Newcastle’s latest Hardcore reprobates Starve To Survive are back after a whole three years with a new EP, Have Me To Waste (Caliber), hoping to make their own statement of intent and garner some of the attention that the northern Hardcore scene generates, specifically Loathe and God Complex who have been turning more than a few heads over the past year. Continue reading →
London’s Khaidian, while not exactly new to the UK’s DIY metal scene, start 2019 off with ambition to set themselves apart from the herd. Not content to be catalogued as one thing or the other, the foursome present to us their debut record Penumbra (Armalyte Industries) in the hopes to push Metal’s boundaries with their blend of poly-rhythmic technicality and electronic flair. Continue reading →
Whilst the initial blaze of the Djent movement may have extinguished, it is clear today that the embers are still burning. The likes of TesseracT, Skyharbor and Uneven Structure may have distanced themselves somewhat from that original sound but are still strong and creative forces, whilst the likes of Monuments are still embracing that core style and firmly delivering. Continue reading →
Despite a heavy music scene that is abundant in talent, not many of India’s Metal bands have appeared on the radar outside of their native country. Aside from the likes of Demonic Resurrection especially, Bhayanak Maut and (although more an international band) Skyharbor, India’s Metal scene is still a hidden entity to many on the outside. With a formidable live presence and with an exciting debut full length in Miasma (self-released), if there is any justice, Mathcore mentalists Orchid should be poised to be the scene’s next breakout. Continue reading →
In the decade since Djent first hit the scene boasting algebraic riffs, yet also throwing back to the likes of Tangerine Dream’s spell-binding atmosphere. With Meshuggah being the catalyst and the lead that many of the scenes alumni would take inspiration, at the outset, it was a thriving community of bands and their ravenous fans. Continue reading →
Currents burst onto the progressive side of the Metalcore scene with their debut album back in 2017, displaying an array of influences including Architects and Northlane. Just over a year later, and the band is back with their third EP.
Continuing on the same path they have previously laid out, Currents display some great Mathcore guitar feats focusing on twangy, winding guitar tones similar to the likes of Periphery or Veil of Maya, showing those bands influences very clearly on their sleeves, though the combination of their influences in one complete sound gives Currents their own unique sound.
Similar to The Place I Feel Safest, I Let The Devil In (Sharptone) features dark, introspective lyrics. The opening track, ‘Into Despair’ exhibits this perfectly as vocalist Brian Wille’s tortured screams cry out “I never said I could make you better, What did you expect from me?!” It’s clear this isn’t just a set of generic lyrics, but something that as cheesy as it sounds comes straight from the heart. Wille’s performance from start to end shows the passion and authenticity of the emotions from the lyrics.
While the overall sound of Currents could be grouped alongside a growing number of Tech Metalcore bands, the vocals and emotional content fits far more alongside bands like Casey. If Currents keep up the development of their music, they could be one of Metalcore’s new trendsetters.
Minimal waffle, maximum music – I’m very aware that there is too much music and not enough time! I’ve had close to 1,000 albums pass through my inbox this year alone (I’ve probably only been able to listen to about a third of them), and what I’m presenting are my favourite albums of 2018, the albums that I’ve connected most with, that matter most to me, one way or another.