With All Them Witches recently becoming a power trio after five albums as a quartet, it’s easy to imagine that their sixth full-length would reflect a changed dynamic. But for the most part, the Nashvillians’ vision is largely undeterred on Nothing As The Ideal (New West Records). The overall runtime may be the band’s shortest to date at only forty-three minutes long, but their signature mix of Fuzz Blues, Americana, and tripped out ambiance allows for plenty of exploration. Not much has changed on the surface but there are certainly ways to show off the more straightforward approach.
Stoner Rock legends Fu Manchu have shared their cover of Rush’s early classic “Working Man”, as a tribute to late Rush drummer Neil Peart, who died in January 2020, after a long battle with brain cancer. All sales proceeds from the track, which was recorded in January, will be donated to brain tumor research at Cedars-Sinai Medical Center in Peart’s memory.
We have been blessed with a lot of great Mastodon news of late, from celebrating their 20th anniversary, their new song on the Bill And Ted Face The Music soundtrack – “Rufus Lives”, to the band hitting the studio to work on full-length number eight. So 2020 seems like a good time for a good old odds and sods release, the cleverly titled Medium Rarities (Reprise).
Splits are a pretty great tool for cross-promotion with the power to introduce different bands to each other’s audiences, but they can also foster a competitive spirit. While such intentions are normally limited to fans debating which band is better, Ripple Music intentionally fans the flames with the second chapter in their Turned To Stone series. This particular split sees two rising stars Howling Giant and Sergeant Thunderhoof putting their Stoner Prog Metal skills to the test on Turn To Stone Chapter 2, as they depict a battle of wits between two legendary Japanese swordsmen. It’s certainly one of the more intriguing ideas for a split I’ve seen in a good while, reminding me of a similar treatment that Thorr-Axe and Archarus gave The Hobbit in 2017.
Having successfully reinvented themselves as a power trio on 2018’s What Was And What Shall Be, Brimstone Coven, doubles down on the template with The Woes Of A Mortal Earth (Ripple Music). The style remains rooted in Seventies-flavored Occult Rock with the songs largely being driven by simple guitar/bass grooves and wafting vocal harmonies. The atmosphere and drawn-out pacing further reinforce a trancelike mood that is relaxing, yet esoteric. Continue reading
Kingnomad’s Prog Rock tendencies have been at the forefront from their inception, but these elements are expressed in their purest form on Sagan Om Rymden (Ripple Music). The group has about completely phased out the Stoner Doom tinges that helped shape their first two albums, allowing their third to expand their dynamics without a single hint of fuzz to be found. While this does make a less heavy album on the surface, a combination of energy and commitment to atmosphere results in what is easily the band’s boldest effort yet. Continue reading
Montreal hard rock and metal band The Naked High released their new EP this spring Tap Into The Evil, and have just released a new video for their single – “Jewel of The Crowd’! The live performance clip features the band’s visceral, heavy nature of the band and what they bring to the table with their massive riffs, bassy grooves. Formed in 2015, their DNA comes from the same well-spring as heroes such as Alice In Chains, Soundgarden, Black Label Society, and of course, the kings Black Sabbath! You can watch the clip for “Jewel of The Crowd’ here at Ghost Cult right now!
Tyrant’s long-awaited fourth album, Hereafter (ShadowKingdom Records), has come out under some rather interesting circumstances. In addition to serving as the Pasadena veterans’ first full-length since 1996’s King of Kings, Hereafter sees journeyman vocalist Robert Lowe at the helm in place of Glen May. The prospects of this collaboration are certainly intriguing, especially as a fan of Lowe’s work with Solitude Aeturnus and Candlemass. I wouldn’t go so far as to think of it as Tyrant gone doom, but it approaches their established sound from a noticeably different angle.
Did you daydream as a kid? Just stare off into nothing and let your imagination run wild? I did. A lot of my early childhood was spent amazed at what my mind could cook up with if I had a lack of books or toys, and before my soul was captured by music. Laying on my back in the grass, seeing shapes in the clouds or constellations at night, that was pure happiness as a kid. I never really stopped chasing that vibe as an adult, because I still drift off and let my brainwaves go crazy. Expect nowadays my field is my headphones and a turntable, and the clouds my mind is chasing down are inside of my eyelids, and not the sky. If you are looking for the ultimate “drop out, tune in, and turn on” soundtrack for 2020, it is definitely going to be Elder’s new opus, Omens (Armageddon Shop/Stickman Records). Continue reading
CB3 (aka Charlottas Burning Trio), and expansive space-rock outfit hailing from Sweden’s Malmo, recently released their new album, Aeons and delivered another healthy dose of accessible hazy instrumental jams. This, their fourth album, which was partially funded through Kickstarter, is the band’s first with The Sign Records. It sees them continue their eclectic mix of spacy psychedelic rock sprinkled with moments of jazz and occasional stoner riffs. Continue reading