Originally planned for release last year, the fourth album from Welsh progressive doomsters MWWB (formerly known as Mammoth Weed Wizard Bastard) had to be delayed after guitarist Paul Michael ‘Dave’ Davies suffered an almost life-ending Covid-related stroke from which he is still recovering. Recorded before his illness, The Harvest (New Heavy Sounds) finally sees the light of day but due to lockdown restrictions in place at the time, the Wrexham five-piece was reduced in size for the recording, the band losing guitarist Wes Leon, and bringing in Black Moth drummer Dom McReady to fill in for regular sticksman James ‘Carrat’ Carrington.Continue reading
Having left their Doom Metal roots behind on 2016’s Wider Than The Sky (Radiance), 40 Watt Sun completely doubles down on slowcore with their third full-length album. In fact, Perfect Light (Svart/Cappio Records) might even be a little softer than its predecessor with nary a trace of fuzz or distortion to be found. It often feels more like a slow-motion singer/songwriter record, especially with the Jerry Cantrell-esque twang throughout. I suppose it’s only fitting when you consider that guitarist/vocalist Patrick Walker is the only returning band member, having recruited an entirely different cast of musicians for this effort.
Culled from the same sessions that birthed the Lavender Blues EP in 2020, Big Scenic Nowhere’s second full-length expands the supergroup’s jammed out take on Desert Rock. However, The Long Morrow (Heavy Psych Sounds) sets itself apart from Vision Beyond Horizon by means of a more grounded approach. There aren’t as many songs as before and the album is about ten minutes shorter than its predecessor overall. The guest list also isn’t as loaded this time around, only featuring keyboardist Per Wilberg and The Cure/David Bowie guitarist Reeves Gabrels on the colossal title track.
It’s oddly satisfying when an album’s title is also an accurate descriptor for the music it contains. This is more or less the case with Old Blood’s second full-length album, Acid Doom (DHU Records/Metal Assault Records). While the group’s style may not be crushing in the traditional sense, their brand of Heavy Psych has a dark sultriness that should sit well with fans of groups like Uncle Acid and Blood Ceremony. And considering the four-year gap since their self-titled debut, it’s fair to say that things have only gotten more off-the-wall in that time.