Like a deadly, grizzled beast that lurks in the shadows, KEN Mode emerges every few years with a new record, tearing off limbs as it goes, before skulking back into its pit. With September 23rd seeing the release of Null, on Artoffact Records — the band’s eagerly anticipated follow-up to 2018’s Loved — founder and singer/guitarist Jesse Matthewson talks about the new record and what keeps the KEN Mode fires burning. Continue reading →
For every rush of adrenaline there’s the eventual lull. For each euphoric high there’s the comedown to follow. Thunderheads (Aqualamb Recordings) — the debut record of LaMacchia — plays like the 3am winding down of a night of excess. Thrills and sensual desires wedded to a shadow of sadness and introspection.
We had the honor of chatting with world-class artist Jaboe to discuss her recently re-imagined album of classics and rareities Skin Blood Women Roses, released via Consouling Sounds / Sonic Rendezvous for Record Store Day. Jarboe discussed this new album, and highlighted points from her entire career, her feelings about Roadburn Festival, and her time featuring with Swans on their best-known and loved material. She also discussed her other artistic disciplines, upcoming world tour, and much more!
It’s time to enter a very dark place. Poland’s mysterious and enigmatic doom-jazz-post rock-funk project -S- return with their first full-length release since their 2013 untitled debut. Led by composer, bassist, vocalist Patyr, with Grzegorz supplying drums, Dom, w którym mieszkał Wąż (A House Where Dwelled A Snake) (I, Voidhanger) is like nothing else you’re likely to hear, and that includes the group’s debut. The album is four tracks and forty-one minutes of oppressive, threatening, slithering, funky doom. If that sounds like a wild trip, it is.
Anna Von Hausswolff is a singer-songwriter who has always embraced a progressive attitude to creativity. Never unafraid to straddle genres as diverse as metal, Krautrock, and dark pop, and always remaining elusively undefinable, she has made waves over the past decade with her four previous albums and numerous illustrious collaborations. As well as following her own unique musical path, Von Hausswolff (to name just a few of her achievements and endeavours): runs a record label, has guested with Wolves in the ThroneRoom and Swans, has supported Nick Cave & The Bad Seeds, and has hosted visual art exhibitions.Continue reading →
Comprising members of Unsane, Swans and Cop Shoot Cop, New York quartet Human Impact embrace all of those bands’ qualities and add a rebellious Noise element which belies the middle age quickly enveloping the protagonists. Debut album Human Impact (Ipecac Recordings) sees that collective maturity provides a focused, prowling edge.Continue reading →
Bill Rieflin, who had a four-decade career as a drummer across Punk, Alternative Rock, Industrial Metal, and Progressive Rock has died. He was 59. Initial reports of his passing made no mention of a cause of death, but his Wikipedia page reported a battle with cancer, confirmed by his friend, session drummer Kevin Chamberlin. Most recently Bill was the drummer for King Crimson and the news was reported by KC founder Robert Fripp in a very sad and touching memorial via Facebook. Fripp wrote that Rieflin’s wife, Tracy, called him with the news. “Tracy told Toyah (Fripp’s wife) and me that the day was grey, and as Bill flew away the clouds opened, and the skies were blue for about fifteen minutes. Fly well, Brother Bill! My life is immeasurably richer for knowing you.” Rieflin’s career began in his hometown of Seattle, where he drummed with a variety of local acts, notably the punk rock group The Blackouts. The band’s final EP was produced by Ministry’s Al Jourgensen, with whom Rieflin became friends with. Jourgensen recruited the Rieflin to join Ministry when Blackouts broke up, and Rieflin played on the band’s 1988 album The Land of Rape and Honey, an industrial music iconic album in the genre. He continued as a member of the group through the mid-90s, contributing to five of the band’s LPs. Following his departure from Ministry in 1996, he played with KMFDM, New York experimental band Swans and folk group Angels of Light. Rieflin also played on Nine Inch Nails’ 1999 double album The Fragile. Also that year, he released his debut solo album, Birth of a Giant. It was during this time that a publicist introduced him to R.E.M.’s Peter Buck. The drummer would then join and contribute to R.E.M.’s final three albums — 2004’s Around the Sun, 2008’s Accelerate and 2011’s Collapse Into Now. Rieflin had previously collaborated and remained friends, announced that the drummer had joined King Crimson in 2013. Rieflin would tour with the group and appear on five of their ensuing live albums, released between 2015-18. He had been absent from the group since taking an indefinite sabbatical in 2019. Bill was an incredible drummer and kind soul. Not many artists can say they wrote and performed with three Rock and Roll Hall of Fame acts (King Crimson, R.E.M., and Nine Inch Nails) as Bill did. Many artists paid tribute to Bill, including fellow Seattle musician Krist Novoselic of Nirvana. We send out condolences to Bill’s family, friends and many fans at this time.Continue reading →
For over eight years, Dana Schechter and Ashley Spungin created heavy, eerie soundscapes as Brooklyn-based duo Insect Ark. When this fragmented last year, with a new album and US tour in the pipeline, leading force Schechter found herself in a tight corner until a serendipitous union with former SubRosa drummer Andy Patterson enabled the renewed probability of both. Tour almost complete, it’s time for the fourth album The Vanishing (Profound Lore Records) to hit the airwaves and Patterson’s influence, together with a more intense writing process, sees the band’s sound throb with added weight.Continue reading →
Psychedelic Doom Metal band Insect Ark are streaming their entire new album today, over at Metal Injection at the link below. The Vanishing releases this Friday, February 28th 2020 via Profound Lore Records. Jam it out now!Continue reading →
Arctangent Festival has made a major announcement, their third of many for the 2020 event! Chelsea Wolfe has been named as the mainstage headliner for the Thursday night kickoff. Also added to the bill are Caspian, Emma Ruth Rundle, Bell Witch & Aerial Ruin, Intronaut, Talons, Arabrot, Wheel, The Guru Guru, Latitudes and many more. Opeth, Tesseract (UK festival exclusive), Swans, Metz, Oathbreaker (exclusive), The Locust (exclusive), This Will Destroy You, Amenra (UK 2020 exclusive), Ihsahn, Perturbator, maybeshewill (exclusive), Rolo Tomassi (performing two full albums sets – ‘Grievances’ and ‘Time Will Die And Love Will Bury It’), Earthtone9, Giraffes? Giraffes!, Fronterier and many more to be announced still. The fest takes place on August 20th/21st/22nd 2020 at Fernhill Farm, Compton Martin near Bristol, and tickets are on sale now at the link below. Continue reading →