Ghost Cult caught up with Kaan Tasan, vocalist for UK-based Metalcore act Heart of A Coward. Kaan has been in the band for several years, but their brand new album, The Disconnect (Arising Empire/Nuclear Blast Records), is their first new album with him in the band. We chatted with Kaan about how he came to join the band, the pressures he felt about recording with the group, recording with Justin Hill and Will Putney, how he keeps his voice in shape, and much more! You can catch the band this weekend at Download Festival 2019! Continue reading
In the last decade or so, the state of Colorado has gifted the world with uncommonly exceptional, heavy bands. The Denver based act, Vale of Pnath is one of these young groups that have brought a fantastically particular Death Metal sound to the scene. With two full-length albums under their belt, the band is going back to the EP format for their newest release, Accursed (Willowtip Records). It’s been three years since their last record and this genre-dodging ensemble is finally bringing more of their innovative work to light.
Having already reviewed Whitechapel this year, it seems only fitting that a new After The Burial record would come along so soon after. Whilst not being in the same sphere of musical style at all both bands are at a similar point in their careers. After The Burial much like Whitechapel are also absolute masters of their sound a band that has remained pretty much unrivaled in terms of musicianship and influence. Continue reading
Hardcore music, and its derivatives, are going through something of a renaissance. With the release of 2017’s Forever (Roadrunner Records), Code Orange astonishingly brought a fresh ideation to a genre already brimming with brilliant bands. It wasn’t so much a reinvigoration as it was a rewriting of the rulebook in a manner that has seen many bands attempting to play catch up or ape the style. Not every Hardcore influenced band is trying to rip off the Pennsylvanians however, and one such example is New York quartet, The Machinist. Continue reading
Instrumental music is an incredibly niche market, to say the least. For the vast majority of the music-listening population, instrumental music sounds incomplete and lacking that human touch in a way that only the human voice can provide. In the Metal genre in particular, guitar-led instrumental music can often come across as showing off how virtuosic the guitarist is without any care given to musical creation and taste in general. There are a few exceptions to this rule with Steve Vai’s Sex and Religion (Relativity) and Buckethead’s Electric Tears (Metastation) coming to mind. Continue reading
Whilst Progressive Metal is an overcrowded scene, it is undeniable that there is a depth and range within its ranks of late, arguably the most it has ever showcased. New soundscapes and directions are being explored and virgin terrains conquered, with even tried and tested ideas being given new shades and colours. With a well-received debut album and resulting tours across USA with the likes of Trapt, where do relative newcomers Source find themselves with album number two? Continue reading
Amongst the packed djent arena, Danish troupe Ghost Iris has always been a strong and reliable act that have never quite managed to step up to the heady heights of the scenes leading lights, such as Monuments. In the face of a fast-moving scene, how can Ghost Iris now adapt? To use a wrestling metaphor, latest album Apple Of Discord (Long Branch Records) is the plucky and ever decent mid-carder suddenly about to make the main event push. Continue reading