart is no less beautiful in its execution. Where Winter would often soar, this record looks inward and deals much more heavily with personal, introspective feelings of heartbreak and loss.Continue reading


Scour Cover Pantera’s “Slaughtered” In Austin


Scour performed two shows in Texas over the weekend, and they had a special surprise in store for their fans in Austin. Not only did they perform a ton of new stuff off their Red EP, but they performed two specials covers as well. Continue reading


Warbeast’s Final Show Featured Philip H. Anselmo, Edwin Neal, And More


Bruce Corbitt may have performed his final show with Warbeast in May, but the Texas thrashers still had one last gig booked at The Rail Club this past Friday night. With help from the likes of Philip H. Anselmo, Edwin (Hitchhiker) Neal, and Wayne Abney of Hammer Witch, their final show was a fitting tribute to Bruce, and the band’s legacy in the heavy metal scene. Continue reading


Wildspeaker – Spreading Adder


Texan purveyors of blackened crust Wildspeaker release their second full length on Prosthetic Records. A notable departure in the tone of 2015’s Survey the Wreckage (self-released) Spreading Adder has a much sludgier feel. Whilst Survey the Wreckage had a brighter and sharper tone, Spreading Adder is much lower and dirtier and the most obvious change is that vocals are more hidden in the mix, which limits their power.Continue reading


David Vincent Premiere “Drinkin’ With The Devil” Video


As the legendary voice of the genre defining extreme metal purveyors Morbid Angel, David Vincent‘s unapologetic rebel approach has been a force in the music world since the mid 1980’s. Inspired by his Hill Country surroundings and ‘Lone Star’ culture following his relocation to Austin, Texas in 2014, Vincent took a big step “out of the box” to a dirty, organic Texas Country Outlaw style reminiscent of the original country outlaw performers of the 1970’s. His Outlaw Country single, “Drinkin’ With The Devil”, made its debut at SXSW in March 2017 and released on limited- edition 7″ vinyl through Chicken Ranch Records. Today we are honored to premiere the long awaited video for this track. Continue reading