From the team that brought you Maryland Deathfest, Quebec Deathfest, California Deathfest and, we now have a Scandinavia Deathfest! It makes almost too much sense, as the region has been the birthplace of some of the greatest bands and albums of the metal genre. Right off the bat, headlining the festival are the reunited original-LAEFS-lineup of Dismember are making an exclusive European appearance. Other bands confirmed are Benediction, Birdflesh, Centinex, Death Toll 80k, Demilich, Demonical, Entrails, General Surgery, Interment, Iron Lamb, Martyrdöd, Massgrav, Nuclear Assault, Purtenance, Putrid Vision, Rippikoulu, Rotten Sound, Sarcasm, Soils of Fate, Sorcery, Toxaemia, Unanimated, Undergang, and Wombbath. Taking over Stockholm on October 11-12 at Kraken Sthlm and Slaktkyrkan. , 2019, the ticket information can be found below. Weekend passes go on sale today!
The December edition of The Netherlands’ long-running avant-garde festival supreme, Incubate is fast approaching in a few weeks. Taking place December 10th and 11th; final performers, a creator-based comic book fair, and a Pole-Dancing Contest with Drone Plane experts have all been added to complete the lineup. Continue reading
The groundbreaking Incubate Festival’s third event of 2016 has made its first announcement of artists.Continue reading
Sometimes there are things that together simply make the perfect combination; fish and chips, The Chuckle Brothers, and metal music and horror movies. The relationship between these two art forms has been deep-rooted ever since Iommi and company first unleashed those infamous single notes on the world, taking their band name and that song title famously from Spanish 60’s flick Black Sabbath. It’s a relationship that Acid Witch have firmly embraced throughout their existence, and paid homage too on Midnight Movies (Hells Headbangers).
Acid Witch have always shown a little bit of a tongue in cheek side to them but this collection of covers taken from cult horror b-movie soundtracks is still surprisingly cartoonlike. Most of this is down to their shedding of their own doom/death roots, instead choosing to perform true and familiar renditions of the likes of Sorcery and Fastway, with some additional eerie growls. Production wise this has quite a sheen but doesn’t detract from the old-school vibe and keeps its atmosphere; all the while sounding like they are having the time of their lives.
Far from the year’s most important release of course; this is a complete nostalgia trip to some of metal and horror’s campest and animated moments with four covers that stick to the original formula and prove just as grin inducing.