ALBUM REVIEW: Crosses – Goodnight, God Bless, I Love U, Delete


 

Chino Moreno has never been shy at exploring his mellower side away from Deftones, and over the years has dipped into the Post-Rock, Shoegaze and Trip-Hop genres providing us with some highly refined music by way of projects such as Team Sleep and Palms, his collaboration with three former members of Post-Metal kings Isis. Continue reading


ALBUM REVIEW: Gunship – Unicorn


 

What is it about our aching nostalgia for the eighties that finds us being drawn back to this magical decade? Perhaps video did not actually kill the radio star until the end of this era?

Continue reading


EP REVIEW: New Miserable Experience – Philosophy On Pessimism


 

Philosophy On Pessimism is the debut EP released on Translation Loss Records by New Miserable Experience, a project featuring members of Rosetta, Model Prisoner, and Revocation. The quartet pieced together the sum of their parts remotely, using file sharing to bounce their ideas around to one another, and have created an ethereal-sounding record with a foot firmly in the darker regions of the eighties synth-wave style.

Continue reading


ALBUM REVIEW: MCC [Magna Carta Cartel] – The Dying Option


 

Martin Persner, formerly a guitarist with Swedish occult metal sensation Ghost – he was “Omega” among the band’s anonymous line-up of Nameless Ghouls – has resurrected an old project (founded back in 2006) to deliver a full-length album of soft, electro-fied rock that is dramatic and atmospheric at times, but without the considerable peaks of his “other” band.

Continue reading


ALBUM REVIEW: We Are Magonia – Triangle Unicode


Darkwave and synth have been seeing a push in popularity thanks to the hugely successful Netflix series, Stranger Things. The television show which is set in the eighties opening theme has acted as a gateway into synthwave with more and more people checking out the dark and ominous blend of electronic sound.

Continue reading


ALBUM REVIEW: GosT – Rites of Love and Reverence


GosT has, since 2013, been the vehicle for producer and singer James Lollar. Loosely fitting into the synthwave bracket, GosT’s music in fact takes influence from many areas including post-punk, industrial and black metal. Moreover, Lollar has regularly shared stages with metal bands including Pig Destroyer, The Black Dahlia Murder and Mayhem, as well as fellow synthwave acts such as Perturbator and Carpenter Brut.

Continue reading