It’s fine. Some of us take a little longer to discover who we are and fully become ourselves. As human beings, some of us take until our thirties to become comfortable in our skin and find our niche. Others emerge from the chrysalis, butterfly wings flapping in full effect, but some of us need that time and space to explore and find what doesn’t work, before finding what does. So, it’s fine that it’s taken Motionless In White four albums to truly become who they were meant to be, because with Graveyard Shift, their first for new home Roadrunner Records, they have truly found their space to great effect. Continue reading
Since Kiefer Sutherland’s piercing, well, I was going to say eyes but let’s go with teeth, made rock chicks around the world swoon and crick their necks to be bitten, vampires and rock/metal have been more than bedfellows, with both aesthetics, lyrics, band names and even subgenres and scenes entwined. Cradle of Filth blew up by cleverly playing the vampire game (no, not ‘I Vant To Bite Your Finger’), Atreyu resurrected the spirit of the Old Ones in their ascension, Korn temporarily buried their career by associating themselves with the Queen of the Damned, even the hippest of the underground, Tribulation, danced with the children of the night earlier this year, Manowar penned one of their best songs (‘Each Dawn I Die’) in honour of the sleepless, and let us not forget Aiden, the dumb bastard black (formaldehyde) sheep of the flock…
And so Saint[The]Sinner have exhumed a classic, pale theme for their sprightly, theatrical pop-rock meets post-hardcore, and it’s a cape they wear well as, with a flourish, they swoop down on ‘Theatre Of Broken Dreams’ haunted house intro and sink their incisors into a vibrant, hurtling, fast paced metalcore lead off track to new EP Masquerades (self-released). As twin vocals trade-off, the throatier screams give way to an engaging, welcoming chorus and a pattern is set.
Keeping energy levels up throughout is one boon of Masquerades, a Premier League production is another, allowing the endearing and vigorous song-writing to flourish and (widow’s) peaks to peak. With the clean vocals adding an off-centre Panic! At The Disco feel to their arsenal, particularly on lead single ‘She’s A Vampire’, it’s a welcome addition to the heady mix of AFI, Atreyu, Avenged Sevenfold and Dommin that is sure to see the band on a steep upward trajectory their burgeoning and bloody talents deserve.
The camp horror theme is a cute touch, but don’t let it detract from the fact that the English South Coast crew have summoned forth a beastly set of strong, gratifying, grin-inducing tunes. Saint[The]Sinner have hit the mix right on the money; whether it’s clean or scream on the vocals, it’s all about being dramatic and leaving those hooks in you, as fangs lock into your flesh and notable melodies are injected like venom into the bloodstream in a way that reminds you that, you know what, sometimes this metal thing is about energy and fun, and each track sounds like it was a (monster’s) ball in the creating.