In a story originally broken byGhost Cult in 2019, Job for A Cowboy has officially announced their comeback and they are working on a new album due in 2021. The band gave an exclusive interview to Metal Sucks, with part 2 and even more detail revealed! The bulk of that album is set to be recorded in October and November. Jason Suecof — who produced the band’s previous three album — will once again be handling production duties.Continue reading
We normally don’t go in for rumors like our peers in this business, but this one is too good to not share. We have been hearing for a while from sources close to the band that Job For A Cowboy are plotting a legit comeback with new music (an EP) and possibly some shows. Members of the band have been sharing music from their side project Serpent of Gnosis lately and that has renewed interest in the missed but of the missed but most loved bands of the last generation. The band has suddenly been active on their Facebook for the first time in three years, which isn’t enough evidence, but we’d like to see the band come back in a big way. We last heard from the band with 2014’s underrated but excellent Sun Eater album on Metal Blade.Continue reading
Here are the “Top 25″ albums I heard this year that didn’t quite make my Top 25. Maybe there’s something in this for you to check out?
As is always the way I’m discovering more great albums from this year now from everyone else’s lists, so, looking forward to checking out Code Orange, Indian, Krokodil, Hark all amongst others!
ANAAL NATHRAKH – Desideratum
Relentless anarchic vitriolic mix of black metal and intense industrial. Reviewed this one – you can read the review here: https://ghostcultmag.com/anaal-nathrakh-desideratum/
ANTROPOMORPHIA – Rites ov Perversion
Old school influenced Death Metal. Good vibe. Nowt new, but bloody well done. Reviewed this one n’all: https://ghostcultmag.com/antropomorphia-rites-ov-perversion/
ARCH ENEMY – War Eternal
Best one they’ve done since Burning Bridges. New vocalist is better than Gossow too. Ha, another I reviewed if you’re interested. https://ghostcultmag.com/arch-enemy-war-eternal/
ARTIFICIAL BRAIN – Labyrinth Constellation
Mental Death Metal.
AUTOPSY – Tourniquets, Hacksaws & Graves
More great Autopsy, innit
COFFINWORM – IV.I.VIII
Hateful, with big, skull crushing riffs. Heavy, weighty. Bit of sludge, bit of doom.
CONAN – Blood Eagle
Epic, heavy doom, innit. Reviewed n’all: https://ghostcultmag.com/conan-blood-eagle/
DARKEST ERA – Severance
Bit of trad, bit Celtic, good riffs, strong vocals. Promising. Good band, good album. Another I wrote about. https://ghostcultmag.com/darkest-era-severance/ (Not necessarily the song I’d have chosen for a vid, but decent enough)
DELAIN – The Human Contradiction
Poppy, bit more symphonic than I was expecting. Went down a storm at Wembley with Within Temptation too.
DEVIN – Dark Matters
Aka Ziltoid 2. The heavier, more symphonic, more metally of the two parts of the double album. I like it, just a bit too much monkeying around at the expense of the songs, for me.
DRAGONFORCE – Maximum Overload
Not quite as good as ‘The Power Within’ but still proving they write better songs since changing vocalists. Some belters on here, tbf.
ENGEL – Raven Kings
Like In Flames, but heavier guitars and catchier choruses. I like this one (well, I like them all on here, or they wouldn’t be on here, but this surprised me). Wrote about it, too. https://ghostcultmag.com/engel-raven-kings/
EPICA – The Quantum Enigma
Took a few listens, but once it clicked, there’s a lot going on but it’s bloody massive. Symphonic to the max. Another I wrote about. https://ghostcultmag.com/epica-the-quantum-enigma/
GRAND MAGUS – Triumph & Power
Ronseal Metal. Doesn’t quite compare to Hammer of the North or Iron Will to me, but big Valhalla filling songs. Very enjoyable, if no surprises. Another of mine. https://ghostcultmag.com/grand-magus-triumph-and-power/
I AM HERESY – Thy Will
Haven’t listened to it for a while, but appealed a lot at the start of the year, and a good combo of metal and hardcore that mixes it up a bit. https://ghostcultmag.com/i-am-heresy-thy-will/
JOB FOR A COWBOY – Sun Eater
Took me by surprise this one. Adding a large dose of Ulcerate to their sound, but all the better for it. Rather than rattle clattering through a load of sterile overly tight DM/core, they wrote some (very) heavy songs, too.
KING 810 – Memoirs Of A Murderer
The marmite album of 2014! Ha, I liked it. Big angsty anthems. Not perfect, but some quality tunes. Korn meets Slipknot fo’ sho’, but some different stuff going on too. Another one off the review list! https://ghostcultmag.com/king-810-memoirs-of-a-murderer/
LORDI – Scare Force One
I like Alice Cooper. I love King Diamond. This mixes the two with aplomb, delivering a monster munch bunch of good fun tracks. https://ghostcultmag.com/lordi-scare-force-one/
MORBUS CHRON – Sweven
Interesting album, this one. Don’t think I’ve quite given it all the time it deserves, but another I’ve liked this year that doesn’t just sit in a box. It starts from Death Metal but doesn’t stay there.
OBITUARY – Inked In Blood
Really good comeback album. Big grooves. Big riffs. Great tunes. Well done. Best Obi’s album since ‘Cause of Death’ , for me.
ORIGIN – Omnipresent
This is a relentless fucker, this one. Love the aggression, love the riffing, love the technicality, love how much it just wants to punch you in the ear drums.
SLEEP OF MONSTERS – Produces Reason
Babylon Whores are one of my “hidden treasures”, probably the most underrated band of all time, always loved Ike’s vocals, too. He doesn’t quite hit it with his new outfit, but some cool gothy, dark/death rock going on. Grabbed this one for review as soon as it appeared in the inbox. https://ghostcultmag.com/sleep-of-monsters-produces-reason/
SLUGDGE – Gastronomicon
Only heard this once so far, but really impressed me on first go, will be getting a fair few listens going forward. Interesting modern melodic death metal.
TOMBS – Savage Gold
Black metal meets post-metal. Really good shit.
WITHIN TEMPTATION – Hydra
Started the year with this one. Massive pop-metal. Preferred the last one and Silent Force, but it’s got some big old songs, mofos. https://ghostcultmag.com/within-temptation-hydra/
The countdown to the Official Ghost Cult Magazine Album of the Year for 2014 continues. Please consume and enjoy the results of our 2014 Writers’ Poll. We hope it will introduce you to some of the incredible works of art you may have missed that we have had the immense pleasure of listening to and writing about this year.
In our second installment we bring you albums 40 through to 31
“Evolution from deathcore to a more compact, yet technical, death metal… complex and melodic structures accompany a diversified approach” DIOGO FERREIRA 7/10 Full review here
39. AGELESS OBLIVION – Pethos (Siege of Amida / Century Media)
Marrying both technical and atmospheric forms of Death Metal, Ageless Oblivion create their own brand of chilling yet punishing aggression, presented in a show of impressive progression.
“Cavalera, Puciato, Sanders, and Elitch put their stamp on this recording, making a memorable, political-flavored, heavy album that certainly lives up to the hype” KEITH ‘KEEFY’ CHACHKES 8.5/10 Full review here
37. AEVANGELIST – Writhes In The Murk (Debemur Morti)
“If you’re able to get past the initial disorientation and look inside, you’ll find an album that follows its own perverse ambition flawlessly, with not a shred of compromise, dilution or failure” RICHIE HR 10/10 Full review here
36. FEN – Carrion Skies (Code666)
“Fen are the rawer, rockier, more achingly human cousin to Tombs’ Neurosis-driven thunder, and among the richest and most emotionally expressive Metal albums of 2014” RICHIE HR 9/10 Full review here
35. JUDAS PRIEST – Redeemer of Souls (Epic/Columbia)
“Judas Priest has released a retrospective that nods to their career, recalling everything that has made them genuine legends of our metal world, Redeemer Of Souls has a beautifully warm and classic Priest feel”. STEVE TOVEY 8.5/10 Full review here
The phrase “Doom” doesn’t do justice to the ugly, polluted, measured sludgy bludgeon of IV.I.VIII; a beautifully horrible record of nihilistic malevolence, that dissolves doom, death, black and sludge in its fetid path.
“My advice? If you have never listened to Trap Them, get on this bandwagon before these guys run you over with it”. TIM LEDIN 8/10 Full review here
The hardest of hardcore punk fused with the blackest of Darkthrone’s black metal offspring, creating a crusty hell in aural format.
The gutsy pop-punk outfit release a cathartic biographical concept album of frontwoman Laura Jane Grace’s experiences for their sixth album.
Ghost Cult ‘Albums Of The Year’ 50-41 here
Compiled by Steve Tovey
Job For A Cowboy have a new album, titled Sun Eater, which is released by Metal Blade Records, and despite the several changes in the lineup – having just the vocalist Jonny Davy as the original member , the band has been cohesive since 2011. Also, in spite of their evolution from deathcore to a more compact, yet somehow technical, death metal, we still can find some old vestiges in this new record.
It may seem mannered, but it won’t be if listened – I mean, we can hear some vocals similar to what Dani Filth used to do in the Damnation And A Day era in Job For A Cowboy’s opening track, ‘Eating the Visions of God’. Another interesting detail can be found in ‘Sun Of Nihility’ as we have a rhythmic guitar which joins the soloist one and suddenly it will be back to its rhythmical role again.
The bass lines are constantly present and the bass will even superimpose the distorted power delivered by the two guitars. The fat, yet perceptible, sound full of rhythmical details is a delight to every bass lover. Sometimes, it is utterly the main instrument performing as the protagonist, like in ‘The Stone Cross’, when the grunted stanzas are delivered by Davyon vocals.
The guitar riffs aren’t always just full-bodied ones comprised by the characteristic death metal power-chords, but we can find complex and melodic structures which accompanies the vocalist in his diversified approach. On other hand, the drums also present some good moments of technical efficacy in which the regular pace can be transformed in a crazy reverie that completely changes the supposed simplicity of the moment, like in ‘A Global Shift’. Generally, the strong double pedals appear with preponderancy in some instants giving fastness to the tracks.
Job For A Cowboy introduced some youngsters to extreme music ten years ago in the USA and even in Europe, but these guys aren’t 15 or 16 anymore, so give them a chance and listen to this new Sun Eater if you like death metal with deathcore roots.
Job For A Cowboy will release their new album Sun Eater this November from Metal Blade Records. The band has spent over a year writing and recording the new death metal opus. Since the departure of Jon Rice, the band has been working with extreme drumming virtuoso Danny Walker (Exhumed, Murder Construct, Intronaut) who laid down the drums for Sun Eater. The band promised a new sound and even more growth from the band that began as a tech death sensation, and morphed from death core to true death metal over time. The new album was produced by Jason Suecof who has a long history with the band. You can hear the new song ‘Sun of Nihility’ now:
From The Press Release:
Job for a Cowboy have wrapped up music and art on their fourth full length album, “Sun Eater.” Along with producer Jason Suecof, vocalist Jonny Davy, guitarists Al Glassman and Tony Sannicandro, bassist Nick Schendzielos, and session drummer Danny Walker have crafted a cerebral and accomplished piece of technical death metal. Job for a Cowboy wrapped up touring in 2013 as part of the Rockstar Energy Drink Mayhem Festival that summer. Following that performance, the band collectively decided to sharpen their focus and set an intent on cooking up a record that encompassed their full dynamic range of talent. The group had all agreed on the main course being a desire for futuristic tones, a wider spectrum of textures and tempos, and an emphasis on slightly more ancestral song construction. The result, “Sun Eater,” does not just sound like a new record, it sounds like an entirely new band.
Listen to “Sun of Nihility” and pre-order the album now at metalblade.com/jobforacowboy.
Following the departure of long time skins-man Jon Rice, Job for a Cowboy, cognizant of the size of shoes that needed to be filled, in addition to the depth and versatility demanded by the new material, enlisted the services of Danny Walker (Intronaut, Murder Construct, Exhumed, etc). Walker’s mastery of his craft, coupled with his creativity and enthusiasm for the material, strongly influenced the outcome of the record, and it only takes a few minutes of listening to hear this is Job for a Cowboy at their finest.
Regarding composition, guitarist Tony Sannicandro recalled: “This album came together very smoothly. We had the concept before hand and I took it upon myself to try and portray that concept through the music. I took a much more melodic approach than “Demonocracy”: focusing on the structuring and the layering that would complement the story to my ears.” The other half of the guitar duo, Al Glassman, continued to be a driving force behind the band’s sound. Bassist Nick Schendzielos added that “Al riffs long and hard for greater the good of everyone involved. He really used a lot of foresight in his revisions during the writing process, creating ample room for me to mood-out the tracks with bass that you can actually hear. in the end I think we really brought the character out in each and every song.” Indeed, composition and songwriting was the focus here. With this new album, the band had the luxury of relative longevity in the core of their songwriting lineup. This led to a far stronger vibe and a much more realized final product.
Audiohammer producer Jason Suecof, whose first bout with the band was 2009’s “Ruination,” has now worked with the band for over six years. Few are more familiar with how Job for a Cowboy operates in the studio than Suecof, and he was also feeling the “vibe” on “Sun Eater“: “This band is composed entirely of top notch musicians all the way around and they are clearly at the top of their game. This new album is a stellar combination of everyone’s efforts and what we have now is something that conveys everyone’s musicianship without being techy for the sake of being tech. This album has got feeling and it is fucking brutal!“
Sun Eater will be available via MetalBlade Records on November 11th in North America and November 7th/10th in Europe/UK
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