From the opening salvo of big bruising rocker ‘Wicked Woman’, you know what Blacktop Mojo’s new self titled album (Cuhmon Records) has in store – a heady mixture of Southern Rock, Grunge and Hard Rock. Lynyrd Skynyrd, Soundgarden and Black Stone Cherry are the ingredients, with the outcome being muscular riffs, big choruses, plenty of volume, and an angsty, grunge-like atmosphere.
Southern Rock maestros Blackberry Smoke are back with their seventh album You Hear Georgia (3 Legged Records/Thirty Tiger). The Georgian septet are deep in their groove by now and as the title suggests this new record pays homage to their home state, with Dave Cobb (Rival Sons, Europe) on production duties.
Southern Rock singer Dusty Bo has a name and a backstory that sounds like an old-school country artist. But he brings the modern rock/indie fire and an unmistakable soulful voice along with his killer songs. Formerly the frontman of the band Future Villains, His new single “The Red” comes from his second EP Fox, the latter half of the two-part full-length The Vulture and The Fox coming soon. Hearing him calls to mind Shooter and Stapleton, but also a throwback to earlier singer-songwriters from Kris, Hank, and Croce! Jam out to the new single now, here at Ghost Cult, and purchase and stream it on all DSPs tomorrow.
At first, Jakethehawk’s second album closely adheres to the relentless wave of Stoner Doom. But while Hinterlands (Ripple Music) is rife with the heavy riffs and spaced-out psychedelia typical in the genre, it reveals a deep pool of influences that include Prog Rock, Shoegaze, Alternative, Folk, and a bit of Southern Rock among other tastes. The results are similar to the eclectic blend seen on Fostermother’s 2020 debut, though with a dramatic scope more in line with the likes of Howling Giant or Sergeant Thunderhoof.
I adore being entrusted with juicy secrets, ask my Skullpals. That does not necessarily mean I am successful at keeping the aforementioned secrets, also ask my Skullpals. Being the Skullgurl, I am privy to hearing new music before the general public. Every once and while I am sent a new album and I find myself checking to see if it was sent to me by the C.I.A. or the F.B.I. because the music is so mind-blowing, it must be highly guarded national secret. Such is the case with the new album by Blacktop Mojo, Under The Sun (Self-Released) The tertiary album by the Southern Rock dynamo’s is a secret that should not be kept, cannot be kept, from the music-loving populous. Full disclosure, I jumped on the Blacktop Mojo magic carpet ride in 2014 when I was sent their debut album, and have been continuously knocked on my keister by the magnitude of talent these five Southern gents possess.Continue reading
Another outfit from the lysergic dreamlands of San Diego, Sacri Monti left a sizeable impression with their self-titled 2015 debut album (Tee Pee Records) which was a psychedelic trip through heavy vibes. The quintet’s sophomore effort, Waiting Room For The Magic Hour (Tee Pee Records), is another faithful journey through drifting sands and heady atmospheres but shows a pleasing maturity and willingness to experiment.Continue reading
When you get an album with the band name Texas Hippie Coalition, you have a set of expectations about what it’s going to sound like. A mental image of the music pops into your brain. Texas Hippie Coalition did not disappoint with High In The Saddle (Entertainment One). True to form, it’s Texas-style southern rock with a scruffy “edge” to the lyrics and followable 4/4 beats. If you like listening to Down, Black Label Society, or Southern Train Gypsy, Texas Hippie Coalition is almost but not quite totally unlike that. High In The Saddle straddles the line of rock and roll and country and does so admirably. Continue reading
Album artwork can really help set the tone for an album. Providing a visual companion and interpretation to the audio within, it gives the listener an idea of what to expect when they delve into the main work of art. At first glance Bars Of Gold’s new album Shelters (Equal Vision) would set an expectation to the listener that this record would be a soothing record consisting of seaside recordings and other ambience.Continue reading
Troublesome and tumultuous times politically tends to bring out the best in musicians, with everyone from the world of Metal, Punk, Country, Folk, and Blues to name but a few raising their voices in protest. Wigan’s own John Fairhurst is strongly rooted in the latter camp, with his new album The Divided Kingdom (Unmanageable Records) containing impassioned rallying cries against greed and corruption, Brexit and the lying politicians involved with it, alongside riffs and hooks aplenty.Continue reading
Full disclosure here, when I saw the words “acoustic EP”, my toes curled up so far they nestled in my intestines and set off a chain reaction of cringing and shuddering. While King Creature may have established as a sturdy, powerful, energetic Blues Rocking act of growing repute, the acoustic EP is a difficult beast to digest (even without toes clogging up the tracts), with very few examples coming close to Alice In Chains Sap / Jar of Flies (Columbia) levels, and many more being indistinguishable filler littering the bargain bin of many a record store.Continue reading